Early Modern Drama · Character Archetypes

COBBLER

in Julius Caesar — Shakespeare, William

Metadata

PlayJulius Caesar
AuthorShakespeare, William
Year (catalogued)1623
First performance1599
Decade1620s
GenreTragedy
Play typeAdult Professional
CompanyLord Chamberlain's (Hunsdon's) Men
Speech prefix(es)Cobl. | Cob.
Words150
Characters718
Typicality0.51 (cosine to cluster centroid)
TCP idA11954.30
BritDrama no.1198
ClusterCluster 0 — Clowns, beggars & street sellers

Important excerpts

Passages from this character's speech that contain the most distinguishing words for Cluster 0 (shillings, tom, guts, mutton, wares, dan…). Matches are highlighted.

live by, is with the Aule: I meddle with no Tradesman's matters, nor women's mat ters; but withal I am indeed Sir, a Surgeon to old shoes: when they are in great danger, I recover them. As pro per men as ever trod upon Neats Leather, have gone up on my handiwork. Truly sir, to wear out their shoes, to get my self into more work.

Full speech

Truly Sir, in respect of a fine Workman, I am but as you would say, a Cobbler. Nay I beseech you Sir, be not out with me: yet if you be out Sir, I can mend you. A Trade Sir, that I hope I may use, with a safe Conscience, which is indeed Sir, a Mender of bade souls. Why sir, Cobble you. Truly sir, all that I live by, is with the Aule: I meddle with no Tradesman's matters, nor women's mat ters; but withal I am indeed Sir, a Surgeon to old shoes: when they are in great danger, I recover them. As pro per men as ever trod upon Neats Leather, have gone up on my handiwork. Truly sir, to wear out their shoes, to get my self into more work. But indeed sir, we make Holy day to see Caesar, and to rejoice in his Triumph.

Plot summary

Plot — Julius Caesar
Caesar returns to Rome triumphant over Pompey. He is warned to beware the Ides of March, and later offered the crown, which he refuses. Meanwhile Cassius sounds out Brutus’ attitude to Caesar’s ambition, and determines to screw him up to conspiracy. Supernatural portents disturb the night before the Ides of March. Brutus convinces himself that Caesar must be assassinated to prevent him establishing himself as a monarch. The conspirators meet at his house, and Brutus insists on limiting the scope of the plot. Cicero is not to be taken into their confidence, Mark Antony is to be spared, and only Caesar murdered. After the conspirators have left, Portia forces Brutus to take her into his confidence. The portents and Calpurnia’s anxiety persuade Caesar to stay at home, but Decius convinces him to go to the Senate as arranged. Artemidorus tries to give him a letter warning against the conspirators, but he refuses to read it. He is stabbed to death, and confusion ensues. Against Cassius’ wishes, Brutus agrees that Antony may speak at Caesar’s funeral. Brutus’ speech justifying the assassination temporarily convinces the mob, but Antony’s rhetoric, and a bequest in Caesar’s will, turns them against the conspirators. Brutus and Cassius flee Rome. In the riots that follow, the conspirators’ houses are burned and Cinna the poet killed, mistaken for the conspirator of the same name. Antony, Octavius, and Lepidus seize power, draw up a death list, and make preparations for war with Brutus and Cassius. Portia commits suicide. Brutus and Cassius quarrel, but reconcile themselves as friends. They determine to give battle at Philippi rather than waiting for Antony and Octavius to come to them at Sardis. Brutus is visited by Caesar’s ghost, which tells him that they will meet again at Philippi. The two armies face off at Philippi, and Cassius, mistakenly thinking that his side is beaten, commits suicide. Once the day really is lost, Brutus has difficulty in finding a friend willing to help him do the same; finally Strato holds his sword while he runs on it and dies. Antony and Octavius, victorious, pay him tribute and promise him an honourable burial.