No keyword-matching excerpt could be extracted (the cluster label doesn't share vocabulary with this character's speech).
Full speech
You shall know him by these signs. A proper man without a beard. Fair spoken and well conditioned. Or your signet. Is he mad my Lord? If for light. I warn you my Lord, let me alone, and we knew not how to abuse a prisoner, we were not worthy to be a Jailer. How now? who calls? You, what you? Fool, and so I leave you. Fool, you lie, you are Aspero, and I have charge to keep you in. From my Lord Hortensio. It'll not serve your turn, J Like a whole skin better then a pinked one: content your self to night, and in the morning isle tell you more. She's busy with my Lord Hortensio, but if you have any use for a woman, isle send you one of the Laundresses: fare you well sir, be content, you shall want nothing of any thing you have. Oh for a reasonable audience to applaud this scene of mere ryment: isle go call my Lady and my Lord Hortensio. He's sure enough my Lord, he was a mad kn we when he came in, but J think, I have made a to me fool of him by this time: for a has neither had bred nor water these four and forty hours. My Lord, Hortensio was the villain, he left such command with me, he's the wheel that turns about, and I a Country Jack must strike when I am commanded. Goblins, spirits, fury , f cries, the prison is haunted. Yes, and and old fool my Lord, in the likeness of Hortensio. I know not my Lord: I let him in and my Lady to laugh at him, and it seems, he consented to treason, and let him out in his apparel. It shall be done my Lord.
Plot summary
Plot — Humor Out of Breath
Octavio has just won a war against Mantua, which has resulted in the banishment of Antonio, the Mantuan ===== PAGE 427 ===== 1607 Duke, and his family. Now Octavio sends his sons out into Italy to look for wives, but accompanies them incognito to keep an eye on them. His daughter Florimell protests that she wants love too, but Octavio leaves her in the custody of Hortensio, giving him a brief to restrain her wanton tendencies. Antonio and his family are living a rustic life, eating fish they have caught themselves. Aspero, the son, goes to Venice, eager to assassinate Octavio in revenge. With Octavio gone, he meets Florimell, who is attracted to him. When he does not reciprocate, she concurs in Hortensio’s decision to arrest him, but asks that he should be imprisoned in her own chamber. On hearing that she is planning to have him executed, but only because she is playing hard-to-get, he pretends to be dead. The sight of his body shocks her into declaring her love openly, and this brings him back to life. Hortensio has just received information as to his identity, and has him committed to close prison. Florimell and Hortensio visit him, and Hortensio is persuaded to play blind man’s buff in the cell. While Hortensio is hoodwinked, she disguises Aspero in his clothes and removes him from the prison; Hortensio is left behind in the cell. The jailer is given orders to allow nobody to see the prisoner, even if he should pretend to be Hortensio or imitate his voice. Aspero and Florimell go to Mantua. Octavio’s two sons éncounter Antonio’s two daughters, and fall in love despite the disguised Octavio’s insistence that they should seek women of higher rank. Octavio reveals his true identity at the wedding, forbids the marriage, banishes Antonio and his daughters, and takes his sons back to Venice. There he finds that Florimell has apparently eloped with Hortensio, but the truth emerges when the cell is opened and Hortensio found in Aspero’s place. News arrives that the Mantuans have rebelled against Venetian overlordship and reinstated Antonio. Octavio and his sons besiege Mantua, but Antonio’s daughters pass cryptic shields to Octavio’s sons, whose impresas refer to their rustic wooing. Realizing that the Mantuan princesses are their rustic loves, the Venetian princes call off the siege, and the war ends happily with a triple marriage.