Early Modern Drama · Character Archetypes

LUPUS

in Poetaster, or The Arraignment — Jonson, Ben

Metadata

PlayPoetaster, or The Arraignment
AuthorJonson, Ben
Year (catalogued)1602
First performance1601
Decade1600s
GenreComedy
Play typeBoys Professional
CompanyChildren of the Chapel (second)
TheaterBlackfriars;Indoor Professional
Speech prefix(es)Lup. | Lupus.
Words755
Characters4010
Typicality0.31 (cosine to cluster centroid)
TCP idB14290
BritDrama no.1296
ClusterCluster 18 — Chronicle statesmen & prelates

Important excerpts

No keyword-matching excerpt could be extracted (the cluster label doesn't share vocabulary with this character's speech).

Full speech

Indeed, Sir Marcus Ovid, these Players are and idle Ge neration, & do much harm in a State, corrupt young gentry very much, I know it: I have not been a Tribune thus long and observed nothing: beside, they will rob us, us, that are Magistrates, of our respect, bring us upon their Stages, & make us ridiculous to the Plebeians; they will play you, or me, the with sest men they can come by still; me: only to bring us in con tempt with the vulgar, and make us cheap. Come, let us talk here; here we may be private: shut the door, Lictor. You are a Player, you say. Good: and how are you able to give this intelligence? I cannot talk now; I charge you assist me: Treason, Treason, I: if you love the Emperor, and the State, follow me. Speak lower; you are not now i'your Theater, Sta her my sword Knave. They directed a letter to you, and your fellow-Sharers: forward. Caduceus? and Petasus? Let me see your Letter. This is a Conjuration; a Conspiracy, this. Quickly, on with my Buskin's: I'll act a Tragedy, faith. Will nothing but our Gods, serve these Poets to profane? dispatch. Player, I thank thee. The Emperor shall take knowledge of thy good service. Who's there now? Look knave. A Crown, and a Sceptre? this is good: Rebellion, now? What tellest thou me of Pothecaries, Knave? Tell him, I have affairs of State, in hand; I can talk to no Pothe caries, now. _____ Heart of me! Stay the Apothecary there. You shall see, I have fished out a cunning piece of Plot now; They have had some intellige ̄ ce, that their Project is discovered, and now have they dealt with my Apothecary, to poison me; 'tis so; knowing, that I meant to take Physic to day: As sure as Death, it's there. Jupiter, I thank thee, that thou hast yet made me so much of a Politician. You are welcome, sir; Take the potio ̄ from ̄ him there; I have and Antidote more then you wot of, Sir; Throw it on the ground there: So. Now fetch in the Dog; And yet we cannot tarry to try Experiments, now: Arrest him, you shall go with me, sir; I'll tickle you Potheca ry; I'll give you a Glyster, faith. Have I the Letter? I: it's here. Come, your Fasces, Lictors: The half pikes, & the Halberds, take them down from the Lares, there; Player, assist me. Good. Caesar shall know of this; believe it. Exeunt. Come, follow me, assist me, second me: where's the Emperor? I pronounce you all Traitors, horrible Traitors: What? Do you know my Affairs? I have Matter of danger, and state, to impart to Caesar. A Friend to Caesar. One that for Caesars good would speak with Caesar. I conjure thee; as thou art Caesar, or respectest thine own safety; or the safety of the state, Caesar: Hear me, speak with me, Caesar: it's no common business, I come about; but such as, being neglected, may concern the life of Caesar. Lay hold on Horace there; and on Mecoenas, Lic tors. Romans, offer no rescue, upon your Allegiance: Read roy all Caesar; I'll tickle you, Satire. I'll Lop you off, for and unprofitable branch, you Sa tyricall Varlet. Not understand it? A Libel, Caesar. A dangerous, seditious Libel. A Libel in Picture. I, I found it in this Horace his study; in Mecoenas his house, here; I challenge the penalty of the Laws against them. Know it? His hand is at it, Caesar. And Emblem? right: That's Greek for a Libel. Do but mark, how Confident he is. Innocence? o Impudence! Let me see, Let me see. Is not here and Eagle? And is not that Eagle meant by Caesar? would? Do's not Caesar give the Eagle? Answer me; what sayest thou? Now he's turned dumb. I'll tickle you, Satire. Dost thou pish me? Give me my Long sword. A Vulture? I; now, it's a Vulture. Oh, abhomina ble! Monstrous! Monstrous! ha not your Vulture a Beak? ha it not Legs? and Talons? and Wings? and Feathers? A Wolf? Good. That's I; I am the Wolf: My name's Lupus; I am meant by the Wolf. On, on; A Vulture, and a Wolf — And Ass? Good still: That's I, too. I am the Ass. You mean me by the Ass. No, Caesar: A Player gave me the first light of it, indeed. I, Caesar: this is he. Caesar.

Plot summary

Plot — Poetaster, or The Arraignment
Ovid’s father wants him to be a lawyer, but he prefers poetry. He attends an assignation of poets and their loves at Albius’ house. Crispinus, wishing to cuckold the jeweller, observes how taken his wife Chloé is with poets, and determines to become a poet himself. He forces his company on Horace, who escapes when an apothecary tries to arrest Crispinus for debt. Tucca intervenes to save him, and arranges for him to contribute to the controversial play satirizing poets which the players, anxious to attract audiences after a poor winter’s playing season, have hired Demetrius to write. Julia hosts a drunken banquet at court for the poets and ladies, who all dress as gods and goddesses, hiring appropriate props from the players, including a crown and sceptre. Lupus hears about this and, mistakenly believing that treason is plotted, brings the Emperor to interrupt the banquet. Appalled at the poets’ impiety and abuse of their talents, and at his daughter’s wantonness, Augustus banishes Ovid and imprisons Julia. A poetry reading by Virgil is interrupted by Lupus, who thinks he has detected more treason, and is exposed as a fool. Crispinus and Demetrius are tried for defamation of Horace and found guilty. Horace gives Crispinus a purge, and he vomits his obscure vocabulary. 1601 B-Text After the play has finished, two critics visit the author in his study and debate the play’s origins and the controversy over its personal satire; the author proposes that his next play will be a tragedy.