Early Modern Drama · Character Archetypes

DEMETRIUS

in Satiromastix, or The Untrussing of the Humorous Poet — Dekker, Thomas

Metadata

PlaySatiromastix, or The Untrussing of the Humorous Poet
AuthorDekker, Thomas
Year (catalogued)1602
First performance1601
Decade1600s
GenreComedy
Play typeAdult Professional; Boys Professional
CompanyLord Chamberlain's (Hunsdon's) Men and Children of Paul's (second)
Speech prefix(es)Dem. | D • me.
Words401
Characters2010
Typicality0.26 (cosine to cluster centroid)
TCP idA20081
BritDrama no.1304
ClusterCluster 7 — Pedants, satyrs & Latin wit

Important excerpts

Passages from this character's speech that contain the most distinguishing words for Cluster 7 (sicut, istis, quasi, crites, animal, quatuor…). Matches are highlighted.

draw blood of you, blame us not, we are men: Come, let thy Muse bear up a smoother sail, 'Tis the easiest and the basest Art to rail, Why, what does it smell of Bubo? I believe thee, for they had needs to be very low & easy Stile of wit that thy brains go over. Nay Captain stay, we are of your band. 'Tis a quaint strain. Mine
Captain stay, we are of your band. 'Tis a quaint strain. Mine has the sharpest tooth, yonder he is. And dispersed amongst the gallants In several copies, by Asinius Bubo. Tucca will bite, how? grown Satirical, No, he bites tables, for he feeds on all. I'll led you in. Well said, come, come, where's the Bride? Both shall appear,

Full speech

Flaccus. I, and a Hodgshead too of your own, but that will never be scoured clean I fear. I thank you good for your love, I fildome take that Physic, 'tis enough Having so much fool to take him in snuff. If you swear, dam me Faninus, or Crispinus, Or to the law ( Our kingdoms golden chain ) To Poets dam me, or to Players dam me, If I brand you, or you, tax you, scourge you: I wonder then, that of five hundred, four hundred five, Should all point with their fingers in one instant At one and the same man? Come, you cannot excuse it. You must Dam be on thick colours then to hide it. In troth we do, oh to of our loves we come, And not revenge, but if you strike us still, We must defend our reputations: Our pens shall Like our swords be always sheathed, Unless too much prou , I then They draw blood of you, blame us not, we are men: Come, let thy Muse bear up a smoother sail, 'Tis the easiest and the basest Art to rail, Why, what does it smell of Bubo? I believe thee, for they had needs to be very low & easy Stile of wit that thy brains go over. Nay Captain stay, we are of your band. 'Tis a quaint strain. Mine has the sharpest tooth, yonder he is. And dispersed amongst the gallants In several copies, by Asinius Bubo. Tucca will bite, how? grown Satirical, No, he bites tables, for he feeds on all. I'll led you in. Well said, come, come, where's the Bride? Both shall appear, " No black-tied star must stickein virtues Sphere. Smell whom? Good Horace, no; my cheeks do blush for thine, As often as thou speakest so, where one true And nobly-virtuous spirit; for thy best partly Loves thee, I wish one ten, even from my heart. I make account I put up as deep share In any good men love which thy worth earns, As thou thy self; we envy not to see, Thy friends with Baize to crown thy Poesy. No, here the gall lies, we that know what stuff Thy very heart is m de of; know the sta ke On which thy learning grows, and can give li e To thy (once dying) baseness; yet must we Dance Antics on your Paper.

Plot summary

Plot — Satiromastix, or The Untrussing of the Humorous Poet
Celestine and Sir Walter Terrill are married. At the wedding dinner, the King becomes enamoured of Celestine and induces the bridegroom to swear to give up his first night of sex with her: he must deliver her to court that evening, still a virgin. Her father, Sir Quintilian, devises a scheme to save both her honour and Sir Walter’s: he gives her a cup of poison, and she drinks it. She keeps her marriage vows, and Sir Walter delivers her body to the King as part of a masque. The King is abashed to discover that she is a chaste, faithful wife. Then she wakes up: it was only a sleeping draught, and Sir Quintilian has proved both the bride’s constancy and the bridegroom’s love. In the sub-plot, Sir Quintilian and two other knights all become interested in marrying the widow Mistress Miniver, and each independently bribes Tucca to advance his suit. Miniver seems most interested in the bald Sir Adam, so Sir Vaughan engages Horace to write a satire against baldness. He invites the ladies, including Miniver, to a banquet of plums, and there Horace recites his poem on the glories of hair. The poem has the desired effect on Miniver; but Sir Adam hires Horace’s rival, Crispinus, to write a defence of baldness. It all comes to naught, however, for Tucca ends up marrying Miniver himself. In the third plot, Horace’s bitter epigrams against Tucca get into circulation among the gallants. Tucca swears vengeance, and stabs Horace, but with an edgeless sword; Horace’s response is shown to derive from fear rather than physical pain. Horace is accused of giving up a useful trade, bricklaying, and of unlawfully arraigning his rivals on the stage. He is brought to court dressed as a satyr, and the King appoints Crispinus to judge him. Crowned with a nettle wreath, Horace is exposed as an impostor (the real Horace was a better poet), and is made to forswear his inclination to arrogance and personal satire.