in Satiromastix, or The Untrussing of the Humorous Poet — Dekker, Thomas
Metadata
Play
Satiromastix, or The Untrussing of the Humorous Poet
Author
Dekker, Thomas
Year (catalogued)
1602
First performance
1601
Decade
1600s
Genre
Comedy
Play type
Adult Professional; Boys Professional
Company
Lord Chamberlain's (Hunsdon's) Men and Children of Paul's (second)
Speech prefix(es)
2 | 2.
Words
518
Characters
2774
Typicality
0.55 (cosine to cluster centroid)
TCP id
A20081
BritDrama no.
1304
Cluster
Cluster 10 — Mourners, mothers & doleful voices
Important excerpts
Passages from this character's speech that contain the most distinguishing words for Cluster 10 (earine, jarbus, alack, vapours, mishap, hapless…). Matches are highlighted.
Pity, alack pretty heart, thou art sorry to see any good thing fallen to the ground: pity? no more pity, then to see and Innocent Maidenhead delivered up to the ruffling of
Full speech
Pity, alack pretty heart, thou art sorry to see any good thing fallen to the ground: pity? no more pity, then to see and Innocent Maidenhead delivered up to the ruffling of her new-wedded husband. Beauty is made for use, and he that will not use a sweet soul well, when she is under his fingers I pray Venus he may never kiss a fair and a delicate, soft, red' plump-lip. Pity? come fool fling them about lustily; flowers ne ver die a sweeter death, than when they are smothered to death in a Lovers bosom, or else pave the high ways, over which these pretty, simpering, jetting things, called brides, must trip. One reason is, because 'tis—o a most sweet thing to lie with a man. I warrant all men are of thy mind: another reason is, because they stick Like the scutcheons of madame chasti ty, on the sable ground, weeping in their stalks, and wink king with their yellow-sunk eyes, as loath to behold the lamentable fallen of a Maidenhead: what senseless thing in all the house, that is not now as melancholy, as a new setup Schoolmaster? Troth I think thou mournest, because th'ast missed thy turn, I do by the quiver of Cupid: you see the torches melt themselves away in tears: the instruments wear their heart strings out for sorrow: and the Silver Ewers weep most pitiful Rosewater: five or six pair of the white innocent wedding gloves, did in my sighed choose rather to be torn in pieces than to be drawn on; and look this Rosemary, (a fatal herb) this dead-mans nosegay, has crept in amongst these flowers to deck th'nuisible coarse of the Brides May denhead, when (o how much do we poor wenches suffer) a bout eleven or twelve, or one a clock at midnight at furthest, it descends to purgatory, to give notice that Caelestine (heigh ho) will never come to led Apes in hell. If I had as many Maidenheads, as I have hairs on my head I'de venture them all rather then to come into so hight a place; prithee strew thou, for my little arms are weary. No faith that's Like a woman bitten w to fleas, it neuerlyes still: you vpont, what a miserable thing 'tis to be a noble Bride, there's such delays in rising, in fitting gowns, in tiring, in pinning Rebates, in poking, in dinner, in supper, in Revels, & last of all in cursing the poor nodding fiddlers, for keeping Mistress Bride so long up from sweeter Revels; that, o I could never endure to put it up without much bickering. Is she up? nay then I see she has been down: Lord would mercy on us, we women fallen and fallen still, and when we have husbands we play upon them Like Virginal Jacks, they must rise and fallen to our humours, or else they'll never get any good strains of music out of us; but come now, have at it for a maidenhead. When we come to your years, we shall learn what honesty is, come pewfellow.
Plot summary
Plot — Satiromastix, or The Untrussing of the Humorous Poet
Celestine and Sir Walter Terrill are married. At the wedding dinner, the King becomes enamoured of Celestine and induces the bridegroom to swear to give up his first night of sex with her: he must deliver her to court that evening, still a virgin. Her father, Sir Quintilian, devises a scheme to save both her honour and Sir Walter’s: he gives her a cup of poison, and she drinks it. She keeps her marriage vows, and Sir Walter delivers her body to the King as part of a masque. The King is abashed to discover that she is a chaste, faithful wife. Then she wakes up: it was only a sleeping draught, and Sir Quintilian has proved both the bride’s constancy and the bridegroom’s love. In the sub-plot, Sir Quintilian and two other knights all become interested in marrying the widow Mistress Miniver, and each independently bribes Tucca to advance his suit. Miniver seems most interested in the bald Sir Adam, so Sir Vaughan engages Horace to write a satire against baldness. He invites the ladies, including Miniver, to a banquet of plums, and there Horace recites his poem on the glories of hair. The poem has the desired effect on Miniver; but Sir Adam hires Horace’s rival, Crispinus, to write a defence of baldness. It all comes to naught, however, for Tucca ends up marrying Miniver himself. In the third plot, Horace’s bitter epigrams against Tucca get into circulation among the gallants. Tucca swears vengeance, and stabs Horace, but with an edgeless sword; Horace’s response is shown to derive from fear rather than physical pain. Horace is accused of giving up a useful trade, bricklaying, and of unlawfully arraigning his rivals on the stage. He is brought to court dressed as a satyr, and the King appoints Crispinus to judge him. Crowned with a nettle wreath, Horace is exposed as an impostor (the real Horace was a better poet), and is made to forswear his inclination to arrogance and personal satire.