Early Modern Drama · Character Archetypes

MAID

in Love's Riddle — Cowley, Abraham

Metadata

PlayLove's Riddle
AuthorCowley, Abraham
Year (catalogued)1638
First performance1633
Decade1630s
GenrePastoral
Play typeBoys Nonprofessional/School; Unacted
Speech prefix(es)M.
Words164
Characters858
Typicality0.21 (cosine to cluster centroid)
TCP idA19479
BritDrama no.2452
ClusterCluster 20 — Conjurers, witches & physicians

Important excerpts

No keyword-matching excerpt could be extracted (the cluster label doesn't share vocabulary with this character's speech).

Full speech

I did forsooth. Yes. Your curious enquiry much amazes me, And I could wish you would excuse my boldness If I should ask the reason. Swear? to do what? Would my power To assist you were as ready as my will, And for my tongue that Mistress I'll condemn Unto perpetual silence, ere it shall Betray the smallest word that you commit to't. By all — You are the same you were, Or else my eyes are liars. Would you durst trust me with his name, Sure he had charms about him that might tempt Chaste Votaries, or move a Scythian rock When he shot fire into your chaster breast. Why it's impossible. Yes, but am ignorant, who, or from whence he is; You did show In this, what never was a stranger to you, Much piety; but wander from your subject; You have not yet discovered, who it is Deserves your love. You needs not, fear't forsooth. Enter Aphron. I do. Exit Maid.

Plot summary

Plot — Love's Riddle
Before the start of the action, Callidora was the victim of an attempted rape when she was alone in her absent parents’ house. Aphron, who was obsessed with her, broke into the house, but she hid in a corner and evaded him. Afraid of a second encounter, she borrowed a suit of her brother’s clothes and fled into the forest. Aphron went mad, and initially believed every woman he met to be Callidora. In the forest, the cross-dressed Callidora becomes ‘Callidorus’. She meets Alupis, a shepherd who sold his inheritance to see the city and came home penniless but with a witty devotion to pleasure. She takes him on as her man, and asks him to teach her indifference to love. She sets up home in the country, only to find that, seeming to be a beautiful youth, she attracts the amorous attentions of the local women, young and old. Palaemon is interested in marrying Hylace, but her father Melarnus refuses the match, thinking him too poor. But Hylace has only been leading him on, more interested in his gifts than himself. Alupis encourages him to turn the tables: she will come to heel if he treats her with masterful disdain; but when this doesn’t bring about her immediate devotion, he loses his nerve and tells her it was all a joke. Alupis decides to recruit her mother, the ancient but amorously inclined Truga, to support Palaemon’s suit. Though infatuated with ‘Callidorus’, Truga transfers her affections to Alupis when he speaks politely to her, and gives him a ring as a lover’s token. Alupis uses the ring to blackmail her: he will show it to her husband, as evidence of adultery, if she doesn’t ensure that Palaemon and Hylace are married before the end of the day. When he brings Palaemon to Truga’s cottage to arrange the wedding, Hylace eavesdrops on the meeting and decides to cross the plan. Palaemon and Alupis meet with Melarnus. The problem of Palaemon’s relative poverty is resolved when Aegon pretends to adopt him as his heir, disinheriting his daughter Bellula for her unseemly interest in ‘Callidorus’; so Melarnus accepts Palaemon, though he still has reservations about the young man’s habit of writing poetry. Before the wedding, however, he changes his mind and pretends that Hylace is to marry someone else—Hylace has had a word with him. Florellus, Callidora’s brother, returns home after five years’ travel, and goes to look for his missing sister. In the forest, he sees Bellula and falls for her; but she is more interested in ‘Callidorus’, and urges the…