Early Modern Drama · Character Archetypes

FARNESE

in If It Be Not Good, the Devil Is in It (If This Be Not a Good Play, the Devil Is in It) — Dekker, Thomas

Metadata

PlayIf It Be Not Good, the Devil Is in It (If This Be Not a Good Play, the Devil Is in It)
AuthorDekker, Thomas
Year (catalogued)1612
First performance1611
Decade1610s
GenreComedy
Play typeAdult Professional
CompanyQueen Anne's Men
TheaterRed Bull;Outdoor Professional
Speech prefix(es)Far.
Words195
Characters988
Typicality0.32 (cosine to cluster centroid)
TCP idA20066
BritDrama no.1641
ClusterCluster 21 — Old fathers & plain counsel

Important excerpts

No keyword-matching excerpt could be extracted (the cluster label doesn't share vocabulary with this character's speech).

Full speech

Now afore the King And his Lords here, thou liest: th'ast paid me none. Though my collar stand So hie, it scarce bears up this falling band. Thou sayest thowlt swear th'ast paid it: ud nails swear so, And the fowl eende go with't: 200. crowns? I would lost as much at loggets: swear but to revel, And spend't in hell, gallop thee and that toth' devil. Man wherefore dost not swear? Draw thy heart out an't wut: thou mayest well say thy false eyes. Thats now, be Dam odd, and so away. Zounds not in silver: by this book I had none. He, he, as I am true Curstian man. Oh ju tice I fallen down dead Would I had lost all though I had been cozened, Rather than thou thy soul. See his staff (beating the earth, for heaven loves ruth Is burst in shivers, and that gold he swore W p y'd to me, lies scattered on the over. I'll take this gold at venture, (sweet young King,) For all this hellhound owes me. I am paid: the devils turned puritane I fear, tes (me thinks) to hear his own child swear.

Plot summary

Plot — If It Be Not Good, the Devil Is in It (If This Be Not a Good Play, the Devil Is in It)
Hell has a population problem: so few new souls are arriving that Charon’s earnings are in decline, but Pluto is reluctant to allow him to raise his fare lest the new price should prove a deterrent. Instead, he sends devils to Naples in human disguise to tempt people into sin in the court, the abbey, and the city. They are later to rendezvous in a grove to report their progress. Ruffman goes to court, assuming the identity of the foreign courtier Bohor. The newly crowned King of ===== PAGE 144 ===== Is In It Naples, Alfonso, intends to be a just and godly ruler, and plans out his week to devote each day toa different state task. Bohor persuades him to spend more time on pleasure and less on duty, so Saturday is designated a day of hedonism. Alfonso proclaims a reward for whoever entertains him best, and Bohor wins with a display of airborne fireballs. Alfonso’s devotion to pleasure starts to extend beyond Saturdays, and he neglects his state duties. He also breaks off his engagement with Princess Ermenhild, who retires to a convent and lets it be known that she is dead. Shackle-Soul becomes Friar Rush, a novice in the abbey. On learning that the friars eat frugally, he tempts them to gluttony and is appointed the abbey cook. Only Clement, the Sub-Prior, dissents, and Rush identifies him as an enemy who will have to be dealt with. He also makes an enemy of Scumbroth, his predecessor as cook, when he lays an untrue accusation of unchastity. Obtaining gold from a spirit, he tempts Clement: when Clement goes to fetch water, he finds his pot filled instead with gold, which he gives away to Scumbroth. After squandering the money, Scumbroth returns to the grove to get more, witnesses the diabolic rendezvous there, and realizes that Friar Rush is a devil. Ermenhild hears that her father, the Duke of Calabria, has declared war on Naples over her apparent death. She asks Friar Clement to deliver him a letter establishing that she is in fact alive. Clement continues to withstand Rush’s temptations, proving insensible to the pleasures of music, dancing, and voluptuous women, and is steadfast even when Rush reverts to diabolic form and tells him he is to die that night. Grumball adopts the name Lurchall and enters the service of the corrupt merchant Bartervile, who attempts to cheat his client Innocentio: the terms of Innocentio’s loan require him to repay it at a set time, or else his mortgaged estate will revert to Bartervile; so Bartervile tries unsuccessfully to…