Passages from this character's speech that contain the most distinguishing words for Cluster 0 (shillings, tom, guts, mutton, wares, dan…). Matches are highlighted.
let me go a little. But you shall my Lord; hist, then keep me still. He fastens the glove to a post. Udsfoot your jailer my lord Here. My Lady cannot choose but dance well, she's so full of pre ty changes. Jt bears no relish of disloyalty: being in prison you live as far from love as liberty: being abroad, you may by letters,
Full speech
It great valour but little policy my Lord. Ever since I practised to play the knave my Lord, As near, as penury and gentry, a degree and half remou'de no more. Then thou art fit for any gentleman's company. I say a servingman is and Antecedent. He is likewise a nominative Case, and goes before his mi strisse. If not, he turns Aocusatiue and follows his master. God a mercy bagpudding. Yare not wise then what do you take her for? Some woman great with child, be ruled, she's a pynk board her. Make but a shot of flattery at his broad side, and sheele strike sail presently. I flattery, women are Like fiddlers, speak them fair theile play of any instrument. She's a butcher cannot play a little of all Nay you must first have means to give her. The Grammarians are fools that plac'de them so; for in Re rum Naturam, the Dative goes before the genitive, you must all ways give before you can get, lovers are fools, and fools must be liberal. yes, some few; but all for his good gifts, a gentleman with his good gifts fit at the upper end of the table on a chair and a cushion, when a scholar with his good parts will be glad of a joined stool in the Lobby with the Chambermaids. I think that will be the end, for penury has taken a leaf of your pocket to keep Court in this Christmas. And you be not fitted in Venice 'tis strange, for 'tis counted the best flesh shambles in Italy: but here's no notable coward, that having suffered wrong by a man, seeks to right himself of a woman. More then his death, J have been in his bosom sir, and this day she intends your execution. His humour, nothing but a kind of strange cross humour in that you rejected his love. Not to cross a great ones humour? no treason more great personages humours are puritans, thei'l as live endure the devil as soon as a cross, and can away with him better. Is your proud humour come down i'faith, your high humour that would not stoop and ynch of the knees; isle helped up again, an't be but to uphold the jest; I must bring her as low ere I have done; Oh base, J would rather lay my neck under the Axe of her hate, then my sport under the feet of his humour; but be counseled, isle teach you to prevent both, & per chance make her upstarted humour stoop gallant too. And pawn me as poor Lords do their jewels too, will you not? receive me; you shall counterfeit your self dead. It may be she dissembles all this while, loves you, and puts on this show of hate of purpose to humble you: she may, and I believe— That most intelligencers are knaves, and some women dis see ̄ blers; being thought dead (as let me alone to buz that into the credulous ear of the Court) if she have any sparks of love, theil kindle and flame bright through the cinders of her heart. If not, 'twill be a means for your escape: isle say you reque stead at your death to be buried at your native City: and what Courtier, if a Christian can deny that? And if I do not kill it, I am not worthy to be your physician. Well madam he. Very well. Where none of your proud sex will ever come, I think: in heaven. See madam, and seeing blush, and blushing shame, that your ungentle humour should be the death of so good and gene rous a spirit. Look to your self my Lord, I lay my life, my Lady means to steal you away to night. Udsfoot break prison my Lord, 'tis but swimming the River. I'll look for my Fee then. Thats and exception Lawyers never respect, but come my lord, leap, as we have risen together, weel fallen together, Yes faith, there had been a Counsellors fee cast away now. My Lord, your keeper hath brought a Lady or two to see you. Here. Here. J am ready for you sir; Oh for a bulrush to run a tilt at's nose. Oh strange, cannot you get up without help? there's my glove, but come no nearer, as you love me. O blind love. Not till they be Nine days old my Lord, And the whole body to pleasure you my Lord, but let me go a little. But you shall my Lord; hist, then keep me still. He fastens the glove to a post. Udsfoot your jailer my lord Here. My Lady cannot choose but dance well, she's so full of pre ty changes. Jt bears no relish of disloyalty: being in prison you live as far from love as liberty: being abroad, you may by letters, or a thousand means purchase his company, and compass your content.
Plot summary
Plot — Humor Out of Breath
Octavio has just won a war against Mantua, which has resulted in the banishment of Antonio, the Mantuan ===== PAGE 427 ===== 1607 Duke, and his family. Now Octavio sends his sons out into Italy to look for wives, but accompanies them incognito to keep an eye on them. His daughter Florimell protests that she wants love too, but Octavio leaves her in the custody of Hortensio, giving him a brief to restrain her wanton tendencies. Antonio and his family are living a rustic life, eating fish they have caught themselves. Aspero, the son, goes to Venice, eager to assassinate Octavio in revenge. With Octavio gone, he meets Florimell, who is attracted to him. When he does not reciprocate, she concurs in Hortensio’s decision to arrest him, but asks that he should be imprisoned in her own chamber. On hearing that she is planning to have him executed, but only because she is playing hard-to-get, he pretends to be dead. The sight of his body shocks her into declaring her love openly, and this brings him back to life. Hortensio has just received information as to his identity, and has him committed to close prison. Florimell and Hortensio visit him, and Hortensio is persuaded to play blind man’s buff in the cell. While Hortensio is hoodwinked, she disguises Aspero in his clothes and removes him from the prison; Hortensio is left behind in the cell. The jailer is given orders to allow nobody to see the prisoner, even if he should pretend to be Hortensio or imitate his voice. Aspero and Florimell go to Mantua. Octavio’s two sons éncounter Antonio’s two daughters, and fall in love despite the disguised Octavio’s insistence that they should seek women of higher rank. Octavio reveals his true identity at the wedding, forbids the marriage, banishes Antonio and his daughters, and takes his sons back to Venice. There he finds that Florimell has apparently eloped with Hortensio, but the truth emerges when the cell is opened and Hortensio found in Aspero’s place. News arrives that the Mantuans have rebelled against Venetian overlordship and reinstated Antonio. Octavio and his sons besiege Mantua, but Antonio’s daughters pass cryptic shields to Octavio’s sons, whose impresas refer to their rustic wooing. Realizing that the Mantuan princesses are their rustic loves, the Venetian princes call off the siege, and the war ends happily with a triple marriage.