Early Modern Drama · Character Archetypes

LODOWICK

in The Reign of King Edward the Third — Anonymous; Shakespeare, William (?)

Metadata

PlayThe Reign of King Edward the Third
AuthorAnonymous; Shakespeare, William (?)
Year (catalogued)1596
First performance1590
Decade1590s
GenreHistory
Play typeAdult Professional
CompanyDerby's (Strange's) Men (?)
Speech prefix(es)Lor: | Lo: | Lo. | Lor,
Words512
Characters2710
Typicality0.34 (cosine to cluster centroid)
TCP idA21144
BritDrama no.952
ClusterCluster 12 — Wooers, gallants & courtly love-talk

Important excerpts

No keyword-matching excerpt could be extracted (the cluster label doesn't share vocabulary with this character's speech).

Full speech

The most renowned prince K. John of France, Does greet thee Edward, and by me commands, That for so much as by him liberal gift, The Guyen Dukedom is entailed to thee, Thou do him lowly homage for the same. And for that purpose here I somon thee, Repair to France within these forty days, That there according as he coustome is. Thou mayest be sworn true liegeman to our King, Or else thy title in that province die, And he him self will repossess the place. Then Edward here in spite of all thy Lords, I do pronounce defiance to thy face. take my leave and fairly will return Your acceptable greeting to my king. I might perceive his eye in her eye lost, His care to drink her sweet tongues utterance, And changing passion Like inconstant clouds: That rack upon the carriage of the winds, Increase and die in his disturbed cheeks: Lo when she blushed, even then did he look pale, As if her cheeks by some enchanted power, Attracted had the cheery blood from his, A none with reverent fear, when she grewpale, His cheek put on their scarlet ornaments, But no more Like her oryent all read, Then Brick to Coral, or live things to dead, Why did he then thus counterfeit her looks, If she did blush it tender modest shame, Being in the sacred present of a King. If he did blush, it read immodest shame, To wail his eyes amiss being a king: If she looked pa e, it silly woman's fear, To bear her self in presence of a king: If he looked pa e, it was with guilty fear, To dote a mi see being a mighty king, Then Scottish wars farewell, I fear 'twill prove A lingering English siege of peevish love, Here comes his highness walking all alone. To whom my Lord shall I direct my style. Writ I to a woman? I go. I will my liege. I will my sovereign. Ready my liege. I have not to a perjod brought her praise. More fair and chased then is the queen of shades: What is the other fault, my sovereign Lord, More fair and chased, More fair and chased then is the lover of shades, More bold in constancy. Then Judith was, Theres all that yet is done. That yet my liege ere night, She will resolve your majesty. To lay aside unnecessary soothing, And not to spend the time in circumstance, 'Tis bruited for a certainty my Lord, That he's exceeding strongly fortified, His subjects flock as willingly to war, As if unto a triumph they were led. All but the Scot, who solemnly protests, As here to before I have enformd his grace, Never to sheath his Sword, or take a truce. My liege the drum that stroke the lusty march, Stands with Prince Edward your thrice valiant son. My liege, the Countess with a smiling cheer. Desires access unto your Majesty. Of what condition or estate she is, It requisite that I should know my Lord,

Plot summary

Plot — The Reign of King Edward the Third
KingledwWardlll of England hears of his claim to the French throne by his mother’s right, and plans an invasion. The French have induced the Scots to invade England, and they have laid siege to the Countess of 1593 Salisbury’s castle. King Edward goes north to deal with them, and they flee at his approach, but the Countess persuades him to stay rather than pursue them. He falls in love with her, but neither his wooing nor her father’s unwilling advocacy can overcome her fidelity to her husband. She breaks his obsession by first demanding the deaths of his queen and her husband, then threatening to stab herself. With his troops mustered, Edward sets off for France. The French gather their allies about them, but their navy fails to prevent the English from landing. Edward’s army lays waste the country, and the inhabitants flee. PRGSIBAWArd is formally armed, and his father refuses to commit troops to help him out of danger at the battle of Crécy; the honour of his victory is thereby the greater. MHeEArNonSalisbiity releases his prisoner Willli@rs to seek safe conduct for him to Calais, on condition that he returns a prisoner if unsuccessful. His insistence on keeping his oath to return persuades the reluctant Dalipiin to issue a passport. Emboldened by an ambiguous prophecy, the French give battle to Prince Edward. Salisbury is captured, but produces his passport; Kimggohih is reluctantly compelled to honour it. The terms of the prophecy are fulfilled: the French army is frightened by ravens and, out of ammunition, the Prince’s army fights with the stones of the earth. The French are routed and King John taken prisoner. King Edward besieges Calais: after expelling its poor men to save food, the town surrenders; but Edward’s terms are that six leading burgesses must give themselves up within two days to suffer what fate he pleases. He is about to attack when they do so; and QHeeHEPHTippa persuades Edward to spare their lives. THEIKINGOHSESts is taken prisoner, and his captor brings him to France to surrender him to King Edward in person. Prince Edward also brings his father the gift of a captive king; King John is taken prisoner to England.