Early Modern Drama · Character Archetypes

CUPID

in Aminta — Reynolds, Henry, trans.; Tasso, Torquato

Metadata

PlayAminta
AuthorReynolds, Henry, trans.; Tasso, Torquato
Year (catalogued)1628
First performance1628
Decade1620s
GenrePastoral
Play typeCloset Translation
Speech prefix(es)CVPID
Words713
Characters3797
Typicality0.40 (cosine to cluster centroid)
TCP idA13384
BritDrama no.2223
ClusterCluster 24 — Gods, cupids & celestial agents

Important excerpts

Passages from this character's speech that contain the most distinguishing words for Cluster 24 (casane, crites, anacreon, ortum, elementis, dextram…). Matches are highlighted.

golden bow: Therefore I purpose to conceal my self, And run from her entreats; (for other pour Then to entreat, she shall not have over me:) I hear she haunts these groves, and promises Unto the Nymphs and Shepherd's, which of them Will bring me to her, kisses for their pains, And more then kisses too; and cannot I To them shall hide

Full speech

W Ho would believe that in this human form, And under these mean Shepherd's weeds, A God head? nor yet of the lower rank, But the most mighty among the gods; whose pour were hid Makes oft the bloody Sword of angry Mars Fallen from his hand; stern Neptune hurl away His powerful trident; and great Jove lay by His thunderbolt: and thus attyr'de, I hope My mother Venus shall have much ado To find her Cupid. For the troth to tell, Sh'has made me play the runaway with her: Because (forsooth) she will sole mistress be, And to her pleasure bind my shafts and me; And (vain ambitious woman as she is) Would tie me to live still amongst Crowns, & Scep ters, And to high Courts confine my power and me; And to my vnder-followers grants to live Here in these woods; and to advance their powers, Over silly Shepherd's breasts; but I that am No child, (though childish be my gate and looks) Will for this once, do as shall please me best: For not to her, but me allotted were The ever awful brand, and golden bow: Therefore I purpose to conceal my self, And run from her entreats; (for other pour Then to entreat, she shall not have over me:) I hear she haunts these groves, and promises Unto the Nymphs and Shepherd's, which of them Will bring me to her, kisses for their pains, And more then kisses too; and cannot I To them shall hide me from her, liberal be Of kisses, and more too as well as she? The Nymphs I know will Like my kisses best, When I shall woe them that am God of love: Therefore my mother does but looze her pain, Here's none will bring her home her son again. But to be surer, that she may not know Or find me out by the vsd'e marks I bear, I've laid my quiver, bow, and wings from me; Yet come I not hither vnarm'de; this rod I carry is my brand transformed thus, And breathes out unseen flame at every poor; And this dart (though it have no golden head) Of heu'nly temper is; and where it lytes Enforceth love; and eu'ne this day shall make A deep and cureless wound in the hard breast Of the most cruel Nymph, that ever yet Hath been a follower of Diana's train; Nor will I pity Silvia more, (for so Th'obdurate stony-brested Nymph is called) Then erst I did the gentle-hearted Swain Aminta, many winter's since, when he (Poor wretch) then young, followed her younger steps From wood to wood in every game and sport: And for more sure effecting my intent, I'll pause a while till some remorse and pity Of the poor Shephedrs sufferings, have a little Thawde the hard ice congealed about her breast With maiden peevishness; and when I find She grows more pliant, will I launch her breast: And this to do with better ease and art, Amongst the feasting troops of the crowned Shep herds That hither come to sport o'hollydayes, I'll put my self; and here, even in this place I'll give the speeding blow unseen, unknown. To day these Woods shall hear another voice Of love then ere before, and more refin'de; My God head here shall in it self appear Present no longer in my Ministers: I'll breath soft thoughts into their courser breasts, And make their tungs in smoothest nu ̄ bers move; For wheresoever I am, still am I Love; No less in Shepherd's then in greatest Peers; And inequality in people, I Can temper as I please, such is my power. The Rural found of homely Shepherd's read I can make equal with the learnedest lyre, And if my mother (which disdains forsooth To see me here) be ignorant of this, She's blind, not I Whom the blind world reputes blind wrongfully. I'st possible (Silvia) thou canst resolve To spend the fair hours of thy flowering youth With such contempt of Venus, and her Son; And hast no more desire to be a mother, And leave a partly of thee (when thou art dead) Living behind thee? Change (young fondling) change Thy mind; and do not lead a life so strange.

Plot summary

Plot — Aminta
Resenting his mother’s efforts to control his activities and limit them to persons of high estate, Cupid absconds to live as a shepherd and make Silvia fall in love. Silvia was Aminta’s companion in boyhood. Three years ago he declared his love for her, and she has refused to see him ever since. Despite Daphne’s attempts to persuade her that she should take her amorous pleasures while she can, Silvia has no maternal desires: she loves only hunting, and hates Aminta because he loves her. Recognizing that Aminta needs to be more masterful, Daphne and Thyrsis arrange for him to encounter Silvia while she is bathing. But Silvia has another rejected admirer with similar ideas, a Satyr, and when Aminta arrives he finds Silvia stark naked, tied to a tree with her own hair, and about to be raped. He drives the Satyr off, but Silvia is haughtily ungracious and runs away. Daphne restrains Aminta’s suicidal impulses. Silvia borrows some clothes from Nerina and goes hunting. She encounters a wolf and chases it; Nerina follows, loses her, and then sees a wolf-pack licking blood off the ground, with Silvia’s bloodstained veil nearby. When Aminta hears of this, his suicidal impulses are renewed: with the help of Ergastus, he climbs a cliff and throws himself off. Silvia is not really dead — the wolves’ prey was only an animal — but the news of Aminta’s death prompts her to recognize her love for him, and seek to join him in the afterlife. It turns out that he is not dead: he fell into a bush, stunned himself, and recovers on feeling Silvia’s tears splashing onto his face. Venus comes looking for Cupid, and asks the audience if they have seen him. ===== PAGE 285 ===== 1627