Early Modern Drama · Character Archetypes

3 GUARD

in The Bird in a Cage (The Beauties) — Shirley, James

Metadata

PlayThe Bird in a Cage (The Beauties)
AuthorShirley, James
Year (catalogued)1633
First performance1633
Decade1630s
GenreComedy
Play typeAdult Professional
CompanyQueen Henrietta Maria's Men
TheaterPhoenix/Cockpit;Indoor Professional
Speech prefix(es)3.
Words162
Characters855
Typicality0.41 (cosine to cluster centroid)
TCP idA12128
BritDrama no.2396
ClusterCluster 15 — Devils, vices & grotesques

Important excerpts

No keyword-matching excerpt could be extracted (the cluster label doesn't share vocabulary with this character's speech).

Full speech

Beside this moveable wall of flesh which we carry. No, they are but silk—here will be sport, I have a hint already. A Gentleman? dost hear him? isle put him to't. Can you wrestle Madam. They are thrown down with their good wills then, come you and I will have a bout, I must hug your little body. To tell you true Madam, this fellow is and abominable Lecher, there is no escaping him without a fallen, a very Satire, he leaps all comes near him, if your Ladyships modesty can dis pence with a private favour—you understand; for our parts, we are satisfied otherwise, and our lips are sowed up, take him a 'toside, and see how you can mollify him, he's a Cock a the Game, and will tread you and you were ten Thorns. Nay then. He throws him down, and discovers his Breeches. Why how now? Breeches? Let's search him. Noble Signior we'll wait upon you to him.

Plot summary

Plot — The Bird in a Cage (The Beauties)
After rumours of Philenzo’s interest in Eugenia, her father the Duke banishes him and shuts her up in a newly-built palace, attended only by ladies, until he can find her a husband of suitable rank. Orpiano is sent to Florence with her picture to negotiate a marriage treaty; her fiancé will be the Great Duke’s son. Rolliardo, an unemployed wit, comes to court looking for work. The Duke gives him the task of gaining access to Eugenia in her new quarters within a month, with the proviso that he will be executed if he fails; he agrees, subject to the condition that the Duke gives him enough money to do the job—meaning, in effect, unlimited access to the exchequer. Pursued by creditors, the artist Bonamico sets up business disguised as a mountebank, Altomaro, offering to teach people the secret of invisibility. Rolliardo sceptically rejects this as a method of penetrating Eugenia’s palace, preferring to trust in the corruptibility of the captain of the guard—who refuses to help, but keeps the bribe anyway. ‘Altomaro’ tries to encourage prospective clients by dressing up as a series of customers entering his shop; they are not seen leaving because, he says, they have become invisible. Dondolo and Grutti decide this would be a good way to get to see their girlfriends, two of Eugenia’s attendants, and pay ‘Altomaro’ for a demonstration: he will be invisible, save only for his hand. And so he is—the ‘hand’ being a handwritten letter from him. The courtiers realize they have been cheated; Bonamico’s assistant Carlo tells them his true identity and helps them find and imprison him pending the repayment of their demonstration fee. Morello attempts to get into the palace prison posing as a woman, but one of the guards wants a sexual fee and discovers his true gender. He is taken to the Duke and sentenced to wear his women’s clothes for a month. An ambassador arrives from Florence to finalize the marriage contract; Fulvio tells him about Philenzo’s love for Eugenia. Rolliardo uses his access to the exchequer to buy all debtors out of prison; one of the beneficiaries is Bonamico, who again offers his help. He brings the Duke a large cage of birds, which the Duke sends as a present to Eugenia. It arrives while the ladies are putting on a play, The New Prison, about Jupiter and Danaë, imprisoned by her tyrannous father. Eugenia feels sorry for the birds and opens the cage. Rolliardo is hidden inside. He woos her, but she refuses him: her heart belongs to Philenzo. He…