No keyword-matching excerpt could be extracted (the cluster label doesn't share vocabulary with this character's speech).
Full speech
What the goodyeere my lord, why are you thus out of measure sad? You should hear reason. Yea but you must not make the full show of this till you may do it without controlment you have of late stood out against your brother, and he hath taken you newly into his grace, where it is impossible you should take true root, but by the fair weather that you make yourself, it is needful that you frame the season for your own harvest. Can you make no use of your discontent? Here man, I am at thy elbow. I will owe thee and answer for that, and now forward with thy tale. Is it possible that any villainy should be so deer? I wonder at it. Yes it is apparel. Yes the fashion is the fashion. No, it the vane on the house. All this I see, and I see that the fashion wears out more apparel then the man, but art not thou thy self giddy with the fashion too that thou hast shifted out of thy tale into telling me of the fashion? I am a gentleman sir, and my name is Conrade. Marry sir we say, we are none. If not a present remedy, at least a patient sufferance. To the death my Lord. And thought they Margaret was Hero? A commodity in question I warrant you, come weel obey you. Master's, Master's. Master's, never speak, we charge you, let us obey you to go with us.
Plot summary
Plot — Much Ado About Nothing
Returning to Messina after a war, Claudio falls in love with Hero. At a masked revel, Don Pedro woos her for him by proxy; Don John maliciously tells Claudio that Pedro has wooed her for himself, but the truth soon purges Claudio’s jealousy and he and Hero are engaged to be married in a week’s time. In the interim, Don Pedro undertakes to make Beatrice and Benedick, who have a humour of mutual hatred, fall in love with each other. This is done by letting each of them overhear a conversation about how much in love the other is. Don John attempts to prevent Claudio’s marriage by showing him what he takes to be a nocturnal assignation between Hero and another man; in fact it is Margaret in Hero’s clothes, wooed by Borachio whom Don John has suborned. Claudio rejects Hero at the wedding, and the Friar proposes that she feign death to inculcate remorse in him. Borachio and his associate Conrad are arrested and examined, and confess the plot. As penance, Claudio undertakes to marry another ===== PAGE 61 ===== 1598 lady, said to be Leonato’s niece, without first seeing her; she is actually Hero. Benedick and Beatrice join Hero and Claudio to make it a double wedding. Don John flees Messina, but is apprehended and brought back to face punishment.