Early Modern Drama · Character Archetypes

GIOTTO

in The Grateful Servant (The Faithful Servant) — Shirley, James

Metadata

PlayThe Grateful Servant (The Faithful Servant)
AuthorShirley, James
Year (catalogued)1630
First performance1629
Decade1630s
GenreComedy
Play typeAdult Professional
CompanyQueen Henrietta Maria's Men
TheaterPhoenix/Cockpit;Indoor Professional
Speech prefix(es)Giotto. | Giot. | Gi •… t. | Gitto. | Gio. | Gi.
Words214
Characters1148
Typicality0.18 (cosine to cluster centroid)
TCP idA12138
BritDrama no.2287
ClusterCluster 17 — Intriguers & schemers

Important excerpts

No keyword-matching excerpt could be extracted (the cluster label doesn't share vocabulary with this character's speech).

Full speech

TO He Duke is moved. And yet I see no reason, why he should Engage so great affection to that Daughter Of Milan, he never saw her. Trust a pencil, I Like not that State wooing, see his Brother Enter Lodwicke. Has left him, pray my Lord how is it with His Highness? He said truth, I doubt there is no room for one, whom he Should place in's heart, and honour. Wherefore would the Duke Marry his young Son first? He has to soon forgotten your precepts. They're unequal, We attend, Would? he is coming forth. Your Highness said, You would to Tennis. In whom Their Fortune's meet, as their Prophetic Souls Had taught them thrifty providence, for this Great honour, you intend her. Not yet come my Lord. A Servant of Cleona's. There he is with Grimundo. Pray heaven he have the grace to follow it. Nor I, upon these term S I pity em. Unto none, Within the circle of my knowledge, Please your Highness, A stranger but some Gentleman of quality, Intending to leave Savoy, humbly prays To kiss yove hand. I can meet with no intelligence. The Duke does mean to grace their ceremony. Which must be in private too hear in his lodgings. Sure the Prince is mad,

Plot summary

Plot — The Grateful Servant (The Faithful Servant)
PLOT The Duke of Savoy was to marry Leonora, Princess of Milan; but with the death of her father, the Milanese feared falling under the dominion of Savoy and have tried to force her to marry her uncle instead. Rather than go to war, the Duke redirects his amorous attentions to Cleona, who is Savoy-born and so poses none of the problems of language and obedience associated with a foreign wife. Cleona has just lost another lover, Foscari, who was reported dead on a journey. In fact, he has returned with a new page, Dulcino, whom he rescued from the banditti. He sends Dulcino with a letter announcing his return. Cleona at once loses all interest in the Duke; but when Foscari learns that he is the Duke’s rival in love, he decides to bow out: Dulcino is sent back to make a false confession that the letter was a forgery and that Foscari is dead after all, clearing the way for the Duke’s suit and Cleona’s advancement. The Duke, however, finds himself unaccountably attracted to Dulcino. Foscari intends to become a monk, taking Dulcino with him. Dulcino does not share this ambition: ‘he’ is really Leonora, who fled Milan to escape the forced marriage. The monk sent to negotiate Foscari’s admission to the abbey turns out to be the one who also helped her to abscond, Valentino, and he promises to arrange matters. Meanwhile the Duke learns that Foscari is alive, but promises to keep it from Cleona until after the monastic initiation ceremony, which they are both to witness. In the event, however, Valentino slips the Duke a paper identifying Leonora. That not only debars her from joining the abbey but also puts an end to any interest the Duke may have in marrying Cleona; which means that Foscari in turn no longer needs to take himself out of the Duke’s way. Both couples can pair off as originally intended. In the sub-plot, the Duke’s brother Lodwick neglects his wife, and plans to give himself grounds for divorce by procuring his associate Piero to commit adultery with her; this will leave him free to marry Cleona. He then aims to succeed to the dukedom by inducing his brother to enter religion. His former governor, Grimundo, persuades him that he is himself a secret debauchee, and offers to arrange a garden assignation for him. His date introduces herself as the devil in sexy human form, which somewhat dampens his ardour. He rushes back, to find with relief that Piero’s attempted seduction has been unsuccessful, and resolves to become a more dutiful husband — even…