Early Modern Drama · Character Archetypes

FIRST MADMAN

in 1 The Honest Whore (1 The Converted Courtesan) (The Patient Man and the Honest Whore) — Dekker, Thomas; Middleton, Thomas

Metadata

Play1 The Honest Whore (1 The Converted Courtesan) (The Patient Man and the Honest Whore)
AuthorDekker, Thomas; Middleton, Thomas
Year (catalogued)1604
First performance1604
Decade1600s
GenreComedy
Play typeAdult Professional
CompanyPrince Henry's Men
Speech prefix(es)1. Mad. | 1. Ma.
Words497
Characters2550
Typicality0.34 (cosine to cluster centroid)
TCP idA20062
BritDrama no.1431
ClusterCluster 21 — Old fathers & plain counsel

Important excerpts

Passages from this character's speech that contain the most distinguishing words for Cluster 21 (gar, shillings, alii, yongrave, ogenes, nat…). Matches are highlighted.

roasted Cat: see, see, I am burned with gum ̄ powder, these are our close fights. Whip me? out you toad:—whip me? what justice is this, to whip me because Ime a beggar?—Alas? I am a poor man: a very poor man: I am starved, and have had no meat by this light, ever since the great sloud, I am a poor man. I, I, pray do, for look

Full speech

God speed the plough: thou shalt not speed me. True, but thou wilt dance in a halter, & I shall not see thee. No, i'm neither fish nor flesh. Dost not see fool! theres a fresh Salmon in't: if you step one foot further, yowl be over shoes, for you see ime over head & ear in the salt-water: & if you fall into this whirl pool where I am, you're drowned: you're a drowned rat.—I am fishing here for five ships, but I cannot have a good draught, for my net breaks still, and breaks, but I'll break some of your necks & I catch you in my clutches. Stay, stay, stay, stay—where the wind, where the wind, where the wind: where the wind: out you gulls, you goose-caps, you gudgeon eaters! do you look for the wind in the heavens? would would would would, no no, look there, look there, look there, the wind is always at that door: hark how it blows, pooff pooff, pooff. Do you laugh at Gods creatures? do you mock old age you rogues? is this grey beard and head counterfeit, that you cry would would would?—Sirrah, art not thou my eldest son? Then th'art a fool, for my eldest son had a pol foot, crooked legs, a vergis face, & a peare-coullourd beard; I made him a scholar, and he made himself a fool.—Sirrah! thou there? hold out thy hand. Look, look, look, look: has he not long nails, and short hair? Such nails had my second boy: kneel down thou varlet, and ask thy father blessing. Such nails had my middlemost son and I made him a Promoter: & he scrapped, & scrapped, & scrapped, till he God the devil and all: but he scrapped thus and thus, & thus, and it went under his legs, till at length a company of Kites taking him for carrion, swept up all, all, all all, all, all, all.—If you love your lives, look to your selves, see, see, see, see, the Turks galleys are fighting with my ships, Bownce goes the guns.—oooh! cry the men: romble romble go the waters—Alas! there! 'tis sunk—'tis sunk: I am un done, I am undone, you are the damned Pirates have undone me,—you are bith Lord, you are, you are, stop em, you are. Tame me? no: isle be madder than a roasted Cat: see, see, I am burned with gum ̄ powder, these are our close fights. Whip me? out you toad:—whip me? what justice is this, to whip me because Ime a beggar?—Alas? I am a poor man: a very poor man: I am starved, and have had no meat by this light, ever since the great sloud, I am a poor man. I, I, pray do, for look you, here be my guts: these are my ribs,—you may look through my ribs,—see how my guts come out—these are my read guts, my very guts, o, o! Tenpenny nail's are they not?

Plot summary

Plot — 1 The Honest Whore (1 The Converted Courtesan) (The Patient Man and the Honest Whore)
Count Hippolito attempts to make a scene at the funeral of the Duke’s daughter, Infelice, but is restrained. In fact, Infelice is not dead: the Duke administered a sleeping draught to prevent her from marrying Hippolito. When she wakes, he tells her Hippolito is dead and sends her away to Bergamo, then accepts Dr Benedict’s offer to poison Hippolito. Bellafront the courtesan falls in love with Hippolito when his friend and her client Matheo brings him to meet her. He mistrusts her protestation that, for him, she will become honest, and speaks harshly against whores. But she fulfils her promise: dismisses her pander Roger (who quickly finds alternative employment) and sends away her former clients, including Matheo. On a Monday, she goes to visit Hippolito, disguised as a page; she finds him in solemn meditation (since Infelice supposedly died on a Monday), and he rejects her again. Dr Benedict tells the Duke that he has been poisoned, and is banished for it; but in fact he has done no such thing, and tells Hippolito that Infelice is not only alive, but waiting at the madhouse to marry him. Meanwhile, Fustigo returns to Milan to find that his sister has married Candido, a man apparently incapable of anger. This is demonstrated in a wager between three gentlemen who try to make him lose his temper: first Castruccio poses as a customer and makes unreasonable demands, which Candido meets even though it means spoiling a piece of cloth; then Fluello steals a beaker from the household, for which Candido has them arrested, but then genially invites them to dinner. Viola also wants to make her husband angry, and has Fustigo pose as a swaggerer and attempt to seduce her. When he tries, however, Candido’s apprentices take it upon themselves to beat him while their master is away, and Candido’s equanimity remains intact. Viola continues to behave provocatively: she refuses Candido the key to fetch his gown for a senate meeting, so he goes wearing a carpet instead; she has George dress in his clothes and 1604 pose as him on his return, but Candido’s good-natured response is to dress himself as an apprentice; and he even looks on the bright side of a beating administered by ruffians hired by Fustigo to avenge his injury. Finally Viola has him committed to the madhouse, but soon changes her mind and petitions the Duke for his release. The Duke hears of Infelice’s plans, goes to the madhouse, and, while they wait to interrupt the marriage that afternoon, pass the time…