Early Modern Drama · Character Archetypes

KATHERINE

in Your Five Gallants (The Five Witty Gallants) — Middleton, Thomas

Metadata

PlayYour Five Gallants (The Five Witty Gallants)
AuthorMiddleton, Thomas
Year (catalogued)1608
First performance1607
Decade1600s
GenreComedy
Play typeBoys Professional
CompanyChildren of the Queen's Revels
TheaterBlackfriars;Indoor Professional
Speech prefix(es)Kath. | Kat. | Kath | Kathe.
Words462
Characters2561
Typicality0.46 (cosine to cluster centroid)
TCP idA68468
BritDrama no.1528
ClusterCluster 2 — Allegory, Nature & pageant voices

Important excerpts

No keyword-matching excerpt could be extracted (the cluster label doesn't share vocabulary with this character's speech).

Full speech

Good Master Fitsgraue? Through sorrow or the knight my father's death, (Whose being was the perfections of myioye: And crown of my desires,) I cannot yet, But forcedly, on marriage fi e my heart, Yet heaven forbid I should deject your Hope's Conceive not ofn eso uncharitably, I should belie my soul if I should say, You are the man I never should affect: I understand you thus far, you're a Gentleman Whom your estate and virtues may command To a far worthier breast, then this of mine, See, the gentlemen, at my request do all present themselves? I take your wishes thankfully? —kind gentlemen! all here assembled, over whose long suits, I near insulted, Not Like that common sickness of our sex, Grew proud in the abundance of my suitors, Or number of the days they sued unto me. Dutiful sorrow for my father's death, Not wilful coyness hath my hours detained So long in silence: Im'e left to mine own ehoyce, so much the more My care calls on me If I err through love, 'Tis I must chide my self, I cannot shift The fault unto my parents, they're at rest, And I shall sooner err through love, then wealth. And my affections do pronounce you all Worthy their pure and most entire deserts, Yet they can choose but one, Nor do I dissuade any of his Hope's, (Because my heart is not yet thoroughly fixed, On marriage, or the man,) But crave the quiet respite of one month, The month unto this night, against which time , I do invite you all to that election, Which on my unstained faith, and Virgin promise, Shall light amongst no strangers, but your selves: May this content you? Alienis ecce crumenis. Fratremque, Patremque. Consumptio victus. A Cuckoo: en anis ex a ibus. Are you all as the speech and shields display you? The very chain of Pearl was filched from me. Will none lay hands on him. How easily may our suspectless sex, With fair appearing shadows be deluded: Dear sir, you have the work so well begun, That took from you small glory would be won. To them I give my thanks: my self to thee, Thrice worthy Fitsgraue. And I presume ther's none but those can frown, Whose nu S Like the rushes we tread down. Mine cannot equal yours, yet in exchange, accept and wear it for my sake. It's a good time to leave, Till then, commend us to your gentlest thoughts. Occultos vendit honores. Grave gentlemen, in whose approved bosoms, My deceased father did repose much faith Your dearly welcome: pray fit, command music, See nothing want to beautify this night, That holds my election in her peaceful arms, Feasts, Music, Hymns, those sweet celestial swarms.

Plot summary

Plot — Your Five Gallants (The Five Witty Gallants)
The bawd-gallant Primero needs to dress Novice, his new courtesan, attractively, so he hires a recently pawned gown from Frip, the broker-gallant, in return for a lesson in how to cheat at cards. The heiress Katherine is the object of many suitors, including five gallants and Fitzgrave. Fitzgrave gives 1607 her a chain of pearl, which is almost immediately stolen for the pocket-gallant Pursenet. Katherine wishes to be left alone for a month, so Fitzgrave decides to spend the time in disguise, spying on his rivals, the gallants, in the hope of discovering something to their discredit. He joins them in visiting Primero’s brothel, where his pocket is picked and a jewel he received from Katherine is stolen. Pursenet-gives the pearls and the jewel to a courtesan, but afterwards she gives them to the whore-gallant Tailby, whom she loves. The gallants repair to a tavern. The cheating gallant Goldstone steals two beakers, replacing them with replicas of lesser value; he also steals a goblet, using sealing-wax to stick it to the underside of the table so that it will not be noticed when sought. Tailby gambles, but keeps losing and pawns his clothes to Frip to get more stake-money. The next day, he receives new clothes and money sent by importunate mistresses; one of them wants an assignation with him in her husband’s absence. He goes off to see her, but first tells Pursenet, who ambushes him on the way and robs him of his money and the pearls. Pursenet recognizes the latter, and realizes that they must be sharing the courtesan. He also attempts to rob Fitzgrave, but retires wounded when Fitzgrave fights back. Pursenet confronts the courtesan with the chain of pearls; she makes an excuse, claiming they were borrowed by her brother, and takes them back. The gallants return to the tavern. Pursenet’s boy is caught picking Bungler’s pocket. Pursenet intervenes and threatens the boy with Bridewell, whereupon Bungler relents to save the boy from such a corrupting environment. Goldstone purloins Fitzgrave’s cloak and pawns it to Frip, who goes out wearing it. Pursenet mistakes him for Fitzgrave and wounds him in reprisal for the injury he sustained during the robbery. Fitzgrave recognizes the cloak and demands that Goldstone return it; but Goldstone says it was stolen from him. Bungler is invited to dine with Mistress Newcut, with an open invitation to bring friends; she was hoping to entertain Tailby, but Bungler brings Goldstone instead, and he steals a valuable…