No keyword-matching excerpt could be extracted (the cluster label doesn't share vocabulary with this character's speech).
Full speech
What at a stand? the fitter for my company? How now man? Lase did the quickness of my presence fright thee? Leave, leave, are you not ashamed to use such words to a woman? Remember. Once so firm and now so hollow? When was place and season sweeter? Thy bliss in sighed and darest not meet her? Where's thy courage youth and vigor? Loves best pleased, whent's seared with rigour: Ceare me then with veins most cheerful, Women love no flesh that's fearful; 'Tis but a fit, come Drinck't away, And dance and sing, and kiss and play—Fa le La, le la, Fa le la, le la la; Fa le la, fa la le La le la. A devil? feel, feel man, has a devil flesh and bone? The man has a delight to make me tremble; Are these the fruits of thy adventurous Love? Was I entisst for this? to be soon rejected? Come, what has changed thee so, Delight; Have I this meeting wrought with cunning. Which when I come ̄ e I find thee shunning? Rouse thy amorous thoughts and twine me, All my interest I resign thee: Shall we let slip this mutual hour, Comes so seldom in her power? Where's thy lip, thy clip, thy fathom? Had Women such loves. would't not mad they? Art a man? or dost abuse one? A Love! and knowest not how to vse-one? Come, isle teach thee— Fa le la, fa le la, fa la la, loh. Fa le la, fa le la, fa la la loh. Stamps—
Plot summary
Plot — A Mad World, My Masters
Sir Bounteous Progress is much sought after for his generosity, but one person who has not benefited is his heir, Follywit. Down on his luck, Follywit decides to take some of his inheritance early. He poses as a lord and invites himself to stay with Sir Bounteous, and, during the night, changes clothes and burgles the house. Sir Bounteous is aghast that a lord has been robbed under his roof, and reimburses Follywit’s pretended losses. Harebrain is suspicious of his wife: he hires men to watch the house, takes away her bawdy reading matter, and allows her only the company of Lady Gullman, whom he takes for a pious virgin. In fact, Gullman is a courtesan working as a go-between for Penitent Brothel, and devises a plan to allow him access: she feigns sickness, and Harebrain allows his wife to visit her; Penitent Brothel poses as her physician. Other visitors include Sir Bounteous, Gullman’s principal client, and two other would-be clients, all of whom give money to ‘the doctor’. Mistress Harebrain arrives and has sex with Penitent Brothel. Meanwhile Gullman pretends to hold a conversation with her for the benefit of the eavesdropping Harebrain, who takes his wife home confident in her chastity. Worried that Sir Bounteous may leave his estate to a courtesan, Follywit poses as Gullman, visits the knight’s country house, and steals jewels. Back in London, he persuades Gullman to marry him on the expectation of his inheritance, not realizing who she is. Meanwhile, Penitent Brothel undergoes a spiritual conversion: his horror at his own lust is compounded by an encounter with a succubus in the shape of Mistress Harebrain. He visits the real Mistress Harebrain, partly to establish that it wasn’t her and partly to apologise for having endangered her chastity. Harebrain overhears them and is delighted. The Harebrains are invited to a feast at Sir Bounteous’s house. Follywit and his associates, disguised as actors, provide the entertainment, a comedy entitled The Slip, and Follywit persuades Sir Bounteous to hand over more valuables, including a watch, for use as props. The ‘actors’ are arrested escaping with their loot, but Follywit improvises to suggest that the constable is only a character in the ===== PAGE 231 ===== 1605 play. They tie him up get away, but return in their own persons. The truth comes out when the stolen watch starts to chime in Follywit’s pocket. He assures Sir Bounteous that he will settle down now that he has a wife, and is discomfited to…