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Full speech
Godge you God morrow Sir, godge you God morrow. Nay by my faith Sir, you must give me leave to shake her portion by the hand first. Well, I will come for her potion Sir, and till then, God take you to his mercy. Exit. What says Signior Lodovico, I beseech you sir? me thinks his pleasant disposition should intend some waggery. In no case will I say any thing sir. Oh monstrous, I conceive you, my father in law, will his daughter have his tricks think you? Oh me, what if a man should call him to sweep a chimney in earnest, what would he do? I'll put him too't a my credit, and here will I stand. (Enter Lorenzo with his glass in his hand, and Angelo with a pot of painting.) What old Snail, dost thou cry chimney sweep still? why they say thou art turned mighty rich of late. Yes by the mass, by the same token, that those riches make thy old name for venery increase upon thee. Yes by the mass, Snail, but they be told for such certain tales, that if thou hast a daughter to mar rye with ten thousand crowns, I would see her pithole, afore I would deal with her, for fear she should trot through her father's trumperies. Nay stay Snail, and come into my house, thou shalt earn some money of me, I have a chimney to sweep for thee. But Good Snail take mine in the way. Was never such man touched with such over sighed? Adue to you likewise sir. Exeunt Gasparo & Honorio. And for me also. How curiously Lorenzo thinks he carries the matter? That ever was. It will quicken the company well. Enter A milia, Lionel, Francischina and another woman. And I think you know his father. You know not this Gentlewoman sir? Ther's somewhat in it certain. They dance again. Somewhat has crossed him sure. But what was the reason you thought you lost it sir? Faith & Jove give they joy together for my partly. For his pleasure?
Plot summary
Plot — May Day
It is May morning. In accordance with the season, old Lorenzo is planning an amorous, adulterous adventure with Francischina, and approaches her kinsman Angelo to act as go-between. Francischina’s husband too is going out with his gull, Innocentio, who is to observe gentlemanly behaviour at an ordinary. Lodovico makes doubly sure of his absence by introducing him to an admirer, Giovanelli, and they go to a tavern together. He is implicated in a second plot which in turn requires Lorenzo to be away from his home: Lorenzo’s daughter Aemilia, whom he plans to marry against her will to Gasparo, loves Aurelio, and Lodovico has promised to bring him to her at the house’s rear terrace. Meanwhile, Leonoro conspires with Temperance to win the love of Lucretia, Aurelio’s cousin. Nothing goes entirely according to plan. Lorenzo comes to Francischina disguised as a chimney-sweep, so that he can enter the house without risk to her honour, but Lodovico lets his friends in on the secret and they tease him on the way; later Angelo pretends to be Quintiliano coming home early, and frightens Lorenzo into hiding. Aurelio’s assignation with Aemilia turns out to involve more than talking when Lodovico provides a rope ladder and he climbs up onto the terrace, which gives access to her bedroom. Lodovico waits below, muffled in his cloak, and Temperance mistakes him for Leonoro; she invites him in just as the real Leonoro arrives and is taken to Lucretia’s chamber. When he gets into bed with her, however, the liaison ends with fighting when he discovers ‘her’ to be a cross- dressed man. Meanwhile Quintiliano cozens Giovanelli of his money and then returns home drunk to find Lorenzo, still disguised, hiding in his coal-house. Lorenzo goes home in turn and discovers Aurelio and Aemilia together; Angelo helps Aurelio escape while Lorenzo is changing out of his disguise before fetching the Provost to administer justice, then substitutes Francischina in Aurelio’s clothes so that Lorenzo will infer that he misunderstood an innocent jest. Everyone goes to the May night show at Honorio’s house, which includes a masque. Leonoro and Quintiliano have the page Lionel cross-dress as a woman with a view to tricking Innocentio into chatting her up. Leonoro confronts Lodovico over his liaison with ‘Lucretia’, and he explains what happened. In fact ‘she’ is really Lucretio, whose father was a Sicilian exile and close friend of Aurelio’s family. ‘Lionel’ turns out to be Lucretio’s fiancée…