No keyword-matching excerpt could be extracted (the cluster label doesn't share vocabulary with this character's speech).
Full speech
He is very busy about it, but brother, I can tell you strange news that you yet dreamt not of. As the events stamps them but they have a good continued ver: they show well outward, the prince and Count Claudio walking in a thick pleached alley in mine orchard, were thus much overheard by a man of mine: the prince discovered to Claudio that he loved my niece your daughter, and meant to acknowledge it this night in a dance, and if he found her ac cordant, he meant to take the present time by the top, and in stantly break with you of it. A good sharp fellow, I will send for him, and question him your self. Well, I am glad that all things sorts so well. Which I will do with confirmed countenance. I saw him not. Infaith she's too cursed. Well niece, I trust you will be ruled by your fa there. If you go on thus, you will kill your self, And 'tis not wisdom thus to second grief, Against your self. Therein do men from children nothing differ. Yet bend not all the harm upon your self, Make those that do offend you, suffer too. Here comes the Prince and Claudio hastily. If he could right himself with quarreling, Some of us would lie low. He shall kill two of us, and men indeed, But thats no matter, let him kill one first: Win me and wear me, let him answer me, Come follow me boy, come sir boy, come follow me Sir boy, isle whip you from your foining fence, Nay, as I am a gentleman I, will. Content your self, God knows, I loved my niece, And she is dead, slanderd to death by villains, That dare as well answer a man indeed, As I dare take a serpent by the tongue, Boys, apes, braggarts, Jacks, milksops. Hold you content, what man! I know them, yea And what they weigh, even to the utmost scruple, Scambling, outfacing, fashion-monging boys, That he, and cog, and flout, deprave, and slander, Go antiquely, and show outward hidiousnesse, And speak of half a dozen dangerous words, How they might hurt their enemies, if they durst, And this is all. Come 'tis no matter, Do not you meddle, let me deal in this. At a word I am not. To tell you true, I counterfeit him. At a word I am not. And shall, or some of us will smart for it. Farewell my lords, we look for you to morrow.
Plot summary
Plot — Much Ado About Nothing
Returning to Messina after a war, Claudio falls in love with Hero. At a masked revel, Don Pedro woos her for him by proxy; Don John maliciously tells Claudio that Pedro has wooed her for himself, but the truth soon purges Claudio’s jealousy and he and Hero are engaged to be married in a week’s time. In the interim, Don Pedro undertakes to make Beatrice and Benedick, who have a humour of mutual hatred, fall in love with each other. This is done by letting each of them overhear a conversation about how much in love the other is. Don John attempts to prevent Claudio’s marriage by showing him what he takes to be a nocturnal assignation between Hero and another man; in fact it is Margaret in Hero’s clothes, wooed by Borachio whom Don John has suborned. Claudio rejects Hero at the wedding, and the Friar proposes that she feign death to inculcate remorse in him. Borachio and his associate Conrad are arrested and examined, and confess the plot. As penance, Claudio undertakes to marry another ===== PAGE 61 ===== 1598 lady, said to be Leonato’s niece, without first seeing her; she is actually Hero. Benedick and Beatrice join Hero and Claudio to make it a double wedding. Don John flees Messina, but is apprehended and brought back to face punishment.