Early Modern Drama · Character Archetypes

TRUEPENNY

in Blurt, Master Constable, or The Spaniard's Night Walk — Anonymous

Metadata

PlayBlurt, Master Constable, or The Spaniard's Night Walk
AuthorAnonymous
Year (catalogued)1602
First performance1601
Decade1600s
GenreRomance
Play typeBoys Professional
CompanyChildren of Paul's (second)
Speech prefix(es)True. | Tru.
Words459
Characters2458
Typicality0.40 (cosine to cluster centroid)
TCP idA07492
BritDrama no.1311
ClusterCluster 1 — Wives, widows & intimate counsel

Important excerpts

Passages from this character's speech that contain the most distinguishing words for Cluster 1 (nony, tailors, butler, mall, jesu, massinissa…). Matches are highlighted.

between you and a Lover, as between a Cuckold and a Unicorn. For you do not wear a pair of ruffled, frowning, un gartered Stockings, Like a Gallant that hides his small timbered legs, with a quail-pipe boot: your hose stands upon too ma nigh points, and are not troubled with that falling sickness, which follows pale, meager, miserable,

Full speech

Nay sweet Monsieur. Of mine honesty I doubt extremely, for I cannot see the little Gods tokens upon you: there is as much diffe rence between you and a Lover, as between a Cuckold and a Unicorn. For you do not wear a pair of ruffled, frowning, un gartered Stockings, Like a Gallant that hides his small timbered legs, with a quail-pipe boot: your hose stands upon too ma nigh points, and are not troubled with that falling sickness, which follows pale, meager, miserable, melancholy Lovers: your hands are not groping continually. Signior no. Ita, true, certes, he spied, & I spitting thus, went thus. Lady Imperia (the Courtezans Zani) hath brought you this letter, from the poor Gentleman in the deep dungeon, but would not stay till he had and answer. Why sir, did my Mistress prick you with the Spanish needle of her love, before I summoned you (from her) to this parley? In your greasy pocket sir, Like one that wants a Cloak for the rain, and yet is still weatherbeaten: your hat nor head are not of the true hey-ho-blocke, for it should be broad brimmed, lymber, Like the skin of a white pudding when the meat is out: the Facing fatty: the Felt dusty, and not entered into any band, but your hat is of the nature of a lose, light, heavy-swelling wench, too strait laced: I tell you Monsieur, a Lover should be all lose from the sole of the foot rising upward; and from the Bases, or confines of the Slop, fall ling downwards: if you were in my Mistress's Chamber, you should find othergate privy signs of love hanging out there. O sir, a Page must have a Cats eye, a Spaniels leg, a whores tongue (a little tasting of the Cog) a Catchpoles hand, what he gripes is his own; and a little little baudy. By the nine Worthies, worthy Gallants not I; I a Gen tleman for Conveyance? I Sir Pandarus? would Troy then were in my breeches, and I burned worse then poor Troy: sweet Sig nior you know, I know, and all Venice knows, that my Mistress scorns double dealing with her heals. No point per mafoy, you see I have many tongues speak for me. You hold a my side, and therefore I must needs stick to you, 'tis true: I going, he followed; and following, fingered me, joust as your worship does now: but I struggled and straggled, and wragled and wragled, and at last cried Vale valete, as I do now, with this fragment of a rhyme: My Lady is grossly fallen in love, and yet her waste is slender, Had I not slipped away, you would have made my buttocks to ̄ der.

Plot summary

Plot — Blurt, Master Constable, or The Spaniard's Night Walk
Camillo and Hippolito return home to Venice after a war with France. Camillo brings the French lord Fontinelle as a prisoner, and presents him to his love Violetta. She falls for the Frenchman, so Camillo sends him to prison. Hippolito takes charge of the situation. He makes the courtesan Imperia dote on Fontinelle by sending her his picture; but Fontinelle refuses to accept her love and is taken back to his dungeon. Meanwhile Camillo’s attempts to woo Violetta back are met with rejection. Fontinelle escapes by changing clothes with Frisco, and, using Violetta’s page as a go-between, makes an assignation at a chapel, where they are secretly married. Afterwards, though, he takes up with Imperia. Camillo swears revenge on all three and leads a party of armed men to kill them and hang out their dead bodies. Violetta also goes to find her husband at Imperia’s, and is invited to join him in bed. Camillo’s men, the watch, and the Duke all arrive simultaneously at the brothel. The Duke prevents murder being done, but has Fontinelle arrested for adultery, which is a capital crime in Venice. Violetta denies that infidelity has occurred: it was all a plot laid by her and Fontinelle. In the sub-plot, Lazarillo also arrives in Venice from the wars and gets lodgings with Blurt the constable. He goes to Imperia’s house to lecture the ladies on Spanish marital conduct, and makes a nocturnal assignation with Imperia. Simperina makes another assignation with old Curvetto, but when he tries to attract her attention he is doused with water. Lazarillo is equally unlucky in his date: he falls through a trapdoor. Curvetto returns and is climbing up a rope ladder let down by Frisco when his foot slips; Frisco accuses him of trying to burgle the house, and he is arrested by Blurt. Lazarillo climbs out and he too is doused, with urine, and then arrested by Blurt. Curvetto refuses to 1601 marry Imperia to escape the death penalty, but the Duke pardons him and Lazarillo anyway, and agrees to pay the money the latter owes Blurt.