Early Modern Drama · Character Archetypes

ARTICHOKE

in The London Prodigal — Anonymous

Metadata

PlayThe London Prodigal
AuthorAnonymous
Year (catalogued)1605
First performance1604
Decade1600s
GenreComedy
Play typeAdult Professional
CompanyKing's Men
Speech prefix(es)Arti. | Arty. | Art.
Words464
Characters2344
Typicality0.56 (cosine to cluster centroid)
TCP idA12023
BritDrama no.1443
ClusterCluster 9 — Boon companions & bluff banter

Important excerpts

No keyword-matching excerpt could be extracted (the cluster label doesn't share vocabulary with this character's speech).

Full speech

Yes forsooth, shall not my fellow Daffidill go along with me. Now, what's the matter? some brawl towards, I warrant you. Nay I warrant you mistress Delia isle not tire you With leading, weel go and extreme moderate pace. Oh lord, thieves, thieves. Thieves, thieves, thieves. Daffidill, farewell good fellow Daffidill, You may see mistress, I am set up by the halves, In steed of waiting on you, I am sent to driven home calves. I sir 'tis best. Mistress heeres one would speak with you, my fellow Daffidill hath him in the sellor already, he knows him, he met him at Croyden fair. I a very little man. A very proper, very little man. The same sir. Master, here is a man would speak with master Oh , he comes from young master Flowerdale. I sir I do understand you, but my young mistress might be better provided in matching with my fellow Daf fidill. Here be the very knaves, but not the merry knaves. Sir we have been scouring of our swords and buck le for your defence. Well we will do sir. To find her out, isle spend my dearest blood. Exit both. So well I loved her, to affect her good. I, but if good luck had not served, she had Not been here now, filching Flowerdale had Like To peppord us, but for master Oliver, we had been robbed. Marry by none but by Flowerdale, he is turned thief. Yes i'faith even that Flowerdale, that was thy mai ster. Not I, not a word, now do I smell knauerit: In every purse Flowerdale taken S, he is half And gives me this to keep counsel, oh not a word I. Bith mass heres one, isle ask him, do you hear fir? What are you so proud? do you hear, which is the way To master Civets house? what will you not speak? Oh me, this is filching Flwoerdale. I, this is the tricks of all you gentlemen, when you stand in need of a good fellow. Oh for that Daffidill, Oh where is he? but if you be angry, and it be but for the agging of a straw, then out a doors with the knave, turn the coat oh ver his ears. This is the humour of you all. Why there 'tis now: our years wages and our vails will scarce pay for broken swords and bucklers that we use in our quarrels. But I'll not fight if be a tother side, that's flat. What would you have me draw upon him, As he goes in the street? I but he is now in hucksters handling for running away. Y faith M. Oliver, it is in vain To give to that thinks of her It moves my heart.

Plot summary

Plot — The London Prodigal
Old Flowerdale returns secretly from Venice and hears tales of his son’s prodigality. Wanting to think the best of his offspring, he tests the young man by posing as Christopher, a sailor bringing news of his own death and a will disinheriting his son. Under his new identity he lends his son money to enable him to pursue an advantageous marriage to Sir Lancelot’s daughter Luce, and enters his service to observe him at close quarters. Sir Lancelot is trying to get husbands for all three of his daughters, but Delia prefers a virgin life. For Luce, Sir Lancelot initially favours the wealthy bumpkin Oliver, and takes his part when Young Flowerdale challenges him to a duel. However, ‘Christopher’ forges a will which makes Flowerdale seem richer than Oliver, so Sir Lancelot changes his mind and persuades Flowerdale to go to his own wedding rather than keep his appointment to fight Oliver. It is to be a double wedding: another daughter, Frances, is marrying a merchant’s son. Flowerdale makes no secret of the fact that he intends to exploit Luce financially. Disappointed in him, Old Flowerdale arranges for his uncle to have him arrested for debt immediately after the wedding; apart from teaching the young man a lesson, it will also establish whether Luce genuinely loves him. When Sir Lancelot tries to shrug off the debt, the will is exposed as a fraud. Luce, who only married Flowerdale in obedience to her father, now insists on honouring her marital vows. Intending that Flowerdale should rot in beggary, Sir Lancelot disowns her. Her entreaties get Flowerdale released, but he too rejects her, so ‘Christopher’ gets her a job in Frances’s household, disguised as a Dutch chambermaid. Destitute and starving after squandering his money in gambling and dissolute living, Young Flowerdale is reduced to theft and begging: first he robs his sister- in-law Delia, then seeks people’s sympathy, and money, with a lie that his wife is dead. He finds that begging is a profitable trade, but the report of Luce’s death causes Sir Lancelot to seek his arrest on suspicion of murder. Luce reveals herself, Flowerdale repents, and most of the characters give Luce money and presents, but Sir Lancelot is not reconciled until ‘Christopher’ reveals who he really is. Though offered the choice of Sir Arthur and Oliver, Delia opts to remain unmarried, and everyone goes off for a celebratory feast.