in Satiromastix, or The Untrussing of the Humorous Poet — Dekker, Thomas
Metadata
Play
Satiromastix, or The Untrussing of the Humorous Poet
Author
Dekker, Thomas
Year (catalogued)
1602
First performance
1601
Decade
1600s
Genre
Comedy
Play type
Adult Professional; Boys Professional
Company
Lord Chamberlain's (Hunsdon's) Men and Children of Paul's (second)
Speech prefix(es)
Dicach. | Dica.
Words
168
Characters
836
Typicality
0.21 (cosine to cluster centroid)
TCP id
A20081
BritDrama no.
1304
Cluster
Cluster 7 — Pedants, satyrs & Latin wit
Important excerpts
No keyword-matching excerpt could be extracted (the cluster label doesn't share vocabulary with this character's speech).
Full speech
A maze is Like a doubt: 'Tis easy to go in, hard to get out. Almost all ir Vaughan: why to which of us are you so niggardly, that you cut her out but a piece of well come. Nay for no harm, I ask because I thought you two had been of acquaintaine. Madam Philocalia, you fit next that spare Gen tleman, wood you herd what Mistress Miniver says of you. Mistress Miniver, is not that innocent Gentleman a kind of fool? Nay nothing, but wishes you were married to that S all timbered gallant. That same Horace me thinks has the most ungod lie face, by my Fan; it looks for all the world, Like a rotten rus set Apple, when 'tis bruised: Its better then a spoonful of Si namon water next my heart, for me to hear him speak; he sounds it so i'th nose, and talks and randes for all the world, Like the poor fellow under Ludgate: o fie up on him.
Plot summary
Plot — Satiromastix, or The Untrussing of the Humorous Poet
Celestine and Sir Walter Terrill are married. At the wedding dinner, the King becomes enamoured of Celestine and induces the bridegroom to swear to give up his first night of sex with her: he must deliver her to court that evening, still a virgin. Her father, Sir Quintilian, devises a scheme to save both her honour and Sir Walter’s: he gives her a cup of poison, and she drinks it. She keeps her marriage vows, and Sir Walter delivers her body to the King as part of a masque. The King is abashed to discover that she is a chaste, faithful wife. Then she wakes up: it was only a sleeping draught, and Sir Quintilian has proved both the bride’s constancy and the bridegroom’s love. In the sub-plot, Sir Quintilian and two other knights all become interested in marrying the widow Mistress Miniver, and each independently bribes Tucca to advance his suit. Miniver seems most interested in the bald Sir Adam, so Sir Vaughan engages Horace to write a satire against baldness. He invites the ladies, including Miniver, to a banquet of plums, and there Horace recites his poem on the glories of hair. The poem has the desired effect on Miniver; but Sir Adam hires Horace’s rival, Crispinus, to write a defence of baldness. It all comes to naught, however, for Tucca ends up marrying Miniver himself. In the third plot, Horace’s bitter epigrams against Tucca get into circulation among the gallants. Tucca swears vengeance, and stabs Horace, but with an edgeless sword; Horace’s response is shown to derive from fear rather than physical pain. Horace is accused of giving up a useful trade, bricklaying, and of unlawfully arraigning his rivals on the stage. He is brought to court dressed as a satyr, and the King appoints Crispinus to judge him. Crowned with a nettle wreath, Horace is exposed as an impostor (the real Horace was a better poet), and is made to forswear his inclination to arrogance and personal satire.