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Full speech
THou shalt not to the wars, or if thou dost I'll bear thee company, deer Quint. do not offer to forsake me. Farewell my good servant. What means my love by these strange salutations? From whose treasury comes all this, I pre thee? Gods my life, is that old squire so amorous? I believe that easily. You speak as if I had nothing to respect but his entertainment, when you know how close and timely it must be put in execution, considering with what envious eyes my neighbours survey me. What a magnifico of the City, and one of the See nate, thinkest thou he will not see into that inconvenience? I see him within eare-shot; well may beauty in flame others, riches may tempt others; but for me, mine ears and mine eyes, are proof against all the Sire's, and Venusses, in all the seas of the world; beauty is a whore, ri ches a baud, and I'll trust none and you. Come in chimney sweeper. Angelo, give him not too much time with me, for fear of the worst, but go presently to the back gate, and use my husbands knock, then will I presently thrust him into my cole-house: and there shall the old flesh-mon her fast for his iniquity. Exit. Not so soon as I would wish him, but whensoe ver you shall be welcome. Fie for shame kiss in the streets? Gods pity, my husband. Exeunt Franc. Ang. I warrant you. (Enter Quintil. and Innocentio) Hold fast for Gods sake. Gods me, I took you for Sigmor Placenti .
Plot summary
Plot — May Day
It is May morning. In accordance with the season, old Lorenzo is planning an amorous, adulterous adventure with Francischina, and approaches her kinsman Angelo to act as go-between. Francischina’s husband too is going out with his gull, Innocentio, who is to observe gentlemanly behaviour at an ordinary. Lodovico makes doubly sure of his absence by introducing him to an admirer, Giovanelli, and they go to a tavern together. He is implicated in a second plot which in turn requires Lorenzo to be away from his home: Lorenzo’s daughter Aemilia, whom he plans to marry against her will to Gasparo, loves Aurelio, and Lodovico has promised to bring him to her at the house’s rear terrace. Meanwhile, Leonoro conspires with Temperance to win the love of Lucretia, Aurelio’s cousin. Nothing goes entirely according to plan. Lorenzo comes to Francischina disguised as a chimney-sweep, so that he can enter the house without risk to her honour, but Lodovico lets his friends in on the secret and they tease him on the way; later Angelo pretends to be Quintiliano coming home early, and frightens Lorenzo into hiding. Aurelio’s assignation with Aemilia turns out to involve more than talking when Lodovico provides a rope ladder and he climbs up onto the terrace, which gives access to her bedroom. Lodovico waits below, muffled in his cloak, and Temperance mistakes him for Leonoro; she invites him in just as the real Leonoro arrives and is taken to Lucretia’s chamber. When he gets into bed with her, however, the liaison ends with fighting when he discovers ‘her’ to be a cross- dressed man. Meanwhile Quintiliano cozens Giovanelli of his money and then returns home drunk to find Lorenzo, still disguised, hiding in his coal-house. Lorenzo goes home in turn and discovers Aurelio and Aemilia together; Angelo helps Aurelio escape while Lorenzo is changing out of his disguise before fetching the Provost to administer justice, then substitutes Francischina in Aurelio’s clothes so that Lorenzo will infer that he misunderstood an innocent jest. Everyone goes to the May night show at Honorio’s house, which includes a masque. Leonoro and Quintiliano have the page Lionel cross-dress as a woman with a view to tricking Innocentio into chatting her up. Leonoro confronts Lodovico over his liaison with ‘Lucretia’, and he explains what happened. In fact ‘she’ is really Lucretio, whose father was a Sicilian exile and close friend of Aurelio’s family. ‘Lionel’ turns out to be Lucretio’s fiancée…