Early Modern Drama · Character Archetypes

BELFOREST

in The Atheist's Tragedy, or The Honest Man's Revenge — Tourneur, Cyril

Metadata

PlayThe Atheist's Tragedy, or The Honest Man's Revenge
AuthorTourneur, Cyril
Year (catalogued)1611
First performance1611
Decade1610s
GenreTragedy
Play typeAdult Professional
CompanyUnknown
Speech prefix(es)Bel. | Belf. | Bel | Belfo.
Words802
Characters4480
Typicality0.59 (cosine to cluster centroid)
TCP idA13840
BritDrama no.1625
ClusterCluster 13 — Attendant courtiers & citizens

Important excerpts

No keyword-matching excerpt could be extracted (the cluster label doesn't share vocabulary with this character's speech).

Full speech

Morrow my Lord Montferrers, Lord D'amville. Good morrow Gentlemen. Cozen Charlemont! Kindly good morrow. Troth I was afeard I should would come too late, to tell you that I wish your undertakings a success That may deserve the measure of their worth. Accomplements are more for ornament, Then use. We should employ no time in them, But what our serious business will admit. Your Father stays to bring you on the way. Farewell. The great commander of the war Prosper the course you undertake. Farewell. I entertain the offer of this match; With purpose to confirm it presently. I have already moved it to my daughter; Her soft excuses savoured at the first (Me thought) but of a modest innocence Of blood; whose unmoved stream was never drawn Into the current of affection. But when I Replied with more familiar arguments, Thinking to make her apprehension bold; Her modest blush fell to a pale dislike, And she refused it with such confidence, As if she had been prompted by a love Inclining firmly to some other man, And in that obstinacy she remains. Your honest wisdom has advised me well. Once more I'll move her by persuasive means. If she resist; all mildness set apart, I will make use of my authority. To cut off every opportunity, Procrastination may assist her with; This instant night she shall be married. Now Levidulcia! Hast thou yet prepared My Daughters love to entertain this Man? Her husband here? Passion o'me thou peevish girl. I charge Thee by my blessing, and authority I have to claim th'obedience; marry him. How now? Cozen, you're both uncivil and profane. Come; set forward to the Church. Where's my Lord Montferrers? Tell him here's a room attends him. Canst thou relate it. What then? it is th'ineuitable fate Of all things underneath the Moon. With all my heart. I pray attend him sir. This next room please your Lordship. Passion o'me you drunken knaves: you'll put the lights out. T'is exceeding dark. Pray God he be not hurt! hers fallen into the gram well pit. He's dead. What's the matter wife? Prithee what ailest thou woman? What a less Sebastian, he looks so distractedly? Yes, what of that? What a strange desperate young man is that! Where's the man? He's gone; he's gone, I warrant thee. How fell the difference between you? Th'art safe enough. Prithee tell's the falling out. Why this savours of distraction. Feeling? Yes. But has she purposed any thing for no thing? What good receives this body by your grief? When there is't more unnatural not to grieve for him you cannot help with it; or hurt your self with grieving and yet grieve in vain? Take up the Corpse. For wisdom's sake let reason for tifie this weakness. The grief that melts to tears, by it self is spent, Passion resisted, grows more violent. Yes faith Frisco; even a wench o'the trade. Thou mayest go forth at the back door (honest fell low) the way is private and safe. Is not my wife come in yet? Me thinks she's very affectedly inclined, To young Sebastian's company o'late. But jealousy is such a torment, that I am afraid to entertain it. Yet The more I shun by circumstance to me e Directly with it; the more ground I find To circumvent my apprehension. First, I know sh'as a perpetual appetite; Which being so oft encountered with a man Of such a bold luxurious freedom, as Sebastian is; and of so promising A body: her own blood, corrupted, will Betray her to temptation.— Know not you the Gentlewoman my wise brought home? Her man? I pr'ithee run and call him quickly.— This villain. I suspect him ever since I found him hid behind the Tapestry.— Frisco! th'art welcome Frisco. —Leave us. Dost hear Frisco! is not my wife at thy Mistress's? I prithee tell me Frisco; we are private; tell me. Is not thy Mistress a good wench? And nothing else? So Sir: and she helps my Lady to falls and bodies now and then; doe's she not? Her pleasure; you Rogue? you are the Pandar to her pleasure you Varlet, are you not? you know the conveyances between Sebastian and my wife. Tell me the truth; or by this hand I'll nail thy bosom to the earth. Stir not you Dog; but quickly tell the truth. Is not thy Mistress a Bawd to my wife? And acquainted with her tricks, and her plots, and her devises. What dost thou proclaim it? Dost thou cry it thou villain? The Watch? Met with my wish. I must request th'as sistance of your offices. Frisco runs away.— 'Sdeath; stay that villain; pursue him. Pursue the Strumpet. Villain give me way; or I will make my passage through thy blood.

Plot summary

Plot — The Atheist's Tragedy, or The Honest Man's Revenge
Montferrers has forbidden his son Charlemont from going to war and refused him the money necessary to equip himself. Charlemont gets a subvention from his uncle, D’Amville, and this persuades Montferrers to change his mind. But D’Amville is an atheist who believes that he must make his happiness in this world rather than wait for reward or punishment in the next, and he has an ulterior motive for wanting his nephew out of the way. Castabella loves Charlemont, and has privately agreed to marry him when he returns. They entrust their secret only to the Puritan Languebeau Snuffe. D’Amville bribes Snuffe to betray them and persuade Belleforest, her father, to make her marry Rousard, his son. Castabella is pressured into the match, despite the protestations of Sebastian, Rousard’s younger brother. As soon as he is married, Rousard falls ill with symptoms which include impotence. On the wedding day, D’Amville’s accomplice Borachio brings false news that Charlemont has been killed in battle. Montferrers makes a new will in D’Amville’s favour. D’Amville gets Montferrers’s torchbearers drunk at the wedding celebrations, and tricks them into quarrelling with one another when lighting their master home; the torches go out in the fight, allowing Borachio to murder Montferrers under cover of darkness. Montferrers’s ghost appears to Charlemont, tells him of the murder, and enjoins him not to take revenge. Charlemont returns to France to find himself presumed dead and his fiancée unhappily married. He confronts D’Amville and has an altercation with Sebastian, but another appearance by the ghost prevents him from getting carried away. D’Amville fabricates an unpaid debt in order to have Charlemont imprisoned, but Sebastian, who has been slightly injured, asks for money to pay a surgeon and uses it to pay the supposed debt and get Charlemont released. D’Amville takes steps to secure the future of his estate. Reasoning that Rousard will beget no son and that Sebastian, a libertine, will never marry, he decides that he will have to produce a bastard to be his heir, and selects Castabella as the mother. He commissions Borachio to murder Charlemont in the churchyard, but Charlemont kills Borachio instead. Snuffe uses the same churchyard for an assignation, intending to scare off any unwanted attention by disguising himself as the ghost of Montferrers, but he is himself frightened by Charlemont and runs away leaving the disguise behind. Charlemont hides in the charnel house.…