Early Modern Drama · Character Archetypes

SECOND MADMAN

in 1 The Honest Whore (1 The Converted Courtesan) (The Patient Man and the Honest Whore) — Dekker, Thomas; Middleton, Thomas

Metadata

Play1 The Honest Whore (1 The Converted Courtesan) (The Patient Man and the Honest Whore)
AuthorDekker, Thomas; Middleton, Thomas
Year (catalogued)1604
First performance1604
Decade1600s
GenreComedy
Play typeAdult Professional
CompanyPrince Henry's Men
Speech prefix(es)2. Mad.
Words253
Characters1417
Typicality0.41 (cosine to cluster centroid)
TCP idA20062
BritDrama no.1431
ClusterCluster 15 — Devils, vices & grotesques

Important excerpts

Passages from this character's speech that contain the most distinguishing words for Cluster 15 (ang, hunc, fleire, shillings, chil, sblood…). Matches are highlighted.

thow't give me none. I'll run a tilt at thee and thow't give me none. Bownce. I'll answer't at Sessions: he was eating of Almond Butter, and I longed for't: the child had never been delivered out of my belly, if I had not killed him I'll answer't at sessions, so my wife may be burned ith hand too. I'll answer't at Sessions.

Full speech

All these are whoremongers & lay with my wife: whore, whore, whore, whore, whore. Gaffer shoemaker, you pulled on my wives pumps, and then crept into her pantoffles: lie there, lie there,—this was her Tailer,-you cut out her loose-bodied gown, and put in a yard more then I allowed her, lie there by the shoemaker: o, master Doctor! are you here: you gave me a purgation, and then crept into my wives chamber, to feel her pulses, and you said, and she said, and her maid said, that they went pit a pat-pit a pat-pit a pat,-Doctor I'll put you anon into my wives urinal: -heigh, come a loft Jack? this was her schoolmaster, and taught her to play upon the Virginals, and still his Jacks leapt up, up: you pricked her out nothing but bawdy 1 page duplicate 1 page duplicate 1 page duplicate 1 page duplicate lessons, but I'll prick you all, -Fidler-Doctor-Tayler-Shoo maker,-Shoomaker-Fidler-Doctor-Tayler-so! lie with my wife again now. Give me some porridge. Give me some porridge. Give me that flapdragon. Heres and Almond for Parrat. Heres a rope for Parrat. I'll shoot at thee and thow't give me none. I'll run a tilt at thee and thow't give me none. Bownce. I'll answer't at Sessions: he was eating of Almond Butter, and I longed for't: the child had never been delivered out of my belly, if I had not killed him I'll answer't at sessions, so my wife may be burned ith hand too. I'll answer't at Sessions. Exeunt.

Plot summary

Plot — 1 The Honest Whore (1 The Converted Courtesan) (The Patient Man and the Honest Whore)
Count Hippolito attempts to make a scene at the funeral of the Duke’s daughter, Infelice, but is restrained. In fact, Infelice is not dead: the Duke administered a sleeping draught to prevent her from marrying Hippolito. When she wakes, he tells her Hippolito is dead and sends her away to Bergamo, then accepts Dr Benedict’s offer to poison Hippolito. Bellafront the courtesan falls in love with Hippolito when his friend and her client Matheo brings him to meet her. He mistrusts her protestation that, for him, she will become honest, and speaks harshly against whores. But she fulfils her promise: dismisses her pander Roger (who quickly finds alternative employment) and sends away her former clients, including Matheo. On a Monday, she goes to visit Hippolito, disguised as a page; she finds him in solemn meditation (since Infelice supposedly died on a Monday), and he rejects her again. Dr Benedict tells the Duke that he has been poisoned, and is banished for it; but in fact he has done no such thing, and tells Hippolito that Infelice is not only alive, but waiting at the madhouse to marry him. Meanwhile, Fustigo returns to Milan to find that his sister has married Candido, a man apparently incapable of anger. This is demonstrated in a wager between three gentlemen who try to make him lose his temper: first Castruccio poses as a customer and makes unreasonable demands, which Candido meets even though it means spoiling a piece of cloth; then Fluello steals a beaker from the household, for which Candido has them arrested, but then genially invites them to dinner. Viola also wants to make her husband angry, and has Fustigo pose as a swaggerer and attempt to seduce her. When he tries, however, Candido’s apprentices take it upon themselves to beat him while their master is away, and Candido’s equanimity remains intact. Viola continues to behave provocatively: she refuses Candido the key to fetch his gown for a senate meeting, so he goes wearing a carpet instead; she has George dress in his clothes and 1604 pose as him on his return, but Candido’s good-natured response is to dress himself as an apprentice; and he even looks on the bright side of a beating administered by ruffians hired by Fustigo to avenge his injury. Finally Viola has him committed to the madhouse, but soon changes her mind and petitions the Duke for his release. The Duke hears of Infelice’s plans, goes to the madhouse, and, while they wait to interrupt the marriage that afternoon, pass the time…