Early Modern Drama · Character Archetypes

1 GENTLEMAN

in Cymbeline, King of Britain — Shakespeare, William

Metadata

PlayCymbeline, King of Britain
AuthorShakespeare, William
Year (catalogued)1623
First performance1609
Decade1620s
GenreRomance
Play typeAdult Professional
CompanyKing's Men
Speech prefix(es)1. Gent. | 1
Words561
Characters2955
Typicality0.19 (cosine to cluster centroid)
TCP idA11954.36
BritDrama no.1623
ClusterCluster 7 — Pedants, satyrs & Latin wit

Important excerpts

No keyword-matching excerpt could be extracted (the cluster label doesn't share vocabulary with this character's speech).

Full speech

Y Ou do not meet a man but Frowns. Our bloods no more obey the Heavens Then our Courtiers: Still seem, as do's the Kings. He that hath lost her too: so is the Queen, That most desired the Match. But not a Courtier, Although they wear their faces to the bent Of the Kings looks, hath a heart that is not Glad at the thing they scowl at. He that hath missed the Princess, is a thing Too bade, for bade report: and he that hath her, (I mean, that married her, alack good man, And therefore banished) is a Creature, such, As to seek through the Regions of the Earth For one, his Like; there would be something failing In him, that should compare. I do not think, So fair and Outward, and such stuff Within Endows a man, but he. I do extend him (Sir) within himself, Crush him together, rather then unfold His measure duly. I cannot delve him to the root: His Father Was called Sicillius, who did join his Honour Against the Romans, with Cassibulan, But had his Titles by Tenantius, whom He served with Glory, and admired Success: So gained the Sur-addition, Leonatus. And had (beside this Gentleman in question) Two other Sons, who in the Wars of the time Died with their Swords in hand. For which, their Father Then old, and found of issue, took such sorrow That he quit Being; and his gentle Lady Big of this Gentleman (our Theme) deceased As he was born. The King he takes the Babe To his protection, calls him Posthumus Leonatus, Breeds him, and makes him of his Bedchamber, Puts to him all the Learning's that his time Could make him the receiver of, which he took As we do air, fast as 'twas ministered, And in's Spring, became a Harvest: Lived in Court (Which rare it is to do) most praised, most loved, A sample to the youngest: to the more Mature, A glass that feated them: and to the graver, A Child that guided Dotards. To his Mistress, (For whom he now is banished) her own price Proclaims how she esteemed him; and his Virtue By her electio ̄ may be truly read, what kind of man he is. His only child: He had two Sons (if this be worth your hearing, Mark it) the eldest of them, at three years old In the swathing clothes, the other from their Nursery Were stolen, and to this hour, no guess in knowledge Which way they went. Some twenty years. Howsoever, it's strange, Or that the negligence may well be laughed at: Yet is it true Sir. We must forbear. Here comes the Gentleman, The Queen, and Princess. Hurt him: His body's a passable Carcase if he be not hurt. It is a thoroughfare for Steel if it be not hurt. Stand you? you have Land enough of your own: But he added to your having, gave you some ground. Sir, as I told you always: her Beauty & her Brain go not together. She's a good sign, but I have seen small reflection of her wit. I'll attend your Lordship. Day, my Lord. Great Jupiter be praised, Lucius is taken, It's thought the old man, and his sons, were Angels. So it's reported: But none of they can be found. Stand, who's there?

Plot summary

Plot — Cymbeline, King of Britain
Imogen has been the heir to Cymbeline’s kingdom since the disappearance of her infant brothers twenty years ago. Now her father intends her to marry her foolish stepbrother Cloten; but she pre-empts this by marrying Posthumus instead. Cymbeline objects to Posthumus, whom he took in as an orphan and brought up at court, and banishes him. The Queen pretends support for the couple, but is really the source of Cymbeline’s hostility; her objective is to bring the succession into her own family line, if necessary by destroying Imogen. Claiming to be studying toxicology, she asks Cornelius to give her some poison for experimental purposes. He mistrusts her motives: the ‘poison’ he supplies is really only a sleeping potion. She then gives it to Posthumus’ servant, Pisanio, claiming it to be a powerful medicine. Posthumus goes to Rome, leaving his bracelet behind with Imogen as a love-token, and taking her ring. There he boasts of his wife’s beauty and chastity, and bets Iachimo the ring that she will never succumb to his seduction. Iachimo comes to Britain, tells Imogen that Posthumus is behaving adulterously in Rome, and tries to persuade her to do the same. When she refuses, he claims he was only testing her, and asks her to take charge of a chest of valuables, partly paid for by Posthumus, and lodge them for the night in a safe place, her bedroom. He hides in the chest and emerges when she is asleep, giving him the opportunity to inspect the room, look at her in bed, and take Posthumus’ bracelet from her arm. Back in Rome, he claims to have enjoyed Imogen sexually, and the bracelet convinces Posthumus that he is telling the truth. Iachimo takes the ring and Posthumus sends two letters home: one to Imogen asking her to meet him at Milford Haven, the other to Pisanio ordering him to kill her on arrival there. Pisanio escorts her as planned, but then gives her boy’s clothes to enable her to escape from Britain; he also passes on the ‘medicine’ he had from the Queen, then writes to tell Posthumus that she has been killed as ordered. Cymbeline has neglected to pay the tribute to Rome agreed by his predecessors. Caius Lucius comes to demand it, but gets a dusty answer. Rome prepares its 1610 forces for an invasion. Imogen is found to be absent from court, and, stung by her contemptuous rejection, Cloten follows her wearing a suit of Posthumus’ clothes, intending to rape her and bring her back humiliated to court. The hungry, cross-dressed Imogen finds herself in a…