Early Modern Drama · Character Archetypes

CREON

in Medea (Seneca's Seventh Tragedy) — Studley, John, trans.; Seneca, Lucius Annaeus

Metadata

PlayMedea (Seneca's Seventh Tragedy)
AuthorStudley, John, trans.; Seneca, Lucius Annaeus
Year (catalogued)1566
First performance1566
Decade1560s
GenreTragedy
Play typeCloset Translation
Speech prefix(es)Cre.
Words525
Characters2821
Typicality0.34 (cosine to cluster centroid)
TCP idA11912
BritDrama no.422
ClusterCluster 3 — Citizens, tradesfolk & neighbors

Important excerpts

Passages from this character's speech that contain the most distinguishing words for Cluster 3 (numps, numpes, blastfield, wares, parson, nidden…). Matches are highlighted.

ought to have be gone away, With keeping such a cham why dost thou make so long delay? ¶Away: with loving fryndely gripe thy children I embrace, And as a father natural take pity on their case. ¶With craft intending some deceit thou cravest this delay. ¶No jot of time is short enough dysplesure to prevent. ¶Although against

Full speech

¶Alas the guiltless woman does demand a reason Why: ¶The princes pour thou shalt obey, bit either right or wrong. ¶Avant, & yell out thy complaints at Colchis, get thee hence. ¶Alas to la e arise Entreating words, when as decree is taken otherwise. ¶While Pelias trusted to thy talk, from life to death be fell. Go to, Begin, we gyve you leave your goodly tale to tell. ¶How I am none that tyrant like with churlish scepter reign, Nor proudly or disdainfully, with haughty courage hie, with vau ̄ ting foot do stamp the ̄ down that undertrodden lie, And daunted are in careful bale, this plainly doth disclose, In that to me of late I such a son in law have chosen, Who was a wandering pylgrim poor, with soar afflictions fraught, Dysmayde with terror of his foe, that say for him in weight. Because Acastus having God the crown of Thessail land, Requireth in thy guilty blood to bath his wreackfull hand. He doth bewail that good old man his fyble father slain, Whom weight of years with bowing back to stoop allow constrain The godly minded sisters, all yblynde with mystye vale And cloaking colour oh thy craft durst ventrusly a sail. That mount of myfcheife merueylus, to mangle eaw, and cut, Their father's dear unjointed lyam In boiling called on put. But for thy open gyl ynes if thou can purge the same, Straight ason can discharge him self from blot of guilty blame. His gentle hands were never stained with gore of any blood. Aloof from your con piracy refraining far he stood. His harmless hands put not in r with gory tools to mell. But thou that see st on fire First that see mighty mischiefs fell, Who ̄ shameless woman's will e brain and manly stomach stout Do et a gog, for to a tempt to bring all ils about. And no regard at all thou hast, how scundyng trump of fame With ringing blast of good or ill do blow abroad thy name: Get out and cleanse my isled realm away tog there b are Thine herbs unmild of sorcery, my Lyeges rid from fear. Transport thee to some other land, whereas thou may at ease With odious noys of dium lish charm, the troubled Gods disease. ¶time is expierd, by which thou ought to have be gone away, With keeping such a cham why dost thou make so long delay? ¶Away: with loving fryndely gripe thy children I embrace, And as a father natural take pity on their case. ¶With craft intending some deceit thou cravest this delay. ¶No jot of time is short enough dysplesure to prevent. ¶Although against thy earnest suit unlucky dread do strive, One day to settle thee away content I am to gyve. ¶Make speed apace if from our land thou get thee not away, Ere Phaebus horse with golden glede their streaming beams do shed, Of dawning lamp, thou art condemd to less thy wretched head. The holy day and brydall both do call me hence away: And wills me at the sacred aare of Him neus to pray.

Plot summary

Plot — Medea (Seneca's Seventh Tragedy)
For Jason’s sake, Medea has betrayed her father, killed her brother, and abandoned her country; she has also caused the death of his enemy, Pelias. But now he has divorced her and is about to marry the daughter of King Creon. She calls on the gods for revenge, and asks her feminine pity and fear to be taken from her. The wedding takes place, and Medea plans to burn the palace in vengeance. Creon banishes her, ignoring her insistence on having a proper trial, but allows her the rest of the day to say goodbye to her two children. Jason points out to her that Creon would have had her executed without his intervention: her presence in Corinth is causing diplomatic difficulties with the son of Pelias. Noting the intensity of Jason’s love for their children, she sees a way of avenging herself. Medea prepares a poison and calls on Hecate. She wounds herself to provide an oblation of her own blood, and impregnates a gown with the poison, then sends the children to present it to the bride as a wedding gift. The poison takes fiery effect and the palace is burned to the ground; Creon and his daughter are immolated with it. Medea exults in the atrocities she has committed, and, after initial hesitation, takes her revenge on Jason by killing one of her sons. When she shows him the body, Jason tries persuade her to spare the other, but she kills the boy in his presence, then escapes in a flying chariot drawn by dragons.