No keyword-matching excerpt could be extracted (the cluster label doesn't share vocabulary with this character's speech).
Full speech
What monstrous ugly hag is this, That dares comtrowle the pleasures of our will? Vaunt churlish cur, besmearde with gory blood, That seemest to check And stifle the Blush, monster blush, and post away with shame, That seekest disturbance of a goddess deeds. Vaunt bloody cur e, nur to up with tigers sap, That so dost seek to quail a woman's mind, Comedy is mild gentle, willing for to please, And seeks to gain the love of all estates Delighting in mi that mixed all with lovely ales And brings things with reble joy to pass e, Thou bloody, Envious, disdainer of men's joy, Whose name is fraught with bloody stratagems, Worser lights in nothing but in spoy e and deam h, Where blood, And Yet veil thy mind, revenge thou not on me, A silly woman begs it at thy hands, Give me the leave to utter out my play, Forbear this place, I humbly crave thee hence, And mix not death amongst pleasing comedies, That treats nought else but pleasure and delight. If any spark of human rests in thee, Forbear, be gone, tender the suit of me. Then ugly monster do thy worst, I will defend them in despite of thee: And thought thou thinkest with tragic fumes To brave my play unto my deep disgrace. I force it not, I scorn what thou canst do I'll grace it so, thy self shall it confess: From tragic stuff to be a pleasant comedy And I'll defend them maugre all thy spite So ugly fiend frewell, tell time shall serve, That we may meet to parley forth best Then cai ife cum said, stoop upon thy knee, Yield to a woman, though not to me, And pray we both together with our hearts, That she thrice Nestor's years may with us rest, And from her foes high God defend her sti l. That they against her m y never wooke Thy will. The counsel, Noble, and this Realm, Lord guide it still with thy most holy hand, The Commons and the subjects grant them grace Their prince to serve, her to obey, & reason to deface: Long may she rain, in joy and great felicity, Each Christian heart do say amen with me, How now Envy, what blushest thou all ready, Peep forth, hide not thy head with shame, But with a courage praise a woman's deeds, Thy threats were vain, thou couldst do me no hurt Although thou seemest to cross me with despite, ouerwhel de, and turned upside down thy block And made thy self to stumble at the same.
Plot summary
Plot — Mucedorus (and Amadine)
The princess Almadifle and her fiancé S@pasto are attacked by a bear as they walk in the forest. Segasto runs away, but the shepherd MuG@d@Fus saves Amadine’s life by killing the bear. Envious of the honour promised to Mucedorus, Segasto suborns the war hero (PEMielio to murder him, but in the event 1591 Mucedorus kills Tremelio instead. Charged with murder, Mucedorus pleads self-defence but is sentenced to death. Amadine produces the bear’s head in his defence, and the King rescinds the sentence. Segasto sends Mucedorus a false message that he has been banished from the court. Amadine, who has transferred her affections to Mucedorus, asks to go with him, and they arrange a rendezvous; but Mucedorus is delayed, and Amadine is accosted by the cannibal BRémi®. Struck by her beauty, he decides not to eat her, but instead makes her his queen and lives with her in the woods. Mucedorus evades his pursuers by disguising himself as a hermit, but is attacked by Bremo. Not knowing his identity, Amadine pleads for his life, and Bremo allows him to join them in their woodland ménage. When Bremo tries to teach his guest to fight, however, Mucedorus seizes the opportunity to kill him, then reveals his identity to Amadine. The couple are found by M@USe, Segasto’s servant, and they are taken back to court. Amadine insists that she will marry Mucedorus notwithstanding his lowly status, whereupon he reveals that he is actually of royal birth: he came to Aragon in disguise to woo her. On learning this, Segasto withdraws his suit to Amadine in Mucedorus’ favour, and the King welcomes him formally to the court and consents to the marriage. B-Text This version adds an opening scene which establishes Mucedorus’ true identity as a prince going incognito to Aragon to woo Amadine (whereas in the A-text this is only revealed at the end of the play). Further additions show the King of Valencia learning where his son has gone and following him to Aragon, arriving in time to be present at the marriage.