Early Modern Drama · Character Archetypes

NURSE

in The Rebellion — Rawlins, Thomas

Metadata

PlayThe Rebellion
AuthorRawlins, Thomas
Year (catalogued)1640
First performance1638
Decade1640s
GenreTragedy
Play typeAdult Professional
CompanyKing's Revels Company
Speech prefix(es)Nur. | Nurs.
Words390
Characters2058
Typicality0.45 (cosine to cluster centroid)
TCP idA10495
BritDrama no.2413
ClusterCluster 1 — Wives, widows & intimate counsel

Important excerpts

Passages from this character's speech that contain the most distinguishing words for Cluster 1 (nony, tailors, butler, mall, jesu, massinissa…). Matches are highlighted.

am Worn threadbare, would not be turned and live a marriage life To purchase Heaven? Yes my deer Madam Heaven, whither My most sweet Lady but to Heaven? hell's a Tailors warehouse; he has the Keys, and sits In triumph cross legged over the mouth: It is no place of horror. There's no flames made blue with Brimstone; But the bravest
I'll be here anon, I will Dove. Exit. Upon my Virginity wonderful handsome: Dear, when we are married I'll have such a one; Shall I not chicken? would. Truly you Tailors are the most sanctified members Of a Kingdom: How many crooked and untoward bodies have You set upright, that they go now so straight in their Lives and conversation,
have You set upright, that they go now so straight in their Lives and conversation, as the proudest on them all? Well said my birds eye, stand for the credit of Tailors while thou livest; wilt thou not Chuck? Would, sayest thou my deer? Madam your will's obeyed: Yet I can hardly pass from thee my love. At such a sudden warning.

Full speech

Madam not yet. Truly, insooth, and in good deed law Madam The stripling is in love deep, deep in love. Hey-hoe, truly madam it's a fortune, Cupid good lad, praised be his godhead for't Has thrown upon me, and I am proud on't; Oh it's a youth joccond as sprightly May, One that will do discreetly with a wife, Board her without direction from the stars, Or counsel from the Moon to do for Physic; No, he's a back;—Oh it's a back indeed. Beside, he is of all that conquering Calling, A Taylor madam; Oh it's a taking Trade: What Chambermaid, with reverence may I speak, of those lost Maiden heads, Could long hold out against a Taylor? What aged Female, for I must confess I am Worn threadbare, would not be turned and live a marriage life To purchase Heaven? Yes my deer Madam Heaven, whither My most sweet Lady but to Heaven? hell's a Tailors warehouse; he has the Keys, and sits In triumph cross legged over the mouth: It is no place of horror. There's no flames made blue with Brimstone; But the bravest silks, so fashionable: Oh I do long to wear such properties. Come hither love, sweet chuck My Lady calls. Nay Madam it's a youth, I praise my stars For their kind influence, a woman may be proud on, And I am. Oh it's a youth in print, a new Adonis, And I could wish, although my glass tells me I'm wondrous fair, I were a Venus for him. La you there Madam. I go Duck, I'll be here anon, I will Dove. Exit. Upon my Virginity wonderful handsome: Dear, when we are married I'll have such a one; Shall I not chicken? would. Truly you Tailors are the most sanctified members Of a Kingdom: How many crooked and untoward bodies have You set upright, that they go now so straight in their Lives and conversation, as the proudest on them all? Well said my birds eye, stand for the credit of Tailors while thou livest; wilt thou not Chuck? Would, sayest thou my deer? Madam your will's obeyed: Yet I can hardly pass from thee my love. At such a sudden warning. A kiss and then I go, so; farewell my Duck. Exit. Oh it's my love. I come. Exit. Madam, your Brother.

Plot summary

Plot — The Rebellion
Machvile envies Antonio his popularity and also covets the crown. When the French, under Raymond the Moor, lay siege to Seville, Machvile engineers Antonio’s downfall at a council of war: he speaks for a military strategy, Antonio responds with a proposal to make peace, and the city’s Governor accuses Antonio of treason and cowardice; this provokes Antonio into killing the Governor. Antonio flees to his home, where he is appalled to find his sister Evadne kissing the tailor Giovanno. Before he can do more than protest, he is arrested by Machvile, who has succeeded to the governorship; but Giovanno and other tailors rescue him and he goes into hiding among them. Despite Giovanno’s help, Antonio is unable to sanction his love for Evadne, being bound by a deathbed promise to his father only to allow her to marry a nobleman. Machvile’s aggressive strategy is put into effect: the Spanish break out of their besieged city and defeat the French; Giovanno captures Raymond, but Machvile takes charge of the prisoner and banishes the heroic tailor. Planning to seize the Spanish throne, he proposes an alliance with Raymond to divide the country between them, planning all the while to kill the Moor once his object is achieved. Meanwhile the captive Raymond looks for a way to communicate with France and ask for additional troops. Antonio is told in a dream to flee, but is found, arrested, and sentenced to be ground to death in a mill. Aurelia, daughter of the captain of the mill, falls in love with him at first sight, asks for the privilege of execution herself, and helps him to escape in disguise. Evadne is banished, but Giovanno meets her and rescues her from rape at the hands of bandits. Antonio finds them together, but Aurelia, fleeing with him, identifies Giovanno as her brother Sebastiano: he has adopted the guise of a tailor in order to woo Evadne. The King comes to Seville incognito and stays with an old tailor, Giovanno’s employer, who has overheard Machvile’s plotting. Antonio and Sebastiano get confirmation in disguise, Antonio as a physician attending Machvile’s wife and Sebastiano as a French cobbler whom Raymond engages as a messenger to the court of France, giving him his ring for authentication (which Sebastiano uses to dismiss the remaining French troops). The grateful King pardons Antonio and agrees to his marrying Aurelia. The plan is to give Machvile enough rope to hang himself. The King witnesses, in hiding, a meeting at which the army colonels,…