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Full speech
I am glad you Like him Mistress Temperance. That I must know of you Lady, my welfare de pends wholly upon your good speed. He is young, and can endure the cold well enough bareheaded. But what good news Mistress Temperance, will your Mistress be won to our kind meeting? Very well, and is there any hope of speed? Are all my Hope's come to this Mistress Temperance? And even now she had broke with a hundred and a hundred. Dost thou make a question of that? Thats no matter to you Mistress Temperance, do you procure our meeting, and let my favour be at her hands as I can enforce it. Indeed then you have very good opportunity. And could you put a friend in your place think you? Why what can come of it? only that by this means I may solicit her love my self. What dost thou take me for a beast, to force her that I would make my wife? Well, to put thee out of that fear, it shall be worth such a gown to thee. I marry Sir, so I may be there long enough. Very well, and till then farewell. Boy to him indeed if he knew all. Exeunt. This is the back gate, where Temperance should meet me at this hour. Why sits that fellow there troe? come let's hover here about it'll not be long ere we encounter. Exit. I ear me some other client of hers, whom she pr fe res before me, come, we must not linger here too long together, wee'll enter on this backside, to the Emperors head, where we will stay a little, and then make the last trial of this bawds honesty. (Enter Quintiliano, Giovenelli, and Fannio in their doublet and hose.) A friend. God save you Captain Quintiliano. Pardon me good Captain. I attend a friend of mine. My name is Leonoro sir, & indeed I scarce know you. Thank you good Captain. Me thinks it's sack. For fault of a better sir. But where's your Lieutenant Captain? Is't possible? What, mutinous in your own company? But what was the quarrel? Good Ancient, forbear in a Tavern. I'll undertake he shall Captain: Good Ancient let me entreat you. Thank you good ancient. Good Ancient peace. Good discretion in deed. That were foul indeed. He is I warrant thee. I will not fail Captain, farewell t'ee both: come Lionel, now let us try the truth of Madam Tem perance, and see if she attend us. THou shalt not stay sweet Temperance, tell us the manner of our war and wee'll leave thee presently. What did thy mistesse fight with him? Has she a good courage? It's no matter Temperance, he's known and thou art known. Farewell honest Temperance : how was it possible, Lo douico should fit all these circumstances without the confederacy and treachery of this beldame? well Lodovico must satisfy this doubt when I see him. I would not meet him there, I shall offend him, but there I must needs be, and have thee disguised Like a woman. No remedy, the Captain Quintilliano and I have devised it to gull his Lieutenant: for thou shalt dance with him, we will thrust him upon thee, and then for his courting and gifts, which we will tell him he must win thee withal, I hope thou wilt have wit enough to receive the tone, and pay him again with the to there, come Lionel let me see how naturally thou canst play the woman. Exit. See how womanly my Boy looks Quintiliano. No Lieutenant, take her and court her first, and then kiss her. Somewhat shall cross him; Lodovico let me speak with you. You are the man sir, I can scarce say the Gentle man, for you have done a wrong the credit of a Gentleman cannot answer. Aurelio, do not wrong me, and your self, I undertake your quarrel, this man hath dishonord your Kins woman Lucretia, whom (if I might) I intended to marry. Who have we here? Hark how my boy plam es the knave with her. It was more then I knew Sir, but this shall be a warning to me while I live, how I judge of the instrument by the case again. 'Twas but to cous n me. SEE Lyonell, yet she is not come, and the privy at to daunt is gone. And yet whosoever had seen that Theagine since might have taken him for a man. It seems you will not know her.
Plot summary
Plot — May Day
It is May morning. In accordance with the season, old Lorenzo is planning an amorous, adulterous adventure with Francischina, and approaches her kinsman Angelo to act as go-between. Francischina’s husband too is going out with his gull, Innocentio, who is to observe gentlemanly behaviour at an ordinary. Lodovico makes doubly sure of his absence by introducing him to an admirer, Giovanelli, and they go to a tavern together. He is implicated in a second plot which in turn requires Lorenzo to be away from his home: Lorenzo’s daughter Aemilia, whom he plans to marry against her will to Gasparo, loves Aurelio, and Lodovico has promised to bring him to her at the house’s rear terrace. Meanwhile, Leonoro conspires with Temperance to win the love of Lucretia, Aurelio’s cousin. Nothing goes entirely according to plan. Lorenzo comes to Francischina disguised as a chimney-sweep, so that he can enter the house without risk to her honour, but Lodovico lets his friends in on the secret and they tease him on the way; later Angelo pretends to be Quintiliano coming home early, and frightens Lorenzo into hiding. Aurelio’s assignation with Aemilia turns out to involve more than talking when Lodovico provides a rope ladder and he climbs up onto the terrace, which gives access to her bedroom. Lodovico waits below, muffled in his cloak, and Temperance mistakes him for Leonoro; she invites him in just as the real Leonoro arrives and is taken to Lucretia’s chamber. When he gets into bed with her, however, the liaison ends with fighting when he discovers ‘her’ to be a cross- dressed man. Meanwhile Quintiliano cozens Giovanelli of his money and then returns home drunk to find Lorenzo, still disguised, hiding in his coal-house. Lorenzo goes home in turn and discovers Aurelio and Aemilia together; Angelo helps Aurelio escape while Lorenzo is changing out of his disguise before fetching the Provost to administer justice, then substitutes Francischina in Aurelio’s clothes so that Lorenzo will infer that he misunderstood an innocent jest. Everyone goes to the May night show at Honorio’s house, which includes a masque. Leonoro and Quintiliano have the page Lionel cross-dress as a woman with a view to tricking Innocentio into chatting her up. Leonoro confronts Lodovico over his liaison with ‘Lucretia’, and he explains what happened. In fact ‘she’ is really Lucretio, whose father was a Sicilian exile and close friend of Aurelio’s family. ‘Lionel’ turns out to be Lucretio’s fiancée…