Early Modern Drama · Character Archetypes

BIONDELLO

in The Taming of the Shrew — Shakespeare, William

Metadata

PlayThe Taming of the Shrew
AuthorShakespeare, William
Year (catalogued)1631
First performance1592
Decade1630s
GenreComedy
Play typeAdult Professional
CompanyPembroke's Men
TheaterBlackfriars;Globe;Indoor Professional;Outdoor Professional
Speech prefix(es)Bion. | Bien. | Bion | Bihn. | Biond. | Biond | Biond, | Bio.
Words820
Characters4200
Typicality0.33 (cosine to cluster centroid)
TCP idA12016
BritDrama no.916
ClusterCluster 11 — Tosspots & tavern railers

Important excerpts

No keyword-matching excerpt could be extracted (the cluster label doesn't share vocabulary with this character's speech).

Full speech

Where have I been? Nay how now, where are you? Master ha my fellow Tranio stolen your clothes, or you stolen his or both? Pray what's the news? I sir never a whit. He that ha the two fair daughters: is't he you mean? Master, master, news, and such news as you never herd of, Why, is it not news to hear of Petruchio's coming? Why no sir? He is coming. When he stands where I am, and sees you there. O sir, his Lackey, for all the world Caparisoned Like the horse: with a linen stock on one leg and a kersey boothose on the other, gartered with a read and blue list; and old hat, and the humour of forty fancies pricked in't for a teacher: a monster, a we ry monster in apparel, and not Like a Christian footboy, or a Gentleman's Lackey. Why sir, he comes not. Who, that Petruchio came? No sir, I say his horse comes with him on his back. O Master master I have watched so long, That I am dog weary, but at last I spied And ancient Angel coming down the hill, Will serve the turn Master a Marcantant, or a pedant, I know not what, but formal in apparel, In gate and countenance surely Like a Father. As much as and apple does and oyster, and all one, Tut, fear not me. I told him that your father was at Ʋ enice, And that you look't for him this day in Padua. Cambio. The old Priest at Saint Lukes Church is at your come manned at all hours. I cannot tell, expect they are busied about a counter feit assurance: take you assurance of her. Cum privilegio and Impre mendum solemn, to the Church take the Priest, Clarke, and some sufficient honest witnesses: If this be not that you look for, I have no more to say, But bid Bianca farewell for ever and a day. I have seen them in the Church together, God send them good sh pping: but who is here? mine old Master Vincentio: now we are undone and brought to nothing. I hope I may choose Sir. What my worshipful old master? yet marry sir see where he looks out of the window. Help, help, help, here's a mad man will murder me. O we are spoiled, and yonder he is, deny him, forswear him, or else we are all undone. Sir, my Mistress sends you word That she is busy, and she cannot come. She says you have some goodly Jest in hand, She will not come: she bids you come to her. The better for him, would I were so too. Why Petruchio is coming, in a new hat and and old jerkin, a pair of old breeches thrice turned; a pair of boots that have been candle-cases, one buckled, another laced: and old rusty sword taken out of the Town Armoury, with a broken hilt, and chapelesse: with two broken points: his horse hip'd with and old mothy saddle, and stirrups of no kindred: beside possessed with the glanders, and Like to mose in the chine, troubled with the Lamb pass, infected with the fashions, full of Windegalls, sped with Spavins, rayed with the Yellows, passed cure of the Fives, stark spoiled with the Staggers, begnawne with the Bots, Waid in the back, and shoulder-shotten, near leg'd before, and with a halfe-chekt Bit, and a headstall of sheeps leather, which being restrai ned to keep him from stumbling, hath been often burst, and now repaired with knots: one girth six times pieced, and a woman's Crupper of velure which hath two letters for her name, fairly set down in studs, and here and there pieced with packthreed. Nay by S. Iamy, I hold you a penny, a horse and a man is more then one, and yet not many. I pray the Gods she may with all my heart. You saw my Master wink and laugh upon you? Faith nothing: but has left me here behind to expound the meaning or moral of his signs and tokens. Then thus: Baptista is safe talking with the deceiving Father of a deceitful son. I cannot tarry: I knew a wench married in and after noon as she went to the Garden for Parsley to stuff a Rabit, and so may you sir: and so adieu sir, my Master hath appointed me to go to Saint Lukes to bid the Priest be ready to come against you come with your appendix. Softly and swiftly sir, for the Priest is ready. Forgotten you, no sir: I could not forget you, for I never saw you before in all my life. His daughter is to be brought by you to the supper. Nay faith' I'll see the Church a your back, And then come back to my mistress as soon as I can. I go. Exit.

Plot summary

Plot — The Taming of the Shrew
: GHHStSpHEMSIy is ejected from a tavern after breaking some glasses and refusing to pay for them. A lord finds him in a drunken stupor, takes him home, and plays a prank on him: he is treated as if he is himself a lord who has just woken from a dream of being a beggar. Players visit the lord and he engages them to perform for Sly. ; In the play, BaptistalMindla refuses to allow his younger daughter Bidi@a to marry any of her suitors before her elder sister Kath@filia is married. Katherina is not considered a desirable wife: she is aggressive and disobedient. The rival suitors H@HEnSio and Greiilio agree to find someone to marry Katherina. Hortensio jokingly suggests the idea to his friend PEHWEEID, only to find that Petruccio is willing to co-operate, so long as Katherina brings an adequate dowry; Hortensio and Gremio agree to pay his expenses. Baptista asks the various suitors to provide schoolmasters to instruct Bianca, and two of them see this as an opportunity to get closer access to her: Hortensio poses as Bifi6, a music master, and gets Petruccio to present him to the household; and Digentio, a new arrival in Padua, poses as Cambio, a Latin teacher, while his servant [faiio assumes his identity and presents himself to Baptista as another suitor for Bianca. Petruccio woos Katherina by insisting on her beauty and refusing to rise to her bad behaviour. Afterwards he tells her father that she has consented to marry him, and pre-empts her contradiction by claiming they have agreed that she will remain contrary in public until the wedding. On the wedding day, he arrives late and inappropriately dressed, and behaves badly at the ceremony. As soon as they are married, he insists they leave for his home, rather than celebrate with | Katherina’s family and friends. At home, he violently abuses his servants, sees to it that she neither eats nor sleeps, and finds fault with her choice of new clothing. Baptista offers Bianca to ‘Lucentio’, so long as he can produce evidence to confirm that he can offer her a better financial settlement than Gremio. Lucentio and Tranio persuade a schoolmaster from Mantua that any . Mantuan found in Padua will be executed, and allow him to pose as Lucentio’s father, WiH@@Hiid} he underwrites Lucentio’s expectations, and the marriage is agreed. Hortensio decides to marry a wealthy widow, and visits Petruccio with the news. Petruccio and Katherina set out for Padua, but Petruccio will only leave when his wife agrees with him that…