Early Modern Drama · Character Archetypes

PLUTUS

in Coelum Britannicum (The British Heaven) — Carew, Thomas

Metadata

PlayCoelum Britannicum (The British Heaven)
AuthorCarew, Thomas
Year (catalogued)1634
First performance1634
Decade1630s
GenreMasque
Play typeOccasional
Theaterbefore the Court;Whitehall;
Speech prefix(es)Plut.
Words464
Characters2654
Typicality0.26 (cosine to cluster centroid)
TCP idA73704
BritDrama no.2428
ClusterCluster 21 — Old fathers & plain counsel

Important excerpts

No keyword-matching excerpt could be extracted (the cluster label doesn't share vocabulary with this character's speech).

Full speech

That I prevent the message of the gods Thus with my haste, and not attend their summons, Which ought in Justice call me to the place I now require of Right, is not alone To show the just precedence that I hold Before all earthly, next the immortal Powers; But to exclude the hope of partial Grace In all Pretenders, who, since I descend To equal trial, must by my example, Waving your favour, claim by sole Desert. If Virtue must inherit, she's my slave; I led her captive in a golden chain, About the world: She takes her Form and Being From my creation; and those barren seeds That drop from Heaven, if I not cherish them With my distilling dews, and fotive heat, They know no vegetation; but exposed To blasting winds of freezing Poverty, Or not shoot forth at all, or budding, wither: Should I proclaim the daily sacrifice Brought to my Temples by the toiling rout, Not of the fat and gore of abject Beasts, But human sweat, and blood poured on my Altars, I might provoke the envy of the gods. Turn but your eyes and mark the busy world, Climbing steep Mountains for the sparkling stone, Piereing the Centre for the shining Over, And the Ocean's bosom to rake pearly sands, Crossing the torrid and the frozen Zones, amidst Rocks and swallowing Gulfs, for gainful trade, And though opposing swords, fire, murdering Canon, Scaling the walled Town for precious spoils: Plant in the passage to your heavenly seats, These horrid dangers, and then see who dares Advance his desperate foot; yet am I sought, And oft in vain, through these, and greater hazards; I could discover how your Deities Are for my sake sleighted, despised, abused, Your Temples, Shrines, Altars, and Images Uncovered, rifled, robbed, and disarrayed By sacrilegious hands: yet is this treasure To the golden Mountain, where I fit adored With superstitious solemn rights conveyed, And becomes sacred there, the sordid wretch Not daring touch the consecrated Over, Or with profane hands lessen the bright heap; But this might draw your anger down on mortals For rendering me the homage endue to you: Yet what is said may well express my power Too great for Earth, and only fit for Heaven. Now, for you pastime, view the naked root, Which in the dirty earth, and base mould drowned, Sends forth this precious Plant, and golden fruit. You lusty Swains, that to your grazing flocks Pipe amorous Roundelays; you toiling Hinds, That barbe the fields, and to your merry Teams Whistle your passion; and you mining Moles, That in the bowels of your mother-Earth Dwell the eternal burden of her womb, Cease from your labours, when Wealth bids you play, Sing, dance, and keep a cheerful holiday.

Plot summary

Plot — Coelum Britannicum (The British Heaven)
Mercury comes to Britain from a heavenly court whose morals have been reformed through following the example of King Charles and Queen Henrietta Maria. He announces that Jove is so ashamed of his former life of sexual incontinence that he has removed from the night sky the stellified memorials of his former girlfriends, and intends to replace them with images of the King and Queen. Mercury is interrupted by Momus, who complains that he never gets to appear in any court masques, and describes critically the newly chaste court of heaven. Mercury conjures down the monsters from the constellations, then Cancer, the highest sign of the zodiac, then the constellations representing vices, and each group dances in turn. At last the sky is emptied. Momus invites applicants to fill the stellar vacancies. Plutus, Poverty, Fortune, and Pleasure all express interest, introduce antimasque dances, and are rejected. Momus leaves to prevent further suitors from entering. Mercury explains that only the King and Queen are worthy to be the new constellations. Britain’s heroic past is celebrated in dance, and the British worthies appear as new stars in the heavens, with the King pre-eminent among them. Allegorical virtues sing their praises, and further dancing ensues.