Early Modern Drama · Character Archetypes

DUKE

in The Phoenix — Middleton, Thomas

Metadata

PlayThe Phoenix
AuthorMiddleton, Thomas
Year (catalogued)1607
First performance1604
Decade1600s
GenreComedy
Play typeBoys Professional
CompanyChildren of Paul's (second)
Theaterbefore the Court;
Speech prefix(es)Duke. | Du. | Du | Duk. | Duk
Words852
Characters4563
Typicality0.43 (cosine to cluster centroid)
TCP idA07507
BritDrama no.1420
ClusterCluster 8 — Martial kings & Roman gravity

Important excerpts

No keyword-matching excerpt could be extracted (the cluster label doesn't share vocabulary with this character's speech).

Full speech

I know that life Has not long course in me, 'twill not be long Before I show that Kings have mortal bodies As well as Subject's, therefore to my comfort, And your successful Hope's I have a Son Whom I dare boast of;— It shall be so, what is in hope begun, Experience quickens, travail confirms the man, Who's else lives doubtful, and his days oft sorry, "Who's rich in Knowledge, ha the stock of glory. Some one attend our Son. O you come well. Your Serious studies, & those fruitful hours That grow up into judgement, well become Your birth, and all our loves: I weep that you are my son, But Virtuously I weep, the more my gladness: We have thought good and meet by the consent Of these our Nobles, to move you towards Travail, The better to approve you to your self And give your apter power, foundation: To see affections actually presented, Ee'n by those men that owe them, yield more profit, I more content, then singly to read of them, "Since love or fear, make Writers partial, The good and free example which you find, In other Countries, match it with your own, The ill to shame the ill, which will in time, Fully instruct you how to set in frame, A kingdom all in pieces. I do not Like that strain, You know my age affords not to live long. Bestow that wish upon the Prince our Son. How now, what fresher news fills the Courts ear? Our joy breaks at our eyes, the Prince is come! What's here my Lord? I have God such a large portion of knowledge, most worthy father, by the benefit of my Travail, That I am bold now to warn you of Lord Proditors insolent Treason, who has irreligiously see duc'd a fellow, and closely conveyed him ee'n in the pre sence-chaire to murder you: What was that fell? whats he? Let me admire heaven's wisdom in my Son. Dost thou make false our Son? A guard. Stay you, I find you here too. Against Lussurioso and Infesto, who not only most ryotouslye consume their houses in vicious Gam ming, mortgaging their livings to the Merchant, where by he with his heirs enter upon their lands, from whence this abuse comes, that in short time the Son of the Merchant has more Lordship's then the Son of the Nobleman(which else was never born to inheri tance) but that which is more impious, they most adul terously train out young Ladies to Midnight ban quets, to the utter defamation of their own honours, & ridiculous abuse of their Husbands. What are you named? I cannot with sufficient joy receive thee, And yet my joy's too much, Our word's not vain, I know thee wise canst both obey and reign, The rest of life we dedicate to heaven. What's he? a guard! He that knows how to obey, knows how to reign And that true knowledge have we found in you, Make choice of your Attendants. What none but he? 'Tis most welcome. It shall be Dear and precious to our Eye. Falso, you came fitly, You are the very next that follows here. Against Justice Falso. Who having had the honest charge of his Niece committed to his trust, by the last will and Test ament of her deceased father, and with her all the pow er of his wealth, not only against faith and conscience detains her Dowry, but against Nature and humanity assays to abuse her body. Are you the plaintive here? Seldom comes a worse—and moreover not containde in this vice only, which is odious to much, but against the sacred use of Justice, maintains three threeues to his men. Who only take Purses in their Masters liber tie, where if any one chance to be taken, he appears be before him in a false Beard, and own of his own fellows takes his examination. And in the end will execute Justice so cruelly upon him, that he will not trust him in a prison, but commit him to his fellows chamber. MY Lords, Know that we far from any natural pride Or touch of temporal sway, have seen our face In our graven counsels foreheads: where does stand Our truest glass, made by Times wrinkled hand. We know wee're old, my days proclaim me so: Forty-five years, I've gently ruled this Dukedom, Pray heaven it be no fault, For there's as much disease, though not to the eye, In too much pity, as in Tyranny. You have answered us with wisdom, let it be. Things private are best known through privacy. Peace, you're too foul, your crime is in excess: One spot of him, makes not your Ulcers less. To thee let Reverence all her powers en gage, That art in youth a miracle to age. State is but blindness, ethou hadst piercing Art, We only saw the knee; but thou the heart. To thee then power and Dukedom we resign, He's fit to reign, whose knowledge can refine: Did your Violence force away his Niece?

Plot summary

Plot — The Phoenix
The old Duke of Ferrara has reigned 45 years, and is now near death. He accepts his nobles’ advice that his son, ===== PAGE 76 ===== Prince Phoenix, should travel to other nations in order to prepare himself for government. Phoenix suspects a stratagem to have him out of the country at the time his father dies, jeopardizing the succession, so he decides instead to travel incognito within Ferrara itself, witnessing abuses which require reformation, but which would be concealed from a visitor known to be of high rank; he will be attended only by his servant Fidelio. Fidelio has a new stepfather, a sea-captain: against all advice, his mother Castiza has remarried, only to find herself tied to an abusive bully. The captain also regrets the marriage and is looking for a way out of it; so he agrees to sell his wife to the courtier Proditor. Phoenix and Fidelio hear of this and infiltrate the sales meeting in disguise: Fidelio poses as the scrivener who has.drawn up the contract, and Phoenix as a potential investor in the captain’s next voyage. Once the contract is signed and the money handed over, they confront the captain and force him to go into exile, giving the money to Castiza. Fidelio’s girlfriend has just lost her father, whose will leaves her in the custody of her uncle, the corrupt Justice Falso. He proposes to marry her, threatening to withhold payment of her dowry if she should marry anyone else (such as Fidelio). Fidelio goes to see her in disguise, bringing a letter and gift from himself, but on the way he and Phoenix are attacked by robbers and the token is stolen. The thieves are in fact Falso’s servants in disguise, seeking to supplement the meagre wage he pays them. Phoenix captures one of them and has him brought before a judge; but this happens to be Falso himself, and he commits the prisoner to the custody of the other servants, his accomplices. The niece explains to Phoenix what has happened and absconds with him and Fidelio. Falso also abets his own daughter’s adultery with her husband’s brother, a knight. She sets up an assignation, promising to give him money: he is gently to disturb the door-knocker after her jeweller husband has gone to bed, whereupon the maid will let him in. Phoenix accidentally gives the signal and is admitted by mistake. Meeting him in darkness, the wife does not notice the error, and gives him the money. Meanwhile the knight is arrested for debt. He takes the officers to his lover’s house, expecting to receive the…