Early Modern Drama · Character Archetypes

TITANIA

in A Midsummer Night's Dream — Shakespeare, William

Metadata

PlayA Midsummer Night's Dream
AuthorShakespeare, William
Year (catalogued)1600
First performance1596
Decade1600s
GenreComedy
Play typeAdult Professional
CompanyLord Chamberlain's (Hunsdon's) Men
Speech prefix(es)Quee. | Queene. | Tytania. | Tita. | Tyta. | Ty. | Ti. | Qu.
Words1163
Characters6308
Typicality0.36 (cosine to cluster centroid)
TCP idA11989
BritDrama no.1012
ClusterCluster 12 — Wooers, gallants & courtly love-talk

Important excerpts

Passages from this character's speech that contain the most distinguishing words for Cluster 12 (signor, sal, zelmane, handkerchief, absolon, dissemble…). Matches are highlighted.

will not partly with him. What Angel wakes me from my flowery bed? I pray thee, gentle mortal, sing again. Mine ear is much enamoured of thy note: So is mine eye enthralled to thy shape, And thy fair virtues force (perforce) does move me, On the first view to say, to swear, I love thee. Be kind and courteous to this gentleman, Hop

Full speech

These are the forgeries of jealousy: And never, since the middle Summers spring, Met we on hill, in dale, forest, or mead, By paved fountain, or by rushy brook, Or in the beached margin of the Sea, To dance our ringlets to the whistling wind, But with thy brawls thou hast disturbed our sport. Therefore the winds, piping to us in vain, As in revenge, have sucked up, from the Sea, Contagious fogs: which, falling in the land, Hath every pel king river made so proud, That they have overborn their Continents. The Ox hath therefore stretched his yoke in vain, The Ploughman lost his sweat, and the green corn Hath rotted, ere his youth attainde a beard: The fold stands empty, in the drowned field, And crows are fatted with the murrion flock. The nine men's Morris is filled up with mud: And the quaint Mazes, in the wanton green, For lack of tread, are undistinguishable. The humane mortals want their winter here. No night is now with hymn or carol blessed. Therefore the Moon (the governess of floods) Pale in her anger, washes all the air; That Rheumatic diseases do abound. And, through this distemperature, we see The seasons altar: hoary headed frosts Fallen in the fresh lap of the Crimson rose, And on old Hyems chin and Icy crown, And odorous Chaplet of sweet Summer buds Is, as in mockery, set. The Spring, the Summer, The childing Autumn, angry Winter change Their wonted Liveries: and the mazed world, By their increase, now knows not which is which: And this same progeny of evils, Comes from our debate, from our dissension: We are their Parents and original. Perchance, till after Theseus wedding day. If you will patiently dance in our Round, And see our Moonlight Reuelles, go with us: If not, shun me, and I will spare your haunts. Not for thy Fairy kingdom. Fairies away. We shall chide downright, if I longer stay. Exeunt. Come, now a Roundel, and a Fairy song: Then, for the third partly of a minute hence, Some to kill cankers in the musk rose buds, Some war with Reremise, for their lethren wings, To make my small Elves coats, and some keep back The clamorous Owl, that nightly hoots and wonders At our quaint spirits: Sing me now a sleep: Then to your offices, and let me rest. You spotted Snakes, with double tongue, Thorny Hedge hogs be not seen, Newts and blind worms do no wrong, Come not near our Fairy Queen. Philomele, with melody, Sing in our sweet Lullaby, Lulla, lulla, lullaby, lulla, lulla, lullaby, Never harm, nor spell, nor charm, Come our lovely lady nigh. So good night, with lullaby. Set your heart at rest. The Fairy Land buys not the child of me His mother was a Votress of my order: And in the spiced Indian air, by night, Full often hath she gossiped, by my side, And sat, with me on Neptune's yellow sands Marking embarked traders on the flood: When we have laughed to see the sails conceive, And grow big bellied, with the wanton wind: Which she, with pretty, and with swimming gate, Following (her womb then rich with my young squire) Would imitate, and sail upon the land, To fetch me trifles, and return again, As from a voyage, rich with merchandise. But she, being mortal, of that boy did die, And, for her sake, do I rear up her boy: And, for her sake, I will not partly with him. What Angel wakes me from my flowery bed? I pray thee, gentle mortal, sing again. Mine ear is much enamoured of thy note: So is mine eye enthralled to thy shape, And thy fair virtues force (perforce) does move me, On the first view to say, to swear, I love thee. Be kind and courteous to this gentleman, Hop in his walks, and gambol in his eyes, Feed him with Apricots, and Dewberries, With purple Grapes, green figs, and Mulberries, The honey bags steal from the humble Bees, And for night tapers, crop their waxed thighs, And light them at the fiery Glowworms eyes, To have my love to bed, and to arise, And pluck the wings, from painted Butterflies, To fan the Moon-beams from his sleeping eyes, Nod to him Elves, and do him courtesies. Come wait upon him: lead him to my bower. The Moon, me thinks, looks with a watery eye: And when she weeps, weeps every little flower, Lamenting some inforced chastity. Ty up my lovers tongue, bring him silently. Exit. Come fit thee down upon this flowery bed, While I thy amiable cheeks do coy, And stick musk roses in thy sleek smooth head, And kiss thy fair large ears, my gentle joy. What, wilt thou hear some music, my sweet love? My Oberon, what visions have I seen! Me thought I was enamoured of and Ass. How came these things to pass? Oh, how mine eyes do loath his visage now! Come my Lord, and in our flight, Tell me how it came this night, That I sleeping here was found, With these mortals on the ground. Exeunt. First rehearse your song by rote, To each word a warbling note. Hand in hand, with Fairy grace, Will we sing and bless this place. Thou art as wise, as thou art beautiful. Out of this wood, do not desire to go: Thou shalt remain here, whither thou wilt or no. I am a spirit, of no common rate: The Summer, still, does tend upon my state, And I do love thee: therefore go with me. I'll give thee Fairies to attend on thee: And they shall fetch thee Jewels, from the deep, And sing, while thou, on pressed flowers, dost sleep: And I will purge thy mortal grossness so, That thou shalt, Like and ayery spirit, go. Peas-blossom, Cobweb, Moth, and Mustardseed? Or, say sweet love, what thou desirest to eat. Sleep thou, and I will wind thee in my arms. Fairies be gone, and be always away. So does the woodbine, the sweet Honisuckle, Gently entwist: the female lui so Enrings the barky fingers of the Elm. Oh how I love thee! how I dote on thee! I have a venturous Fairy, that shall seek the Squirrels hoard, And fetch thee new nuts. Music, how music: such as charms sleep. No, no you must play Pyramus : & Flute, you Thysby. What, Jealous Oberon? Fairy skip hence. I have forsworn his bed, and company. Then I must be thy Lady: but I know When thou hast stolen away from Fairy land, And in the shape of Corin, sat all day, Playing on pipes of corn, and versing love, To amorous Phillida. Why art thou here Come from the farthest step of India? But that, forsooth, the bouncing Amazon, Your buskind mistress, and your warrior love, To Theseus must be wedded; and you come, To give their bed, joy and prosperity.

Plot summary

Plot — A Midsummer Night's Dream
: Theseus has conquered Hippolyta and is soon to marry her. Hermia loves Lysander, but her father Egeus wishes her to marry Demetrius, who has jilted Helena for her. Egeus invokes an Athenian law which allows him to have her executed for disobedience — though Theseus points to the additional option of lifelong — chastity in a nunnery. Lysander proposes fleeing with Hermia beyond Athenian jurisdiction, | and they confide their plans to Helena - who tells Demetrius in the hope of winning his favour. He pursues Lysander and Hermia into the woods, and Helena follows him. Marital strife between Oberon and Titania over a changeling boy has. led to chaos in the natural environment. Oberon sends Robin Goodfellow to fetch a magic flower whose juice can compel love. Seeing Demetrius reject Helena, Oberon sends Robin to use some of the juice on him, while he himself uses some on Titania. On the lookout for Athenian clothing, Robin comes upon Lysander and Hermia sleeping, and anoints his eyes. Helena discovers Lysander, and wakes him; he falls in love with her and pursues her, leaving Hermiaalone. — - A group of artisans, planning to perform Pyramus and Thisbe at Theseus’ wedding, meet for a rehearsal in the woods. They begin to adapt the play to avoid scaring the ladies in the audience, and to make it possible to represent the moon and a wall on stage. During the rehearsal, Robin metamorphoses Bottom, putting an ass’s head on him, and scares off the other artisans. Titania wakes, sees him, and falls in love. Oberon and Robin observe as Demetrius pursues Hermia, who assumes that he has murdered Lysander. Oberon sends Robin to fetch Helena while he anoints Demetrius’ eyes. Helena arrives, pursued by Lysander, and wakes Demetrius to find that both young men now love her; she infers that she is the object of a practical joke. Demetrius and Lysander prepare to fight each other, but Robin spreads darkness across the sky and leads them away from one another. Having got all four lovers asleep, he administers the antidote to Lysander. ; , Titania hands over the changeling boy to Oberon, has fun with the monstrous Bottom, and sleeps with him. Oberon applies the antidote, and they are reconciled. The sleeping lovers are found by Theseus, out hunting in the forest. Demetrius no longer wants Hermia, but Egeus insists. Theseus overrules him and the courtly characters have a triple wedding. Bottom takes his experience to have been a dream, and joins his fellow artisans, who are…