Early Modern Drama · Character Archetypes

PERENOTTO

in The Bird in a Cage (The Beauties) — Shirley, James

Metadata

PlayThe Bird in a Cage (The Beauties)
AuthorShirley, James
Year (catalogued)1633
First performance1633
Decade1630s
GenreComedy
Play typeAdult Professional
CompanyQueen Henrietta Maria's Men
TheaterPhoenix/Cockpit;Indoor Professional
Speech prefix(es)Peren. | Per.
Words594
Characters3186
Typicality0.22 (cosine to cluster centroid)
TCP idA12128
BritDrama no.2396
ClusterCluster 17 — Intriguers & schemers

Important excerpts

No keyword-matching excerpt could be extracted (the cluster label doesn't share vocabulary with this character's speech).

Full speech

Your Graces pleasure? I'll tell you. To take Physic Madam. The Duke has prepared to stay all looseness in your bodies You must be all fast: stone walls and mortar will bind. I am Covetous of such a knowledge. Dondolo and Grutti, News, News for ye. They are my Lord. Not yet attempted you? He's here. To your stations, and be circumspect. I should be proud to merit such a Phrase. It's a glorious one. This Box is studded Like a frosty Night with stars You have out bid their Valve, make me a gainer In changing them for your commends. How Sir. I never shall deserve this Bounty, if You'd point me out some service to begin my gratitude— So I should be a Traitor. Although 'twere necessary in the Affairs Of such high consequence to deliberate, Yet for this once, I'll be as brief as you, I won't doe't. No indeed Signior, you shall pardon me At this time, and I'll keep your Jewels too For they are gifts: hereafter you will know me So fare you well Sir. My honoured Lord. Is your Lordship for this wonder? These pair of Gentlemen have discoursed me in to admiration, there's one has undertaken to go invisible. This hour expected, and in this place. With a trick that he has. Would, would, would. Morello? 'Ile wait upon him to the Duke my self. You have lost the best mirth in Italy in your ab sense, your Companion Morello — Mirth in Abundance. Nay it's on still, the Duke to make himself sport, would call a counsel, before whom the poor Signior must be arraigned; not to hold you in circumstance, the Business was merrily discussed, & the pitiful proiector was judged— To wear the petticoat for a Month, if he appear without it during the Term, he incurs his perpetual exile from Court. You may imagine with what variety of lamentable faces, the Courtier herd his unexpected sentence, some would have pleaded for him but for laughter, which con tinued so long and so high, hat he had time to collect his scattered senses, and instead of sowning, which was ex pected, he grew fortified, and most humbly besought the Duke, since his sentence had passed so definitive, he would be so merciful, to admit him that course of a Moon to be his Jester, that since he could not shake off the Fools Coat, that he might have that favourable pretence to keep it on. 'Twas easily granted, but ever since, to the asto nishment of the hearers, he is grown so jocund and airy, nay as if he had been born with a Song in's head, he talks everlasting Ballad, no man laughs at him but he lashes him in Rhyme worse then a Satyr, the Duke has privileged his mirth, made him fool-free, and now he plays the Tyrant—he's here already. Disgrace has made him witty. How do you mean Morello? Does it not become him. O it'll be excellent, since it is not safe for a wise man to speak truth, 'twere pity fools should lose their privilege.—The Duke. My Lord, I would not seen so much delight In any piece these 7. years. What's this? Was this he— Alas pretty Bird— My Lord. It shall my Lord. He's mad sir. Sir do you believe him. It's counterfeit my Lord, cut off my head If this be not a Iygge of his invention. That was presented lately with the Birds, you gave command. Here are strange turnings, see he stirs.

Plot summary

Plot — The Bird in a Cage (The Beauties)
After rumours of Philenzo’s interest in Eugenia, her father the Duke banishes him and shuts her up in a newly-built palace, attended only by ladies, until he can find her a husband of suitable rank. Orpiano is sent to Florence with her picture to negotiate a marriage treaty; her fiancé will be the Great Duke’s son. Rolliardo, an unemployed wit, comes to court looking for work. The Duke gives him the task of gaining access to Eugenia in her new quarters within a month, with the proviso that he will be executed if he fails; he agrees, subject to the condition that the Duke gives him enough money to do the job—meaning, in effect, unlimited access to the exchequer. Pursued by creditors, the artist Bonamico sets up business disguised as a mountebank, Altomaro, offering to teach people the secret of invisibility. Rolliardo sceptically rejects this as a method of penetrating Eugenia’s palace, preferring to trust in the corruptibility of the captain of the guard—who refuses to help, but keeps the bribe anyway. ‘Altomaro’ tries to encourage prospective clients by dressing up as a series of customers entering his shop; they are not seen leaving because, he says, they have become invisible. Dondolo and Grutti decide this would be a good way to get to see their girlfriends, two of Eugenia’s attendants, and pay ‘Altomaro’ for a demonstration: he will be invisible, save only for his hand. And so he is—the ‘hand’ being a handwritten letter from him. The courtiers realize they have been cheated; Bonamico’s assistant Carlo tells them his true identity and helps them find and imprison him pending the repayment of their demonstration fee. Morello attempts to get into the palace prison posing as a woman, but one of the guards wants a sexual fee and discovers his true gender. He is taken to the Duke and sentenced to wear his women’s clothes for a month. An ambassador arrives from Florence to finalize the marriage contract; Fulvio tells him about Philenzo’s love for Eugenia. Rolliardo uses his access to the exchequer to buy all debtors out of prison; one of the beneficiaries is Bonamico, who again offers his help. He brings the Duke a large cage of birds, which the Duke sends as a present to Eugenia. It arrives while the ladies are putting on a play, The New Prison, about Jupiter and Danaë, imprisoned by her tyrannous father. Eugenia feels sorry for the birds and opens the cage. Rolliardo is hidden inside. He woos her, but she refuses him: her heart belongs to Philenzo. He…