Early Modern Drama · Character Archetypes

PALLAS

in Messalina, the Roman Empress — Richards, Nathaniel

Metadata

PlayMessalina, the Roman Empress
AuthorRichards, Nathaniel
Year (catalogued)1640
First performance1635
Decade1640s
GenreTragedy
Play typeAdult Professional
CompanyKing's Revels Company
Speech prefix(es)Pal. | Pall.
Words184
Characters1026
Typicality0.26 (cosine to cluster centroid)
TCP idA68655
BritDrama no.2472
ClusterCluster 17 — Intriguers & schemers

Important excerpts

No keyword-matching excerpt could be extracted (the cluster label doesn't share vocabulary with this character's speech).

Full speech

Who but Claudius, unworthy of Empire, Drunk with the dregs of overlight belief Would be so gross lie guled. And must do still, or certainly we perish. Thereby indeed man rarely Rests deceived, which for to put in speedy Practice, and stop the marriage, you and I My Lord (under the veil of friendship) will To Room ; persuade the Empr'esse Caesar is Himself; perceives that all her plots to his Destruction tends; the lose of Empire and the abuse of 'his bed, dissuaded her from the Love of Silius, which (in the refusal) Blood and fire must quench. Loved of the people. In Caesars Chariot glistering Like the Sun, Abused (forsooth) for fear of Prodigies. The high and mighty Cuckold. What you ought you are. In si ne whereof, From the high top, the temple of God Mars Let a bright burning Torch i'th' dead of night Waft our approach. Farewell my noble Lord. Exit. Pa. Prisoner my Lord, safe in Lucullu's garden Live royal Emperor long and happy live, To add to your revenge behold I bring The approbrious Faction unto Silius.

Plot summary

Plot — Messalina, the Roman Empress
Having successfully competed with the prostitute Calpurnia to see which of them can sleep with more men in 24 hours, the Empress Messalina sets her sights on the chaste Silius as her lover. He is summoned to the brothel and successfully seduced. The Emperor Claudius leaves Rome for an annual religious ceremony. While he is away, Messalina’s debauchery has free rein. Romans are summoned to court to participate: the actor Mnester is tortured into compliance, and three women taking refuge with Lepida, Messalina’s mother, are murdered when they refuse to come. Messalina invokes the Furies to make her sexy, and resists Lepida’s attempts to persuade her to a chaste life; Lepida goes mad. Silius is sent to murder his wife, Silana, but finds himself unable to go through with it; instead he conceals from Messalina the fact that she is still alive. Messalina’s seduction programme is not universally successful: she identifies Montanus as a desirable sexual partner, but he resists her and flees Rome. She decides to go through a ceremony of marriage with Silius, and has a document of approval drawn up and authenticated with the imperial seal. A wedding masque is planned, in which the Vestal Virgins are to be raped; but Lepida overhears the arrangements being discussed, and rescues the Virgins through a secret passage before they are called on to perform. They are pursued by Messalina’s agents, but the earth swallows them and the Virgins are saved; the pander Saufellus is confronted by the ghosts of the three murdered women and struck by a thunderbolt before he goes down. Claudius’ minions inform him of Messalina’s sexual misconduct, and he sends in the guard. The palace is raided and Messalina’s favourites killed. Silana arrives too late to help Silius, and dies kissing his dead lips. Claudius orders Messalina to be tried before the Senate, but his minion Narcissus fears his susceptibility to her feminine wiles, and sends an executioner to kill her. She is visited by the ghosts of her victims, agents, and favourites, and pre-empts the executioner by taking her own life. Claudius decides not to marry again.