Early Modern Drama · Character Archetypes

DULL

in Love's Labor's Lost — Shakespeare, William

Metadata

PlayLove's Labor's Lost
AuthorShakespeare, William
Year (catalogued)1598
First performance1595
Decade1590s
GenreComedy
Play typeAdult Professional
CompanyLord Chamberlain's (Hunsdon's) Men
Theaterbefore the Court;
Speech prefix(es)Conſtab. | Conſt. | Antho. | Dul. | Dull.
Words237
Characters1152
Typicality0.21 (cosine to cluster centroid)
TCP idA68726
BritDrama no.1031
ClusterCluster 15 — Devils, vices & grotesques

Important excerpts

Passages from this character's speech that contain the most distinguishing words for Cluster 15 (ang, hunc, fleire, shillings, chil, sblood…). Matches are highlighted.

tell me by your wit, What was a month old at Cains birth, that's not five weeks old as yet? What is dictima? 'Tis true in deed, the Collusion holds in the Ex change. And I say the polusion holds in the Exchange: for the Moon is never but a month old: and I say beside that, it a Pricket that the Princess kill . If a talon be

Full speech

Which is the Dukes own person? Sir, the Dukes pleasure is that you keep Costard safe, and you must suffer him to take no delight, nor no pe nance, but a'must fast three days a week: for this Damsel I must keep her at the Park, she is allowed for the Day womand. Fare you well. I my self reprehend his own person, for I am his graces Farborough: But I would see his own person in flesh and blood. Signeour Arm Arm commends you: Ther's villainy abroad, this letter will tell you more Me ant shall please you? I am Anthony Dull. It not a haud credo, it a Pricket. I said the Dear was not a haud credo, it a Pricket. You two are bookmen, Can you tell me by your wit, What was a month old at Cains birth, that's not five weeks old as yet? What is dictima? 'Tis true in deed, the Collusion holds in the Ex change. And I say the polusion holds in the Exchange: for the Moon is never but a month old: and I say beside that, it a Pricket that the Princess kill . If a talon be a claw, look how he claws him with a talon. Nor understood none neither sir. I'll make one in a dance, or so: or I will play on the Taber to the worthies, and let them dance the heigh.

Plot summary

Plot — Love's Labor's Lost
The King of Navarre has proclaimed a three-year period of study during which his courtiers must live abstemiously and refrain from seeing women; no woman may even approach the court. Unfortunately the Princess of France is due to arrive on a diplomatic mission concerning a dispute over money and territory, and the King is forced to meet her; however, the evidence in support of France’s claim against Navarre has not arrived, and the issue is deferred. Costard is caught canoodling with Jaquenetta and is remitted to Don Armado’s custody. Armado is himself enamoured of Jaquenetta, and sends Costard to her with a love-letter. Biron also pays Costard to carry a similar letter to his love, Rosaline, and Costard mixes up the two letters. Armado’s causes amusement to the French ladies when they receive it; Biron’s causes embarrassment to himself when, directed by Holofernes, Jaquenetta brings it to the King just after Biron has attacked him and the other lords for falling in love. Biron argues the illegitimacy of their original vows, and they set about wooing the ladies, first with gifts, then by appearing in a masque of Russians. The ladies confound the latter by wearing masks themselves and swapping gifts so that each lord woos the wrong lady; they also refuse to dance. Don Armado and the locals offer the court a pageant of the Nine Worthies, devised by the schoolmaster: it is mocked by the lords and breaks up in confusion when Costard accuses Don Armado of fathering the pregnant Jaquenetta’s baby. News then arrives that the King of France is dead. The lords propose marriage to the ladies, who refuse: the court of France is in mourning, and the lords must wait a year; given particular conditions by their ladies, the King will spend it in a hermitage and Biron trying vainly to entertain dying men. The play ends with a song of winter and spring, the owl and the cuckoo.