Early Modern Drama · Character Archetypes

NERINA

in Aminta — Reynolds, Henry, trans.; Tasso, Torquato

Metadata

PlayAminta
AuthorReynolds, Henry, trans.; Tasso, Torquato
Year (catalogued)1628
First performance1628
Decade1620s
GenrePastoral
Play typeCloset Translation
Speech prefix(es)Ner:
Words429
Characters2184
Typicality0.29 (cosine to cluster centroid)
TCP idA13384
BritDrama no.2223
ClusterCluster 21 — Old fathers & plain counsel

Important excerpts

No keyword-matching excerpt could be extracted (the cluster label doesn't share vocabulary with this character's speech).

Full speech

Must I be then the Raven, and sinister Relater of so bitter news? Oh wretched, Wretched Montano; ah what wilt thou do, When thou shalt hear the sad, and killing story Of thy own only Silvia? poor old man, Most hapless father of a hapless child; Ah now no father. Yet he shall know it; and go gather up Unhappy relics, (if yet any be;) Ah Silvia Silvia, Oh accursed fate. Daphne? There's cause enough Daphne; ah too too much. Oh heaven, Must I be then th'vnhappy' historian? And yet it's fit I tell my sad tale out. Silu'ia starnak'd (whereof ye know perhaps The cause) came to our house, where being clad, She afterwards desired me I would go A hunting with her, as it was before Appointed, to the Grove of Oaks, (for so The place ye know is called;) I did agree; And onn we went, and found there many Nymph's Gathered together; not far off, behold Rushes a huge Wolf forth, whose yawning jaws Foamed with a bloody froth; Silvia then near him Let fly a shaft at him; and in his head The arrow light; he took the wood again, And she at heals pursued him with a Dart Into the wood.— I with and other Dart followed their footing; But setting out too late, was cast far off; And having gained the wood, I lost the sighed Of them; yet kept their track, and ran so far, Till I was God into the desertest And thickest of the wood; at length I found (And took up) Silvia's Dart upon the ground; And not far off a white veil, which (ere while) I did my self bind up her hair withal; And while I looked about Me, Ispi'de seven Wolves Licking blood off the ground, that scattered lay About a few bore bones; and 'twas my hap To escape unseen, while they so earnestly Minded their pray. I full of fear turned back, and came my way. And this is all that I can say of Silvia; And here's the veil. He breath's yet, he's but in a trance; Tarry he comes again t'himselfe. Ay me, wretch that I am, why did I speak? Shall I denie't, or shall I give it him? The cause he asks it for, bids me retain it. He runs so fast, will be in vain for us To follow him; 'twere best I onward went Upon my way; and yet perhaps 'twere better I stayed, and held my peace, then my self be Author of poor Montano's misery.

Plot summary

Plot — Aminta
Resenting his mother’s efforts to control his activities and limit them to persons of high estate, Cupid absconds to live as a shepherd and make Silvia fall in love. Silvia was Aminta’s companion in boyhood. Three years ago he declared his love for her, and she has refused to see him ever since. Despite Daphne’s attempts to persuade her that she should take her amorous pleasures while she can, Silvia has no maternal desires: she loves only hunting, and hates Aminta because he loves her. Recognizing that Aminta needs to be more masterful, Daphne and Thyrsis arrange for him to encounter Silvia while she is bathing. But Silvia has another rejected admirer with similar ideas, a Satyr, and when Aminta arrives he finds Silvia stark naked, tied to a tree with her own hair, and about to be raped. He drives the Satyr off, but Silvia is haughtily ungracious and runs away. Daphne restrains Aminta’s suicidal impulses. Silvia borrows some clothes from Nerina and goes hunting. She encounters a wolf and chases it; Nerina follows, loses her, and then sees a wolf-pack licking blood off the ground, with Silvia’s bloodstained veil nearby. When Aminta hears of this, his suicidal impulses are renewed: with the help of Ergastus, he climbs a cliff and throws himself off. Silvia is not really dead — the wolves’ prey was only an animal — but the news of Aminta’s death prompts her to recognize her love for him, and seek to join him in the afterlife. It turns out that he is not dead: he fell into a bush, stunned himself, and recovers on feeling Silvia’s tears splashing onto his face. Venus comes looking for Cupid, and asks the audience if they have seen him. ===== PAGE 285 ===== 1627