Early Modern Drama · Character Archetypes

CALLOW

in The Two Merry Milkmaids, or The Best Words Wear the Garland — Cumber, John (?)

Metadata

PlayThe Two Merry Milkmaids, or The Best Words Wear the Garland
AuthorCumber, John (?)
Year (catalogued)1620
First performance1619
Decade1620s
GenreComedy
Play typeAdult Professional
CompanyRed Bull (Revels) Company (first)
Theaterbefore the Court;
Speech prefix(es)Call. | Cal.
Words987
Characters4926
Typicality0.25 (cosine to cluster centroid)
TCP idA17460
BritDrama no.1896
ClusterCluster 23 — Gulls, fops & laughing-stocks

Important excerpts

Passages from this character's speech that contain the most distinguishing words for Cluster 23 (rogues, crochet, shakbag, kicked, doister, tidle…). Matches are highlighted.

hearted, and ten to one, but it knows as much. Yes sir, your way is ours now how ever. Sirrah I think it was much hereabout that we met with the taking voice that kicked us? Something crossed my Nose. No 'tis nothing but the Due falls I think. A Poxont, I am paid again. Would, would, would. But why do you laugh my Lord? would, would.

Full speech

Hum. Hum. Hum. Your pardon my good Lord. Hum. Hum. Oh sweet Lady. I had a hard heart else. Silence Lady is the best partly of Wisdom. Why Lady, I can talk. Not I, I'll assure you I come not of the kind. Nay, believe it Lady, I will not talk much: but if I list to talk, I have a Tongue that can talk much, and loud, as another Man. But talk's but talk, therefore I use it not: but for your sake, sweet Lady, it may be that I will find a Tongue to talk of something; and that same something must be of you, or else it's nothing. Why let them sing, Song is but Song, no more then Talk's but Talk; yet Talk does well, where Talk is well regarded, otherwise it's lost: And I have been a Talker in my time, and will be so again, to give content to such a Lady as does love to talk, or knows what talk is, and can talk her self; else it's much better for to hold ones peace: For I have heretofore been a great Talker, and foolish Ladies that understood me not, have prayed me hold my peace, and they would love me; joust as you now, on the contrary, pray me to talk, and not to hold my peace, and then you'd love me. What is the matter? Why do you say so? For this Tongue of mine shall be pulled out, and thrown unto the Dogs, or to the Hawks, before it shall offend your dainty Ears, that love to hear a Tongue talk as a Tongue should do, of Wit and Beauty, and Beauty and Wit, which do abound in you. Believe it Lady, but it is; it's fit that you should hear, and I should talk, the Subject being You, and I the Talker. Wherefore have Ladies Beauty, and Men Eyes and Tongues, but to behold that Beauty, and then talk of it. I do proclaim him here a Dunce, a Sot, that ha a Tongue, and cannot talk of you: nay, though he had never a Tongue, yet he might think a talk; and that, though not as good, might serve for talk. I, another time, and then weel talk four or five hours together. What was that? Hum. Hum If my Taylor had not been a Knave— But— What ail you, Lady? Me thinks sirrah, since my tongue brake lose, I take and infinite pleasure in't, how thinks thou? It shall run before any men bound for a wager. My honourable Lord, how does the great Duchess, Your sister? With the rest of your kindred and acquaintance that boar the Court before them. And mangy ones to, are we not? Would, would, prithee laugh at him. Hang him, he dares not within the confines of the Court. Why, come then lets go back again? For my own partly, I donnot care for quarreling there we may be bold, though my Lord, I have a poor sister I would prefer to cut your Honours toes. I donnot Like this. It did me more good then my dinner, I protest, to see her transported to prison again. I wonder he is not taken yet, heel Fadoudle at the Gallows, I believe when so ere he is, for I told the Duke what a saucy companion he was. How now, whats that? Nay, I know not: Who was that said, who was that? You, who are you? 'Tis the spirit of some Porter, and wipes her with his Frock. And so will I. Why do you not draw? Hark, the voice asked why we do not draw. And so will I to—See yonders a compa nigh of Gentlemen, lets fly to them for succour: Are you walking. Wee'd be glad of your company. And plays upon us Like a Flute backward, and forward. No, It may be you are valiant and would strike a gain, but we are tender hearted, and ten to one, but it knows as much. Yes sir, your way is ours now how ever. Sirrah I think it was much hereabout that we met with the taking voice that kicked us? Something crossed my Nose. No 'tis nothing but the Due falls I think. A Poxont, I am paid again. Would, would, would. But why do you laugh my Lord? would, would. For nothing, for nothing, come prithee lets go. Which is my Antagonist? When my talking time comes I will thank you Lady in language. Mark how my challenge goes, 'twas not to talk sense only, but longest, fastest, loudest, and you our talk me that way, I'll give you my tongue and every tooth I have to make trorters on, for I was born and 1 page duplicate 1 page duplicate bred and nursed a talker, and of my quality, this Lady has had some small experience, for I did promise her to prove a talker, and for her sake do now profess, and practiced and 'tis in vain for any creature to contend with me,—I have put down the Lawyers of all Nations, and all woe men, Gossips at Christenings, after they have drunk wine the Midwife being there, words flow out of my mouth Like water from the Clouds, to make a deluge, to drown all voices but my own, which drums nor trumpets, nor a Sea flight can do. Oh. Talk? If I have breath, enough to live, I care not. I had not fair play shew'ne me, (uersaires Lawful let it be then, but if ever I challenge a man of his hands, to a trial of skill with the tongue again, I'll forswear talking all days of my life, and that I would be loath to do—If I donnot feel the very breath that should have been spent in words upwards, to twat tle downward, I am avillaine.

Plot summary

Plot — The Two Merry Milkmaids, or The Best Words Wear the Garland
Bernard sneaks into his tutor Landoff’s study, reads his magic books, and attempts to conjure up the devil. The spirit who appears is in fact Landoff himself in disguise: he has been trying to. find out why his pupil is melancholy, and left his study door unlocked so that the prospect of magic might cause him to reveal the answer. It does: Bernard wants to go home because he has fallen for a local girl, Julia, but has not yet plucked up the courage to tel her. Dorilus tries to court the proud, ambitious Dorigen, but she has her sights set on becoming a duchess. On - hearing that the Duke is coming to the area, she and Julia dress up as milkmaids and go to see him. The Duke is attracted by Dorigen’s flirtatious manner, and he grants her a boon. She asks that he make her father an earl, and, once that is done, she points out that there is no impediment of rank preventing him from 1619 marrying her. He does so, but Dorilus persists in his attentions after the wedding. She promises to reciprocate if he fulfils an impossible task: to bring her a garland containing every species of flower, which will remain fresh so long as he is constant in his love. Landoff, still posing as a spirit, agrees to fetch him the blooms, and Dorilus gladly signs away his estate to Bernard by way of payment. Presented with the garland, Dorigen is disconcerted to realize that she will have to keep her side of the bargain. She confesses to the Duke, who seems unconcerned at the prospect of her adultery, but sets Raymond to spy on her. Dorilus refuses to press his claim on Dorigen, but Raymond reports that adultery has occurred: he has become infatuated with Julia and thinks his chances will be enhanced by the fall of Dorigen. Dorigen is imprisoned for treasonable adultery and her family expelled from the court; she is to be allowed no advocate to speak for her at her trial. Dorilus procures an invisibility ring from Landoff, supplied by a genuine spirit, and intervenes in the trial after Dorigen refuses to defend herself. The Duke accepts that his disembodied voice was sent by providence to exonerate an innocent woman, and Dorigen is freed. However, Raymond persuades him to change his mind, and Dorigen is taken back to prison. Dorilus loses the invisibility ring, but it is found by Frederick, Dorigen’s foolish brother, who puts it on and is surprised to find that everyone ignores him. He witnesses Raymond attempting to seduce Julia with the promise of Dorigen’s freedom; although she…