Early Modern Drama · Character Archetypes

1 CHORUS

in Tancred and Gismund (Gismond of Salerne) — Wilmot, Robert; Hatton, Christopher; Noel, Henry; Al., G.; Stafford, Roderick

Metadata

PlayTancred and Gismund (Gismond of Salerne)
AuthorWilmot, Robert; Hatton, Christopher; Noel, Henry; Al., G.; Stafford, Roderick
Year (catalogued)1591
First performance1567
Decade1590s
GenreTragedy
Play typeInns of Court
Theaterbefore the Court;
Speech prefix(es)Chor. 1. | Chor. 1 | Chorus primus. | Chorus. 1. | Cho. 1. | Ch. 1.
Words548
Characters2941
Typicality0.25 (cosine to cluster centroid)
TCP idA15498
BritDrama no.467
ClusterCluster 9 — Boon companions & bluff banter

Important excerpts

No keyword-matching excerpt could be extracted (the cluster label doesn't share vocabulary with this character's speech).

Full speech

The diverse haps which always work our care, Our joys so far, our woes so near at hand, Have long ere this, and daily do declare The fickle foot on which our state doth stand. "Who plants his pleasures here to gather root, "And Hope's his happy life will still endure, "Let him behold how death with stealing foot "Steps in, when he shall think his joys most sur . "No ransom serveth to redeem our days. If prowess could preserve, or worthy deeds, He had yet lived whose twelve labours displays His enddlesse fame, and yet his honour spreads. And that gre to king that with so small a power Alexan der. Bereft the might j Persian his crown: Doth witness well our life is but a flower, Though it be decked with honour and renown. What damned fury hath possessed our Queen Why fit we still beholding her distress? Madame forbear, suppress this headstrong rage. Yet let not us maidens condemn our kind, Because our virtues are not all so rare: For we may freshly yet record in mind, There lives a virgin, one without compare: Who of all graces hath her heavenly share. In whose renown, and for whose happy days, Let us record this Paean of her praise. Who marks our former times and present years, What we are now, and looks what we have been, He cannot but lament with bitter tears, The great decay and change of all women. For as the world wore on and waxed old, So virtue quailed, and vice began to grow. So that, that age, that whilom was of gold, Is worse than brass, more vile than iron now, The times were such, that if we ought believe Of elder days) women examples were, Of rare virtues: Lucre disdained to live Longer then chased: and boldly without fear Took sharp revenge on her enforced heart, With her own hands: for that it not withstood The wanton will, but yielded to the force Of proud Tarquin, who bought his fame with blood. Who does not know the fruits of Paris love, Nor understand the end of Helens oy, He may behold the fatal overthrow OfPriams house, and of the town of Troy. His death at last, and her eternal shame, For whom so many a noble knight was slain. So many a Duke, so many a Prince of fame Bereft his life, and left there in the plain. Medea's armed hand, Eliza's sword, Wretched Leander drenched in the flood. Phillis so long that waited for her Lord All these too dearly bought their loves with blood. Right mighty is thy power, Oh cruel Love, High Jove himself cannot resist thy bow, Thou sentest him down, even from ̄ the heavens above, In sundry shapes here to the earth below, Then how shall mortal men escape thy dart? The fervent flame, and burning of thy fire? Since that thy might is such, and since thou art, Both of the seas and land the Lord and sire. What mones be these? Renuchio is this Salerne I see? Does here king Tancred hold the awful cronw? Is this the place where civil people be? Or do the savage Scythians here abound? But headstrong mischiefs princes should avoid His care & grief.

Plot summary

Plot — Tancred and Gismund (Gismond of Salerne)
Irked at the disdain now shown for his name, @iajpit! plans a demonstration of his power by making the recently widowed @ismi@md fall in love. Mamered comforts Gismond, promising that he can be both father and husband to her. Gismond feels the need to make the most of her youth, and confides in [GEBGe her wish to marry again. Lucrece broaches the matter with Tancred, but, seeing her as the only comfort of his old age, he is reluctant to give his consent. Cupid inflames Gismond with lust for Guishard. She sends him a letter inside a hollow cane, which tells him a secret route to her bedroom: it is built above a cave accessible from outside the palace. Meanwhile, MGgaeFA, sent by RIG in response to a petition from Gismond’s dead husband, inflames Tancred with anger. He enters her bedroom to find it empty, then sees her and Guishard emerging from under the floor, and remains in hiding there while they have sex. Afterwards he has Guishard arrested as he emerges from the cave, imprisoned in a dungeon, and strangled. Guishard’s heart is cut out and sent to Gismond in a golden cup. She takes poison and asks to be buried in the same grave as Guishard. Tancred grieves for the loss of his daughter and resolves to kill himself.