Early Modern Drama · Character Archetypes

ASTOLFO

in 2 The Honest Whore (2 The Converted Courtesan) — Dekker, Thomas

Metadata

Play2 The Honest Whore (2 The Converted Courtesan)
AuthorDekker, Thomas
Year (catalogued)1630
First performance1605
Decade1630s
GenreComedy
Play typeAdult Professional
CompanyPrince Henry's Men
Speech prefix(es)Astolfo. | Aslol. | Asto. | Ast.
Words217
Characters1122
Typicality0.26 (cosine to cluster centroid)
TCP idA20065
BritDrama no.1459
ClusterCluster 3 — Citizens, tradesfolk & neighbors

Important excerpts

No keyword-matching excerpt could be extracted (the cluster label doesn't share vocabulary with this character's speech).

Full speech

Yes, he will not be horst this hour, sure. And Irishman in Italy! that so strange! why, the nam cion have running heads. The women they say are very fair. O, look, he has a feeling of them. O! he's well valued by my Lord. No matter what he says, fair Lady, he's a Knight, there's no hold to be taken at his words. She has been a goodly creature. Afore Jove, true, upon this day he's married. Me thinks It's a most civil and most comely sighed. Troth Like a spire steeple in a Country Village ouerpeering so many thatched houses. Would, would, would, would. I thought thou hadst been gone into thine own Country. Nay, here's the Customer. It frets me to the soul. This Lodovico, is a notable tongued fellow. Would you speak with my Lord? A good lusty bouncing baggage. Yet I warrant, he'll swear, no man marks him. In troth, my Lord, I know not, I know no drabs, not I. I'll not miss that Sessions. But the old Fox is so crafty, we shall hardly hunt out of his den. Nay to do penance. If you spin, then you'll earn money here too? Yes, I am, Because good Clothes upon a Whores back Is Like fair painting upon a rotten wall.

Plot summary

Plot — 2 The Honest Whore (2 The Converted Courtesan)
On his way to court, Hippolito receives petitioners, including the reformed courtesan Bellafront: she wants his help in petitioning the Duke to pardon her husband Matheo, who has been condemned to death for homicide. Hippolito solicits the help of Bellafront’s father Orlando, but he is still morally outraged at her former sexual misconduct. Nevertheless he secretly arranges for Matheo’s release, and enters his household disguised as a servingman, Pacheco. Matheo proves dissolute, and when ‘Pacheco’ gives him money for safe keeping, he gambles it all away. Bellafront is trying not to let poverty and Matheo’s prodigality force her back into prostitution. Hippolito, who converted her from whoredom, now tries to seduce her back again. She sends ‘Pacheco’ to return his love-tokens, but ‘Pacheco’ instead takes them to Infelice, who identifies them as her own gifts to Hippolito. She interrogates Hippolito’s go-between, Brian the footman, then tells her husband that Brian gave her the love-tokens and had an affair with her. Brian is dismissed and goes home to Ireland. Desperate for money, Matheo strips the gown from his wife’s back and sells it. Lodovico promises to furnish him as a gentleman, so he is properly dressed when Orlando visits in his own person. The old man feigns lack of sympathy, then returns as Pacheco in time to prevent Matheo assaulting Bellafront. Prompted by Orlando, the Duke takes a hand: he issues a warrant to arrest Matheo for robbing two pedlars (who were actually Orlando’s men); and, hearing that Hippolito is in love with a whore, but not knowing her identity, passes new anti-prostitution laws. Meanwhile, Candido is married a second time, but his bride tests his patience with unruly behaviour on their wedding day. He determines to tame her, and Lodovico helps in the guise of an apprentice; she submits herself after a mock duel with measuring sticks. Some gallants attempt to seduce her into a brothel, but fail, and Candido still keeps his temper when, drawn to an alehouse for a business deal, he is forced to drink to a bawd’s health. Matheo is arrested at the alehouse on the Duke’s warrant, and Candido too for receiving the cloth stolen from the pedlars. At Bridewell, Matheo admits the robbery, but attempts to incriminate Bellafront out of jealousy for her supposed relationship with Hippolito. Orlando explains everything, and accepts his daughter’s forgiveness of her husband. The visitors see some of Bridewell’s new inmates: a pander and…