No keyword-matching excerpt could be extracted (the cluster label doesn't share vocabulary with this character's speech).
Full speech
Strangely altered Since young Borgia took his leave and melancholy: Well, I suspect— Sheele scarce sleep To night, for dreaming oth' Gentleman. Nay we'll take him a pieces ever we would done. If it were not the way my Lord, your Lordship Could not be destitute of a lodging at Court. We left my Lord Mercutio Your father with her. He is infinitely beholding to her grace, She never mentions him without a flourish: I know not, but if I have any skill In looks or language, there is something more Then common in her highness breast meant towards him But the Wren Couched underneath the aspiring Eagles wings. Quickly advance it self when to'thers mounted And glories in her hight, 'tis but a step And the small thing is King of birds, the fable Has pretty morals in't. We desire To die in that pretions ignorance. I was about To ask him once, but thought he was modest And wood would blushed, I wood I had his picture.
Plot summary
Plot — The Opportunity
Arriving in Urbino for the first time, Aurelio is surprised to find the inhabitants greeting him as a long-lost friend. It turns out that he looks identical to Borgia, who had been banished for killing the brother of Ursini, a court favourite. Accepted by Borgia’s father Mercutio, he seizes his opportunity and steps into his alter-ego’s shoes. They are summoned to court, where Ursini, in love with Borgia’s sister Cornelia, has procured a pardon for Borgia in order to gain the family’s favour. Complications arise when Aurelio falls in love with Cornelia himself, while the Duchess falls in love with him and appoints him her secretary. Aurelio decides to keep his options open, maintains his assumed identity, and pursues both ladies, circumventing any suspicion of incest by telling Cornelia that he is acting on Aurelio’s behalf: Aurelio fell for her on seeing her picture, he says, and engaged him to woo her. Other suitors have come to woo the Duchess, including the Duke of Ferrara, posing as his own ambassador; he takes offence at the favours shown to ‘Borgia’. There is a mix-up in the dark: posing as the Duchess, Cornelia tells ‘Borgia’ that she will marry Ferrara; then the Duchess arrives; ‘Borgia’ takes her for Cornelia, and, on hearing she is to marry Ursini, admits his true identity. Having overheard Cornelia’s comments, Ferrara arrives in Urbino in his own person to claim the Duchess as his bride, but she denies ever promising herself to him. Aurelio’s servant Pimponio poses as another potential suitor to the Duchess. Initially he pretends to be a Spanish don, but is advised to adopt an Italian identity instead when he is introduced at court. He duly claims to be the Duke of Ferrara, which infuriates the real Duke further. ‘Borgia’ asks the Duchess directly whether she loves him. She tartly reminds him of the unbridgeable distance between them, then dictates him a love-letter to be delivered to the person who loves her best, asking the recipient to come to an assignation in the garden. Discouraged, Aurelio gives the letter to Ferrara, but then realizes that the Duchess meant it for him. She sets Mercutio to guard the garden gate and let in none but ‘Borgia’, but he mistakenly admits Ferrara instead. Realizing that he has lost his opportunity to court the Duchess, Aurelio turns his attentions to Cornelia; but his friend Pisauro, eager to get the girl for himself, tells her that ‘Borgia’ is incestuously in love with her, and will claim, untruthfully, that…