in Lovers Made Men (The Masque at Lord Hay's) — Jonson, Ben
Metadata
Play
Lovers Made Men (The Masque at Lord Hay's)
Author
Jonson, Ben
Year (catalogued)
1617
First performance
1617
Decade
1610s
Genre
Masque
Play type
Occasional
Speech prefix(es)
CVPID | CVPID.
Words
205
Characters
1068
Typicality
0.27 (cosine to cluster centroid)
TCP id
B14287
BritDrama no.
1822
Cluster
Cluster 1 — Wives, widows & intimate counsel
Important excerpts
No keyword-matching excerpt could be extracted (the cluster label doesn't share vocabulary with this character's speech).
Full speech
WHy, now you take me! these are rites That grace Loves days, and crown his nights! These are the motions, I would see, And praise, in them that follow me! Not sighs, nor tears, nor wounded hearts, Nor flames, nor ghosts: but airy parts Tried, and refined as yours have been, And such they are, I glory in. Come, do not call it CUPIDS crime, You were thought dead, before your time. If thus you move to HERMES will Alone; you will be thought so still. Go, take the ladies forth, and talk, And touch, and taste too: Ghosts can walk. betwixt eyes, tongues, hands, the mutual strife Is bred, that tries the truth of life. They do, indeed, Like dead men move, That think they live, and not in love. HERMES, your too much wit, breeds too much fear. But, will you go? Can you leave LOVE, and he entreat you so? Here, take my quiver, and my bow, My torches too; that you, by all, may know I mean no danger to your stay: This night, I will create my holiday, And be yours, naked, and entire. I swear: and with Like cause thank MERCURY, As these have, to thank him, and destiny.
Plot summary
Plot — Lovers Made Men (The Masque at Lord Hay's)
The souls of lovers drowned by Love arrive in the underworld. Mercury conducts them to the River Lethe, where the Fates insist that they are not dead: their threads of life have not yet been cut, and they have only to drink from the river to be restored. They do so, and become men again. Dancing ensues. Cupid tries to tempt them back to their old ways, and induces them to dance with the ladies in the audience; but Mercury succeeds in persuading them to leave, evading the love-god’s power. Cupid agrees never again to seek to influence the lovers without admitting the moderating influence of Mercury.