Early Modern Drama · Character Archetypes

PROLOGUE

in The Isle of Gulls — Day, John

Metadata

PlayThe Isle of Gulls
AuthorDay, John
Year (catalogued)1606
First performance1606
Decade1600s
GenreComedy
Play typeBoys Professional
CompanyChildren of the Queen's Revels
TheaterBlackfriars;Indoor Professional
Speech prefix(es)Prol. | Pro. | Prologue.
Words658
Characters3598
Typicality0.20 (cosine to cluster centroid)
TCP idA19976
BritDrama no.1491
ClusterCluster 7 — Pedants, satyrs & Latin wit

Important excerpts

No keyword-matching excerpt could be extracted (the cluster label doesn't share vocabulary with this character's speech).

Full speech

Pardon me sir, my office is to speak a Prologue, not to pro vide you stools. A mere stranger sir. None of the three ways I assure you. Not on his knees in a corner, to Apollo praying that his play may hold in a good hand at Passage, not on the stage amongst Gall lants, preparing a bespoke Plaudite; but close in his study writing hard, to get him a handsome suit against Summer. None I protest: Do Poets use to bespeak their Auditory. Then must our Author look for a certain disgrace, for he is altogether unfurnished of such a friendly audience. Not out of any dogged disposition, not that it figures a certain state, or private government: far be that supposition the thought of any indifferent Auditor: and the argument being a little string or Rivulet, drawn from ̄ the full strain of the right wor thy Gentleman, Sir Philip Sydneys well known Archadea, con firms it: only a Duke to make trial of certain experiments, re tires with his retinue into a Nameless desert. Now as well for fashi on sake, as that all those which have to do in that desert, are gulled in the reach of their Hope's, therefore he calls it, (and as he presumest, not improperly) The I'll of Gulls. Chaste ears would never endure it sir. Alas Gentlemen, how is't possible to content you? you will railing, and invectives, which our Author neither dares, nor affects: you baudy and scurrill jests, which neither becomes his more destie to write, nor the ear of a generous Auditory to hear: you must would swelling comparisons, and bombast Epithets, which are as fit for the body of a C edie, as Hercules shoe for the foot of a Pygmey: yet all these we must have, and all in one play; or 'tis alrea die condemned to the hell of eternal disgrace. Nay I beseech you sir, if you be his friend, stand so to him still, for he hath too many enemies already, in whose judgements, he and his labours stand excommunicate, as though unworthy to pre sent themselves in this assembly. Either see it all or none; for 'tis grown into a custom at plays, if any one rise (especially of any fashionable sort) about what serious business soever, the rest thinking it in dislike of the play, though he never thinks it, cry mew, by Jesus vild; and leave the poor heart less children to speak their Epilogue to the empty seats. You should not deal gentlemanlike with us else. None I protest sir, only in the person of Dametas he express ses to the life the monstrous and deformed shape of vice, aswell to beget a loathing of abuse, as that his villainy may give the greater lu ster to the virtuous dispositions of trueborn gentility. The misery that waits upon the pen Of the best Writers, judge it gentlemen, Let them express the very soul of wit, And want Opinions voice to countenance it, 'Tis Like the idle buzzing of a fly, Herd, not regarded: wretched Poetry: If a write mirth, 'tis Rybaldry, and mean, Scorned of chased ears. If he compose a Scene Of high writ Poesy, fitting a true stage, 'Tis counted fustian: If portick rage Strike at abuse, or open the vain of sin, He is straight informed against for libeling. Neither quick mirth, invective, nor high state, Can content all: such is the boundless hate Of a confused Audience: Then we That scarcely know the rules of Poesy Cannot escape check. Yet this our comfort is, The wise will smile to hear the impartial hiss. We neither brag, nor tremble, faint nor entreat, Our merits nothing, yet our Hope's are great, Yet this our Author bade me boldly speak, His play shall pass, let Envy swell and break, Detraction he scorns, honours the best, Ta ti for hate; thus low to all the rest.

Plot summary

Plot — The Isle of Gulls
Three members of the audience ask the Prologue about the play they are to see, The Isle of Gulls. They prove to have irreconcilable tastes in drama: one wants satire, one bawdy, and one bombast, but all eventually agree to give the play a chance. Concerned about his daughters’ unsuitable suitors, Basilius retires with them for a year to an uninhabited, fortified island, leaving his brother to rule Arcadia in his stead. A proclamation challenges royal would-be suitors to win the princesses by stealth. This attracts Julio and Amintor to the island, alerted by Basilius’ unworthy favourite Dametas; and also Lysander and Demetrius, respectively disguised as Zelmane, an Amazon, and Dorus, a woodman. ‘Zelmane’ becomes Violetta’s companion, and Demetrius enters Dametas’ service. Dametas arranges an opportunity for Julio and Amintor to rape the princesses by isolating them during a hunt. They kidnap the girls, but ‘Zelmane’ and ‘Dorus’ rescue them. ‘Dorus’ is rewarded with an appointment as Hippolita’s attendant, but the incident also casts doubt on ‘Zelmane’s’ gender, so Lysander loses his access to Violetta. Basilius and Gynecia are both enamoured of Lysander (each believing him to be a different sex), and each persuades him to accept the other’s advances for sport. Meanwhile Dametas’ daughter Mopsa falls in love with ‘Dorus’. Amintor and Julio continue to have ill success: they pose as envoys from Basilius’ brother, appealing for him to deal with an outbreak of abuses, corruption, and crime, but they are denied their promised reward by the avaricious Dametas. ‘Dorus’ gets rid of Dametas and his family by sending each of them on a wild-goose chase: Dametas to find buried treasure, his jealous wife Miso to Dametas’ supposed mistress, and Mopsa to the chapel in Adonis’ bower where a priest will marry them. ‘Zelmane’ similarly disposes of Basilius and Gynecia by arranging assignations with each at the same chapel, with the priest Manasses standing in for the Amazon. This frees Lysander and Demetrius to elope with the princesses; but their plans are overheard by Amintor and Julio, whom they then employ to smuggle the girls off the island. Digging for the gold, Dametas finds only a scornful poem directing him to Adonis’ bower, and he curses 1606 poets. Everyone meets up at the bower, and the knot of identity confusion is unravelled. Lysander and Demetrius present themselves to Basilius as his new sons-in-law; but Amintor and Julio have double- crossed them and kept…