Early Modern Drama · Character Archetypes

MASTER GALLIPOT

in The Roaring Girl, or Moll Cutpurse — Dekker, Thomas; Middleton, Thomas

Metadata

PlayThe Roaring Girl, or Moll Cutpurse
AuthorDekker, Thomas; Middleton, Thomas
Year (catalogued)1611
First performance1611
Decade1610s
GenreComedy
Play typeAdult Professional
CompanyPrince Henry's Men
TheaterFortune;Outdoor Professional
Speech prefix(es)Maist. Gal. | Maist. Gal, | Maist. Gall: | Maist. Gall.
Words1121
Characters5801
Typicality0.38 (cosine to cluster centroid)
TCP idA07524
BritDrama no.1633
ClusterCluster 1 — Wives, widows & intimate counsel

Important excerpts

Passages from this character's speech that contain the most distinguishing words for Cluster 1 (nony, tailors, butler, mall, jesu, massinissa…). Matches are highlighted.

fiye Pru, fie, come. Up and ride, nay my pretty Pru, thats far from my thought, duck: why mouse, thy mind is nibbling at something, whats is't, what lies upon thy Stomach? Thou art a sweet drug, sweetest Pru, and the more thou art pounded, the more precious. Woman's secrets. It is my love deer wife. No Pru? why I hope I have handled.—

Full speech

Come wenches come, we're going all to Hogs den. I to Hogsden pigs nigh. Faith thats well—hum—pist—pist. Come Mistress Openworke you are so long. What Pru, Nay sweet Prudence. Nay honey Pru: how does your rising up before all the table show? and flinging from my friends so uncivilly, fiye Pru, fie, come. Up and ride, nay my pretty Pru, thats far from my thought, duck: why mouse, thy mind is nibbling at something, whats is't, what lies upon thy Stomach? Thou art a sweet drug, sweetest Pru, and the more thou art pounded, the more precious. Woman's secrets. It is my love deer wife. No Pru? why I hope I have handled.— Would, would, 'tis such a wasp; it does me good now to have her sing me, little rogue. Upon my life she breeds, heaven knows how I have strained my self to please her, night and day: I wonder why we Citizens should get children so fretful and unto ward in the breeding, their father's being for the most partly as gentle as milch kine: shall I leave thee my Pru. Thou shalt not be vexed no more, pretty kind rogue, take no cold sweet Pru. Nay, nay, wife, the women are all up, would, how, reading a letters? I smel a goose, a couple of capons, and a gam mon of bacon from her mother out of the country, I hold my life,—steal,—steal. What letter's that? I'll see't. What ails my Pru? what paper's that thou tearest? Dear woman. As thou desirest to keep me out of bedlam, tell what troubles thee, is not thy child at nurse fallen sick, or dead? Heavens bless me, are my barns and houses Yonder at Hockly hold consumed with fire, I can built more, sweet Pru. My factor broke, or is the Jonas sunk. I'm at my wits end. Defend me wisdom, From falling into frenzy, on my knees. (thy bosom. Sweet Pru, speak, whats that Laxton who so heavy lies on I shall run mad for company then: speak to me, I'm Gallipot thy husband,— Pru, —why Pru. Art sick in conscience for some villainous deed Thou Wertenberg about to act, didst mean to rob me, Tush I forgive thee, hast thou on my bed Thrust my soft pillow under another's head? I'll wink at all faults Pru, las thats no more, Then what some neighbours near thee, have done before, Sweet honey Pru, whats that Laxton? Out with him. I never herd this thunder. My heart will break,—shamed and undone for ever. If thou shouldst wrestle with him at the law, Th'art sure to fallen, no odd slight, no prevention. I'll tell him th'art with child. Before I lose thee my deer Pru; I'll driven it to that push. I'll buy thee of him, stop his mouth with Gold, Thinkest thou 'twill do. Forty Pru, say thou the word 'tis done, we venture lives for wealth, but must do more to keep our wives, thirty or forty Pru. Yes indeed la sir, very ill, very ill, never worse, Welcome brother, most kindly welcome sir. It shall be so, because a crafty knave Shall not out reach me, nor walk by my door With my wife arm in arm, as 'twere his whore, I'll give him a golden coxcomb, thirty pound: Tush Pru what's thirty pound? sweet duck look cheerly. Let me deal with him. Be you blessed too sir if you come in peace. Be wise sir, let not you and I be tossed On Lawyers pens; they have sharp nibs and draw Men's very heart blood from them; what needs you sir To beat the drum of my wives infamy, And call your friends together sir to prove Your precontact, when sh'has confessed it? Sh'has in-faith to me sir, upon your letter sending. Good sir. Alas sir, You make her flesh to tremble, frighr her not, She shall do reason, and what's fit. But one word good sir. I married her, have line with her, and goy Two children on her body, think but on that; Have you so beggarly and appetite When I upon a dainty dish have fed To dine upon my scraps, my leavings? would sir? Do I come near you vow sir? Would not you scorn to wear my clothes sir? Then pray sir wear not her, for she's a garment So fitting for my body, I'm loath Another should put it on, you will undo both. Your letter (as she said) complained you had spent In quest of her, some thirty pound, I'll pay it; Shall that sir stop this gap up betwixt you two? Yes deer wife: pray sir come in, ere Master Thou shalt in wine drink to him, So sir. You pocky-nosed rascal, what slave fees you to this? Trust me I thought sir this storm long ago had be full laid, when (if you be remembered) I paid you the last fifteen pound, beside the thirty you had first,—for then you swore. Sweet Pru be calm, the Gentleman offers thus, If I will make the moneys that are passed A 100 pound, he will discharge all courts, And give his bound never to vex us more. I pray who plays a knack to know and honest man in this company? A very clean shift: but able to make me lousy, On. My bed? would, would, Like enough, a shopboard will serve to have a cuckolds coat cut out upon: of that we'll talk hereafter: you're a villain I am muzzled for biting sir, use me how you will. Yet Pru it's well: play out your game at Irish sir: Who wins? If this no gullery be sir, Then sir I am beholden (not to you wife) But Master Laxton to your want of doing ill, Which it seems you have not Gentlemen, Tarry and dine here all. We'll crown our table with it: wife brag no more, Of holding out: who most brags is most whore. Push, let your boy led his water Spaniel along, and weel show you the bravest sport at perilous pond, he trug, he trug, he trug, heres the best duck in England, except my wife, he, he, he, fetch, fetch, fetch, come lets away Of all the year this is the sportfulst day. What means this? Or give out one of my men was taken a bed with thee. He shall have thirty pound, let that stop all: Loves sweets taste best, when we have drunk down Gall. Gods so, our friends; come, come, smooth your cheek; After a storm the face of heaven looks sleek. With me sir? Where sir? what says he? And hundred pound? A'the top of you wife: on.

Plot summary

Plot — The Roaring Girl, or Moll Cutpurse
Sebastian Wengrave was contracted to marry Mary Fitzallard until his father, dissatisfied with the dowry, cancelled the arrangement; Sebastian plans to reverse 1611 his father’s decision by pretending infatuation with Moll Cutpurse. Sir Alexander employs Trapdoor to enter Moll’s service as a spy and agent provocateur. Trapdoor forewarns Sir Alexander of an assignation between Sebastian and Moll, and they plot to entrap her in.a false charge of theft. In fact, Moll uses the meeting to bring Sebastian together with Mary. Sir Alexander eavesdrops on them and gives Moll counterfeit coins. Moll recognizes Trapdoor as a spy and sacks him. He turns to begging, posing as an discharged soldier, but she sees through his disguise and buys his true allegiance. Sir Alexander hears that Sebastian has absconded with Moll to get married, but is stymied when Trapdoor brings him additional, contradictory (and false) information about their movements. This enables Sebastian to carry out his clandestine marriage with Mary unmolested. Relieved that his son has not married into the criminal classes after all, Sir Alexander settles lands on the couple and forgives Moll. In the second plot, Laxton and Goshawk are having adulterous affairs with the citizen wives, Mistress Gallipot and Mistress Openwork. Laxton also has a date with Moll, but changes his mind about it when she turns up cross-dressed. He sends Mistress Gallipot a love-letter and asks her for money. Gallipot catches her reading it, and she lies that Laxton had a prior claim to marry her but was thought to be dead. She persuades him to buy off his rival with the money Laxton had asked for. As a practical joke, Laxton pretends to use the deception to extort further money, but then repays the thirty pounds he first received from Gallipot. Meanwhile, Openwork outmanoeuvres Goshawk by claiming to be an adulterer himself. Goshawk tells Mistress Openwork, but she sees through it as merely a seduction gambit, proving her fidelity and enabling her husband to shame the rake into penitence. In the third plot, Sir Davy Dapper attempts to discipline his son’s prodigality by having him arrested and imprisoned, but Moll and Trapdoor help him to escape. Afterwards Moll saves him and his friends from being robbed by some cutpurses, whom she recognizes. She explains that her knowledge of petty criminals and their practices does not make her a cutpurse herself.