Early Modern Drama · Character Archetypes

JULIA

in Poetaster, or The Arraignment — Jonson, Ben

Metadata

PlayPoetaster, or The Arraignment
AuthorJonson, Ben
Year (catalogued)1602
First performance1601
Decade1600s
GenreComedy
Play typeBoys Professional
CompanyChildren of the Chapel (second)
TheaterBlackfriars;Indoor Professional
Speech prefix(es)Iul. | Iulia.
Words917
Characters4881
Typicality0.49 (cosine to cluster centroid)
TCP idB14290
BritDrama no.1296
ClusterCluster 5 — Romantic leads (high style)

Important excerpts

No keyword-matching excerpt could be extracted (the cluster label doesn't share vocabulary with this character's speech).

Full speech

Cytheris, she hath Favour, & behaviour, that commands as much of me; and sweet Chloë, know I do exceedingly love you, & that I will approve in any grace my father the Em perour may show you. Is this your husband? You must needs come to Court Lady i'faith, and there be sure your welcome shall be as great to us. Me thinks I love him, that he loves so truly. That shall not want: our self will be the first shall pro mice to pay him more then thanks, upon a favour so worthily vouchsafed. That we will Chloë; can he sing excellently? Good Sir, lets entreat you to use your voice. Nay Hermogenes, your merit hath long since been both known, and admired of us. 'Tis true: and well thought on, Cornelius Gallus. It's the common disease of all your Musicians, that they know no mean, to be entreated, either to begin, or end. Away with your Mattery Sentences, Momus; they are to graven, and wise, for this meeting. Wilt thou be ranging, Jupiter, before my face? Because it is thy wives Face, Jupiter. I will find fault with thee, King Cuckold-maker: what, shall the King of Gods turn the King of Good fellows, and have no Fellow in wickedness? This makes our Poets, that know our Profaneness, live as profane, as we: By my Godhead, Jupiter; I will join with all the other Gods, here; bind thee hand and foot; throw thee down into earth; and make a poor Poet of thee, if thou abuse me thus. I'ts well; Gods may grow impudent in Iniquity, and they must not be told of it. Your Nose is not long enough to do it, Jupiter; if all thy Strumpets, thou hast among the Stars took thy partly. And there is never a Star in thy Forehead, but shall be a Horn, if thou persist to abuse me, Ovid? my Love? Here? and not here? Oh, how that word does play With both our Fortune's, differing, Like our selves, Both one; and yet divided, as opposed? I High, thou Low: o, this our plighted of Place Doubly presents the two lets of our Love, Local and ceremonial Height, and Lowness: Both ways, I am too high; and thou, too low. Our Minds are even, yet: o, why should our Bodies, That are their slaves, be so without their rule? I'll cast my self down to thee; If I die, I'll ever live with thee: no height of Birth, Of Place, of Duty, or of cruel Power, Shall keep me from thee; should my Father lock This body up within a Tomb of Brass, Yet I'll be with thee: If the Forms, I hold Now in my Soul, be made one substance with it; That Soul immortal; and the same it's now: Death cannot raze th'affectes, she now retaineth: And then, may she be any where she will. The souls of Parents rule not Children's souls, When Death sets both in their dissolved estates: Then is no Child, nor Father: then Eternity Frees all, from any temporal respect. I come, my Ovid; take me in thine arms: And let me breath my soul into thy breast. Ay me, that Virtue, whose brave Eagles wings With every stroke, blow Stars, in burning Heaven; Should Like a Swallow (praying towards storms) Fly close to earth: and with and eager plume Pursue those Objects, which none else can see, But seem to all the world, the empty Air. Thus thou (poor Ovid ) and all virtuous men Must pray Like Swallows, on invisible food; Pursuing Flies, or nothing: and thus Love, And every worldly Fancy, is transposed, By worldly Tyranny, to what plighted it list. Oh, Father; since thou gavest me not my Mind, Strive not to rule it: Take, but what thou gavest To thy disposure, thy Affections Rule not in me; I must bear all my griefs, Let me use all my pleasures: "Virtuous Love Was never scandal to a Goddess state. But he's inflexible; and, my deer Love, Thy life may chance be shortened, by the length Of my unwilling speeches to depart. Farewell, sweet Life: though thou be yet exiled, Th'officious Court, enjoy me amply still: My Soul, in this my breath, enters thine Ears, And on this Turrets, Floor, will I lie dead, Till we may meet again; in this proud Height, I kneel beneath thee in my prostrate Love, And kiss the happy sands, that kiss thy feet. "Great Jove submits a Sceptre, to a Cell; "And Lovers, ere they partly, will meet in Hell. Ovid; my Love: alas, may we not stay A little longer (thinkest thou) undiscerned? I will be gone then; and not Heaven it self, Shall draw me back. I am content. Who shall go first, my Love? my passionate Eyes Will not endure to see thee turn from me. Then we must stay. We thank you good Albius: but when shall we see those excellent Jewels you are commended to have? Your belly weighs down your head, Bacehus: here's a song towards. Stay, Feather-footed Mercury; and tell Augustus, from us, the great Juno Saturnia; if he think it hard to do, as Ju piter hath commanded him, and Sacrifice his Daughter, that he had better to do so ten times, then suffer her to love the well-nosed Poet, Ovid; whom he shall do well to whip, or cause to be whipped, about the Capitol, for soothing her, in her Follies.

Plot summary

Plot — Poetaster, or The Arraignment
Ovid’s father wants him to be a lawyer, but he prefers poetry. He attends an assignation of poets and their loves at Albius’ house. Crispinus, wishing to cuckold the jeweller, observes how taken his wife Chloé is with poets, and determines to become a poet himself. He forces his company on Horace, who escapes when an apothecary tries to arrest Crispinus for debt. Tucca intervenes to save him, and arranges for him to contribute to the controversial play satirizing poets which the players, anxious to attract audiences after a poor winter’s playing season, have hired Demetrius to write. Julia hosts a drunken banquet at court for the poets and ladies, who all dress as gods and goddesses, hiring appropriate props from the players, including a crown and sceptre. Lupus hears about this and, mistakenly believing that treason is plotted, brings the Emperor to interrupt the banquet. Appalled at the poets’ impiety and abuse of their talents, and at his daughter’s wantonness, Augustus banishes Ovid and imprisons Julia. A poetry reading by Virgil is interrupted by Lupus, who thinks he has detected more treason, and is exposed as a fool. Crispinus and Demetrius are tried for defamation of Horace and found guilty. Horace gives Crispinus a purge, and he vomits his obscure vocabulary. 1601 B-Text After the play has finished, two critics visit the author in his study and debate the play’s origins and the controversy over its personal satire; the author proposes that his next play will be a tragedy.