Early Modern Drama · Character Archetypes

JESSICA

in The Merchant of Venice (The Jew of Venice) — Shakespeare, William

Metadata

PlayThe Merchant of Venice (The Jew of Venice)
AuthorShakespeare, William
Year (catalogued)1600
First performance1596
Decade1600s
GenreComedy
Play typeAdult Professional
CompanyLord Chamberlain's (Hunsdon's) Men
Speech prefix(es)Jeſſica. | Ieſſica. | Ieſ. | Ieſſ. | Jeſſi. | Ieſſi. | Ioſ.
Words555
Characters2796
Typicality0.30 (cosine to cluster centroid)
TCP idA68727
BritDrama no.1047
ClusterCluster 11 — Tosspots & tavern railers

Important excerpts

No keyword-matching excerpt could be extracted (the cluster label doesn't share vocabulary with this character's speech).

Full speech

I am sorry thou wilt leave my Father so, Our house is hell, and thou a merry devil Didst rob it of some taste of tediousness, But far thee well, there is a ducat for thee, And Lancelet, soon at supper shalt thou see Lorenso, who is thy new Masters guest, Give him this Letter, do it secretly, And so farewell: I would not have my Father See me in talk with thee. Farewell good Lancelet. Alack, what heinous sin is it in me To be ashamed to be my Father's child, But though I am a daughter to his blood I am not to his manners: o Lorenso If thou keep promise I shall end this strife, Become a Christian and thy loving wife. That were a kind of bastard hope in deed, so the sins of my mother should be visited upon me. Nay, you need not fear us Lorenzo, Lancelet and I are out, he tells me flatly there's no mercy for me in heaven, because I am a Jews daughter: and he says you are no good member of the commonwealth, for in converting Jews to Christians, you raise the price of pork. Call you? what is your will? His words were farewell mistress, nothing else. Lorenzo certain, and my love indeed, for who love I so much? and now who knows but you Lorenzo whither I am yours? And what hope is that I pray thee? I shall be saved by my husband, he hath made me a Chri stian? Farewell, and if my fortune be not crossed, I have a Father, you a daughter lost. Here catch this casket, it is worth the pains, I am glad us night you do not look on me, for I am much ashamed of my exchange: But love is blind, and lovers cannot see The prerty follies that themselves commit, for if they could. Cupid himself would blush to see me thus transformed to a boy. Who are you? tell me for more certainty, Albeit I'll swear that I do know your tongue. When I was with him, I have herd him swear to Tuball and to Chus, his countrymen, that he would rather have Anthonios flesh then twenty times the valve of the sum that he did owe him: and I know my lord, if law, authority, and power deny not, it will go hard with poor Anthonio. In such a night did Thisbe fearfully ore-trip the dew, and saw the Lyons shadow ere him self, and ran dismayed away. I wish your Ladyship all hearts content. I'll tell my husband Lancelet what you say, here he come? In such a night Medea gathered the enchanted herbs that did renew old Eson. In such a night did young Lorenzo swear he loved her well, stealing her soul with many vows of faith, and never a true one. I would out-night you did no body come: But hark, I hear the footing of a man. I am never merry when I hear sweet music. What, must I hold a candle to my shames, they in themselves goodsooth are too too light. Why, 'tis and office of discovery love, and I should be obscured. I will make fast the doors & guild my self with some more ducats, and be with you straight.

Plot summary

Plot — The Merchant of Venice (The Jew of Venice)
Bassanio plans to woo the heiress Portia, hoping that, if successful, her wealth will get him out of debt. His friend and principal creditor, the melancholy merchant Antonio, agrees to finance the venture, but all his money is tied up in commercial activity. He seeks a loan from the Jew Shylock, who himself raises the money by borrowing from his co-religionist Tubal. ===== PAGE 342 ===== 342 |. 1047. The Merchant of Venice Shylock is resentful of Antonio’s attacks on him for taking interest on loans, but frames a ‘merry bond’ which will entitle him only to a pound of Antonio’s flesh should the money not be repaid on the due date. Lancelot Gobbo leaves Shylock’s service and is hired by Bassanio, who is planning a going-away feast. Lancelot brings a letter from Shylock’s daughter Jessica to Lorenzo, whom she wishes to marry. Shylock is invited to the supper, and, while he is away, Lorenzo helps Jessica to escape from her father’s house; afterwards, it is unclear whether Shylock is more distressed by the loss of his daughter or the money she took with her. Bassanio leaves for Belmont, accompanied by Gratiano. Portia’s marital prospects are regulated by the will of her dead father: her suitors must choose which of three caskets contains her picture, and she may only wed the suitor who gets it right, while suitors who get it wrong must remain unmarried ever after. The Prince of Morocco chooses the golden casket, signifying a much-desired object, but gets only a death’s head. The Prince of Aragon chooses silver, signifying the suitor’s desert, and gets a fool’s head. Bassanio chooses lead, signifying that the suitor must risk everything, and gets Portia. She gives him a ring, which he promises never to remove. oo Rumours circulate in Venice that Antonio is ruined by the loss of all his ships. Unable to pay his debt to the vindictive Shylock, he writes to Belmont for Bassanio’s help. Lorenzo also comes to Belmont with Jessica, and, leaving her household in their care, Portia. secretly follows her new husband to Venice. Having acquired a disguise and a testimonial from a lawyer kinsman, she takes part in the hearing of Antonio’s case before the Duke. Shylock refuses either to accept the repayment of his money or to be merciful; but Portia points out that the bond entitles him to take no blood with his pound of flesh. Having plotted to kill a Venetian citizen, his life and goods are forfeit, but he is spared, on condition that he becomes a Christian and makes over…