Early Modern Drama · Character Archetypes

ROMAN

in Nero (Piso's Conspiracy) — Anonymous

Metadata

PlayNero (Piso's Conspiracy)
AuthorAnonymous
Year (catalogued)1624
First performance1619
Decade1620s
GenreTragedy
Play typeUnknown; Professional (?); Nonprofessional (?)
CompanyUnknown
Speech prefix(es)Rom:
Words179
Characters954
Typicality0.30 (cosine to cluster centroid)
TCP idA08065
BritDrama no.1917
ClusterCluster 6 — Battlefield messengers & soldiers

Important excerpts

No keyword-matching excerpt could be extracted (the cluster label doesn't share vocabulary with this character's speech).

Full speech

Fire, fire, help, we burn. Oh round about, here, there, on every side. The girdling flame, does with unkind embraces Compass the City. Alas there are a many there with weapons, Aod whither it be for pray, or by command, They hinder: nay, they throw on firebrands. Oh all goes down, Room falls from the Roof, The wind's aloft, the conquering flame turns all Into it self; Nor do the Gods escape, Pleidds burns, Jupiter Stator burns. The Altar now is made a sacrifice; And Vesta mourns, to see her Virgin fires Mingle with profane ashes. Though not deserved, yet once gain I come, To warn thee to take pity on thy self; The troops by the Senate sent, descend the hill And come. Thou hast no choice. They are at hand; hark, thou mayest hear the noise. So base and end all joust commiseration Does take away, yet what we do now spurn, The morning Sun saw fearful to the world. Thus great bade men above them find a rod: People depart, and say there is a God.

Plot summary

Plot — Nero (Piso's Conspiracy)
The Emperor Nero celebrates his latest triumph : not a military victory, but success in a singing and acting competition against the Greeks; he also has one of his critics executed. He gives a performance in the role of Orestes; the theatre is guarded so that the audience cannot escape, and those who do not respond with due enthusiasm are marked down for execution. Deciding that he has treated Rome too lenien:tly, he has the city burned down . The wind blows the fire back towards the palace, and his own possessions are destroyed. . Antonius loves _ the Empress Poppaea, despite Petronius' efforts to persuade him to settle for someone of lower rank. Poppaea refuses Antonius, preferring Nymphidius, who has cultivated her affections as a means to make himself Emperor. Scaevinus broaches --a conspiracy to assassinate Nero, thinking it demeaning to have _an Emperor so dedicated to artistic pursuits. Piso is recruited, and the plotters discuss the best way to assassinate Nero; but they are overheard by the freedman Milichus, who reports them to Nero. Piso commits suicide; other conspirators are arrested, and Nero institutes a purge of their sympathizers. Petronius is arrested and executed simply because Tigellinus has -a score to settle with him. A young man is executed merely for pitying Piso's death; Poppaea tries to save him because he resembles a former lover of hers, so Nero kicks her to death in a rage. News arrives from France that Vindex has revolted and chosen · Galba as Emperor. Nymphidius spreads rumours that Nero has resigned, and tries both to curry favour with Galba's agents and to buy military support for his own ambitions. Nero is condemned by the Senate and commits suicide . Nymphidius is killed by Galba's supporters.