Early Modern Drama · Character Archetypes

NATHANIEL

in Love's Labor's Lost — Shakespeare, William

Metadata

PlayLove's Labor's Lost
AuthorShakespeare, William
Year (catalogued)1598
First performance1595
Decade1590s
GenreComedy
Play typeAdult Professional
CompanyLord Chamberlain's (Hunsdon's) Men
Theaterbefore the Court;
Speech prefix(es)Nat. | Nath. | Curat Nath. | Curat. | Cura.
Words810
Characters4395
Typicality0.48 (cosine to cluster centroid)
TCP idA68726
BritDrama no.1031
ClusterCluster 8 — Martial kings & Roman gravity

Important excerpts

Passages from this character's speech that contain the most distinguishing words for Cluster 8 (massinissa, yaw, league, renown, quasi, apud…). Matches are highlighted.

shall want no instruction: If their Daughters be capable, I will put it to them. But Ʋ ir sapis qui pauca loquitur, a soul Femi nine salutes us. Master Person, quasi Person? And if one should be pierced, Which is the one? Of piercing a Hogshead, a good luster of conceit in a turph of Earth, Fire enough for a Flint, Pearl enough

Full speech

Very reverent sport truly, and done in the testimony of a good conscience. Sir he hath never fed of the dainties that are bred in a book. He hath not eat paper as it were: he hath not drunk ink. His intellect is not replenished, he is only and annimall, only sensible in the duller parts: and such barren plants are set before us, that we thankful should be: which we taste, and feeling, are for those parts that do fructify in us more then he. For as it would ill become me to be vain, indistreell, or a fool, So were there a patch set on Learning, to see him in a school. But omne be say I, being of and old Father's mind, Many can brook the weather, that love not the wind. A title to Phoebe, to Luna, to the Moon. Perge, good M. Holofernes perge, so it shall please you to abrogate squirilitie. A rare talon. This is a gift that I have simple: simple, a foolish extravagant spirit, full of forms, figures, shapes, objects, Ideas, aprehentions, motions, revolutions. These are begotten in the ventricle of Memory, nourished in the womb of prima ter, and delivered upon the mellowing of occasion: But the gift is good n those whom it is acute, and I am thankful for it. Me herele, if their Sons be ingenious, they shall want no instruction: If their Daughters be capable, I will put it to them. But Ʋ ir sapis qui pauca loquitur, a soul Femi nine salutes us. Master Person, quasi Person? And if one should be pierced, Which is the one? Of piercing a Hogshead, a good luster of conceit in a turph of Earth, Fire enough for a Flint, Pearl enough for a Swine: 'tis pretty, it is well. Facile precor gellida, quando pecas omniam sub umbra ru minat, and so forth. Ah good old Mantuan, I may speak of thee as the traveller does of Ʋ enice, vemchie, vencha, que non to unde, que non to perreche. Old Mantuan, old Mantuan, Who understandeth thee not, loves thee not, ut re solemnizing la mi fa: Under pardon sir, What are the contents? or rather as Hor raze says in his, What my soul verses. Let me hear a staff, a stauze, a verse, Lege domine. If Love make me forsworn, how shall I swear to love? Ah never faith could hold, if not to beauty vowed. Though to my self forsworn, to thee I'll faithful prove. Those thoughts to me were Oaks, to thee Like Osiers bowed Study his by as leaves, and makes his book thine eyes. Where all those pleasures live, that Art would comprehend. If knowledge be the mark, to know thee shall suffice. Well learned is that tongue, that well can thee commend. All ignorant that soul, that sees thee without wonder. Which is to me some praise, that I thy parts admire, Thy eye Jove's lightning bears, thy voice his dreadful thu ̄ der Which not to anger bent, is music, and sweet fire. Celestial as thou art, O pardon love this woug, That sings heavens praise, with such and earthly tonge. Here are only numbers ratified, but for the ele gancie, facility, and golden c dence of poesy caret: Ouiddius Naso was the man. And why in deed Naso, but for smel ling out the odoriferous flowers of fancy? the jerks of in uention imitarie is nothing: So does the Hound his master, the Ape his keeper, the tired Horse his rider: But Damosella virgin, Was this directed to you? I will ouerglaunce the superscript. To the snow hite hand of the most bewtious Lady Rosaline. I will look again on the intellect of the letter, for the no mination of the party written to the person written unto. Your Ladyships in all desired employment, Berowne. Marvelous well for the pen. And thank you to: for society (says the text) is the happiness of life. Truly M. Holofernes, the epythithes are sweetly vatried Like a scholar at the least: but sir I assure you it was a Buck of the first head. I praise God for you sir, your reasons at Dinner have been sharp & sententious: pleasant without scurillitie, witty without affection, audacious without impudency, learned without opinion, and strange without heresy: I did converse this quondam day with a companion of the kings, who is entitled, nominated, or called, Done Adriano de Ar matho. A most singular and choice Epithat, Laus deo, be intelligo. Vides ne quis venit? Where will you find men worthy enough to pre sent them? When in the world I lived, I was the world's commander: By East, West, North, and South, I spread my conquering might: My Scutcheon plain declares that I am Alexander. When in the world I lived, I was the world's commander.

Plot summary

Plot — Love's Labor's Lost
The King of Navarre has proclaimed a three-year period of study during which his courtiers must live abstemiously and refrain from seeing women; no woman may even approach the court. Unfortunately the Princess of France is due to arrive on a diplomatic mission concerning a dispute over money and territory, and the King is forced to meet her; however, the evidence in support of France’s claim against Navarre has not arrived, and the issue is deferred. Costard is caught canoodling with Jaquenetta and is remitted to Don Armado’s custody. Armado is himself enamoured of Jaquenetta, and sends Costard to her with a love-letter. Biron also pays Costard to carry a similar letter to his love, Rosaline, and Costard mixes up the two letters. Armado’s causes amusement to the French ladies when they receive it; Biron’s causes embarrassment to himself when, directed by Holofernes, Jaquenetta brings it to the King just after Biron has attacked him and the other lords for falling in love. Biron argues the illegitimacy of their original vows, and they set about wooing the ladies, first with gifts, then by appearing in a masque of Russians. The ladies confound the latter by wearing masks themselves and swapping gifts so that each lord woos the wrong lady; they also refuse to dance. Don Armado and the locals offer the court a pageant of the Nine Worthies, devised by the schoolmaster: it is mocked by the lords and breaks up in confusion when Costard accuses Don Armado of fathering the pregnant Jaquenetta’s baby. News then arrives that the King of France is dead. The lords propose marriage to the ladies, who refuse: the court of France is in mourning, and the lords must wait a year; given particular conditions by their ladies, the King will spend it in a hermitage and Biron trying vainly to entertain dying men. The play ends with a song of winter and spring, the owl and the cuckoo.