No keyword-matching excerpt could be extracted (the cluster label doesn't share vocabulary with this character's speech).
Full speech
Oh Friar, those are faults that are not seen, Ours open, and of worst example been. They call ours, Pagan pastimes, that infect Our blood with ease, our youth with all neglect; Our tongues with wantonness, our thoughts with lust, And what they censure ill, all others must. The dextrous Shepherd then would try his sling, Then dart his Hook at Daisies, then would sing. Sometime would wrestle. And all these deeds were seen without offence, Or the least hazard of their innocence. Sometime he sits, and thinks all day, then walks, Then thinks again; and sighs, weeps, laughs, and talks, And, betwixt his pleasing frenzy, and sad grief, Is so distracted; as no sought relief, By all our studies can procure his peace. See, yonder comes the brother of the Maid, Young Karolin! how curious, and afraid He is at once! willing to find him out, And loath to'offend him. But what is this To jolly Robin? who the Story is, Of all beatitude in Love? And with fame's voice. She's sick of the young Shep'ard that be kissed her. Have seen the changes! I do not know! The best is silence! And ears too. Her thoughts do work upon her, in her slumber. And may express some partly of her disease. As crooked as her body. Yes, I guess it was: Who was that left you, Karol? I wish you had a windo' in your bosom Or i your back: I might look through you, And see your in-parts, Karol, liver, heart; For there the seat of Love is. Whence the Boy (The winged Archer) hath shot home a shaft Into my sisters breast, the innocent Amy, Who now cries out, upon her bed, on Karol, Sweet singing Karol! the delicious Karol! That kissed her Like a Cupid! In your eyes, She says, his stand is! and between your lip's He runs forth his divisions, to her ears, But will not bide there, less your self do bring him Go with me Karol, and bestow a visit In charity, upon the afflicted Maid, Who pines with the languor of your love. So instantly? you know, I now but left her. Possessed with such a fit, almost to he frenzy; Your self too feared her, Marian; and did urge My haste, to seek out Karol, and to bring him. It's strange, that any art should so help nature In her extremes. She is recovered well, your Marian told us But now here: See, she is returned to affirm it! Enter Maudl: Like Marian. Maudl: espy king Robin-hood would run out, but he stays her by the Gir dle, and runs in with her. He returns with the Gir dle broken, and she in her own shape.
Plot summary
Plot — A Tale of a Tub
Audrey Turf is to be married to John Clay, even though her father has promised her to Squire Tub: she drew Clay in a Valentine’s Eve lottery and her parents are determined that she should marry him on Valentine’s Day. The vicar, Sir Hugh, alerts Tub, and lays a plot to stop the wedding; but also abets Justice Preamble’s scheming to get the girl for himself. Tub’s governor Hilts poses as a servant whose master, Captain Thumbs, was attacked nearby; he has brought Constable Turf orders from the Queen to raise a hue and cry to catch the criminals; moreover, his description of one of them fits Clay, the bridegroom. Turf is obliged to postpone the wedding, and leaves his daughter with Hilts, who hands her over to Tub. Audrey at first thinks herself too low-born to be the Squire’s wife, but is won over by the prospect of social advancement. But before Tub can get her to church, he is arrested by Preamble. The judge leaves Tub with a pursuivant, saying he must return Audrey to her father; but the pursuivant turns out to be Preamble’s clerk, Metaphor, in disguise, and he explains that Preamble is actually taking her to church to marry her himself. Clay goes into hiding. Tub tells Turf that the robbery was a ruse by Preamble to enable him to take Audrey. Turf breaks off the hue and cry and intervenes in time to prevent the marriage, and takes Audrey home. Sir Hugh poses as the robbed man, Captain Thumbs, and complains of Turf’s negligence. Turf is summoned before Preamble to answer for abandoning the chase; he must produce the thief, presumed to be Clay, or pay back the stolen money himself. He sends Metaphor to fetch the cash, but Sir Hugh tells Metaphor to bring Audrey too. Tub and Hilts bully the plot out of Metaphor, and arrange to intercept him as he returns with Audrey. Tub takes the girl and lets Hilts and Metaphor have the money; but his mother, who has been out looking for him, catches up with him just as he is about to take Audrey to church. He claims he was taking her home, but Lady Tub will not be put off, and sends Audrey home with her gentleman usher, Pol-Marten—who woos her for himself. Tub roots out a supposed devil in Turf’s barn: it turns out to be Clay, hiding in the straw. Pol-Marten disguises Audrey in Lady Tub’s clothes, and Sir Hugh marries them, not realizing who they are. Tub invites the company home to supper, where he has arranged a masque whose central feature is a tub, representing his family; it has been devised by the cooper Medley,…