Early Modern Drama · Character Archetypes

LUCIUS

in Cymbeline, King of Britain — Shakespeare, William

Metadata

PlayCymbeline, King of Britain
AuthorShakespeare, William
Year (catalogued)1623
First performance1609
Decade1620s
GenreRomance
Play typeAdult Professional
CompanyKing's Men
Speech prefix(es)Luc.
Words857
Characters4650
Typicality0.36 (cosine to cluster centroid)
TCP idA11954.36
BritDrama no.1623
ClusterCluster 8 — Martial kings & Roman gravity

Important excerpts

No keyword-matching excerpt could be extracted (the cluster label doesn't share vocabulary with this character's speech).

Full speech

When Julius Caesar (whose remembrance yet Lives in men's eyes, and will to Ears and Tongues Be Theme, and hearing ever) was in this Britain, And Conquered it, Cassibulan thine Uncle (Famous in Caesars praises, no whit less Then in his Feats deserving it) for him, And his Succession, granted Room a Tribute, Yearly three thousand pounds; which (by thee) lately Is left vntender'd. I am sorry Cymbeline, That I am to pronounce Augustus Caesar ( Caesar, that hath more Kings his Servants, then Thy self Domestic Officers) thine Enemy: Receive it from me then. War, and Confusion In Caesars name pronounce I against thee: Look For fury, not to be resisted. Thus defied, I thank thee for my self. Let proof speak. So sir. Thanks, Royal Sir: My Emperor hath wrote, I must from hence, And am right sorry, that I must report you My Master's Enemy. So Sir: I desire of you A Conduct over Land, to Milfordhaven. Madam, all joy befall your Grace, and you. Your hand, my Lord. Sir, the Event Is yet to name the winner. Fare you well. But what from Room? When expect you them? This forwardness Makes our Hope's fair. Command our present numbers Be mustered: bid the Captains look too't. Now Sir, What have you dreamed of late of this wars purpose. Dream often so, And never false. Soft hoa, what trunk is here? Without his top? The ruin speaks, that sometime It was a worthy building. How? a Page? Or dead, or sleeping on him? But dead rather: For Nature does abhor to make his bed With the defunct, or sleep upon the dead. Let's see the Boys face. He'll then instruct us of this body: Young one, Inform us of thy Fortune's, for it seems They crave to be demanded: who is this Thou makest thy bloody Pillow? Or who was he That (otherwise then noble Nature did) Hath altered that good Picture? What's thy interest In this sad wrack? How came't? Who is't? What art thou? 'Lacke, good youth: Thou movest no less with thy complaining, then Thy Master in bleeding: say his name, good Friend. Thy name? Thou dost approve thy self the very same: Thy Name well sits thy Faith; thy Faith, thy Name: Wilt take thy chance with me? I will not say Thou shalt be so well mastered, but be sure No less beloved. The Roman Emperor's Letters Sent by a Consul to me, should not sooner Then thine own worth prefer thee: Go with me. I good youth, And rather Father thee, then Master thee: My Friends, The Boy hath taught us manly duties: Let us Find out the prettiest Dazied-Plot we can, And make him with our Pikes and Partisans A Grave: Come, Athy him: Boy he's preferred By thee, to us, and he shall be interred As Soldiers can. Be cheerful; wipe thine eyes, Some Falls are means the happier to arise. Away boy from the Troops, and save thy self: For friends kill friends, and the disorder's such As war were hoodwinked. It is a day turned strangely: or betimes Let's reinforce, or fly. Consider Sir, the chance of War, the day Was yours by accident: had it gone with us, We should not when the blood was cool, have threatend Our Prisoners with the Sword. But since the Gods Will have it thus, that nothing but our lives May be called ransom, let it come: Suffices, A Roman, with a Roman heart can suffer: Augustus lives to think on't: and so much For my peculiar care. This one thing only I will entreat, my Boy (a Britain born) Let him be ransomed: Never Master had A Page so kind, so duteous, diligent, So tender over his occasions, true, So feat, so Nurse-like: let his virtue join With my request, which I'll make bold your Highness Cannot deny: he hath done no Britain harm, Though he have served a Roman. Save him (Sir) And spare no blood beside. I do not bid thee beg my life, good Lad, And you I know thou wilt. The Boy disdains me, He leaves me, scorns me: briefly die their joys, That place them on the truth of Girls, and Boys. Why stands he so perplexed? Happy be you. Philarmonus. Read, and declare the meaning. WHen as a Lyons whelp, shall to himself unknown, with out seeking find, and be embraced by a piece of tender Air: And when from a stately Cedar shall be lopped branches, which being dead many years, shall after revive, be jointed to the old Stock, and freshly grow, then shall Posthumus end his Misery's, Britain be fortunate, and flourish in Peace and Plen tie. Thou Leonatus art the Lyons Whelp, The fit and apt Construction of thy name Being Leonatus, does import so much: The piece of tender Air, thy virtuous Daughter, Which we call Mollis Aer, and Mollis Aer We term it Mulier ; which Mulier I divine Is this most constant Wife, who even now Answering the Letter of the Oracle, Unknown to you unsought, were clipped about With this most tender Air.

Plot summary

Plot — Cymbeline, King of Britain
Imogen has been the heir to Cymbeline’s kingdom since the disappearance of her infant brothers twenty years ago. Now her father intends her to marry her foolish stepbrother Cloten; but she pre-empts this by marrying Posthumus instead. Cymbeline objects to Posthumus, whom he took in as an orphan and brought up at court, and banishes him. The Queen pretends support for the couple, but is really the source of Cymbeline’s hostility; her objective is to bring the succession into her own family line, if necessary by destroying Imogen. Claiming to be studying toxicology, she asks Cornelius to give her some poison for experimental purposes. He mistrusts her motives: the ‘poison’ he supplies is really only a sleeping potion. She then gives it to Posthumus’ servant, Pisanio, claiming it to be a powerful medicine. Posthumus goes to Rome, leaving his bracelet behind with Imogen as a love-token, and taking her ring. There he boasts of his wife’s beauty and chastity, and bets Iachimo the ring that she will never succumb to his seduction. Iachimo comes to Britain, tells Imogen that Posthumus is behaving adulterously in Rome, and tries to persuade her to do the same. When she refuses, he claims he was only testing her, and asks her to take charge of a chest of valuables, partly paid for by Posthumus, and lodge them for the night in a safe place, her bedroom. He hides in the chest and emerges when she is asleep, giving him the opportunity to inspect the room, look at her in bed, and take Posthumus’ bracelet from her arm. Back in Rome, he claims to have enjoyed Imogen sexually, and the bracelet convinces Posthumus that he is telling the truth. Iachimo takes the ring and Posthumus sends two letters home: one to Imogen asking her to meet him at Milford Haven, the other to Pisanio ordering him to kill her on arrival there. Pisanio escorts her as planned, but then gives her boy’s clothes to enable her to escape from Britain; he also passes on the ‘medicine’ he had from the Queen, then writes to tell Posthumus that she has been killed as ordered. Cymbeline has neglected to pay the tribute to Rome agreed by his predecessors. Caius Lucius comes to demand it, but gets a dusty answer. Rome prepares its 1610 forces for an invasion. Imogen is found to be absent from court, and, stung by her contemptuous rejection, Cloten follows her wearing a suit of Posthumus’ clothes, intending to rape her and bring her back humiliated to court. The hungry, cross-dressed Imogen finds herself in a…